Olympus E-1 vs Panasonic GH3
The Olympus E-1 and the Panasonic Lumix DMC-GH3 are two digital cameras that were announced, respectively, in June 2003 and September 2012. The E-1 is a DSLR, while the GH3 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Olympus has a resolution of 4.9 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-1 and the Panasonic Lumix DMC-GH3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Olympus E-1 and the Panasonic GH3. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH3 is notably smaller (16 percent) than the Olympus E-1. Moreover, the GH3 is markedly lighter (25 percent) than the E-1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-1) and the Micro Four Thirds Lens Catalog (GH3). Mirrorless cameras, such as the GH3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the E-1 gets 750 shots out of its Olympus BLM-1 battery, while the GH3 can take 540 images on a single charge of its Panasonic DMW-BLF19 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | 141 mm | 104 mm | 81 mm | 738 g | 750 | Y | Jun 2003 | 1,699 | ebay.com | |
2. | Panasonic GH3 | 133 mm | 93 mm | 82 mm | 550 g | 540 | Y | Sep 2012 | 1,299 | ebay.com | |
3. | Canon 6D Mark II | 144 mm | 111 mm | 75 mm | 765 g | 1200 | Y | Jun 2017 | 1,999 | amazon.com | |
4. | Canon 7D | 148 mm | 111 mm | 74 mm | 860 g | 800 | Y | Sep 2009 | 1,699 | ebay.com | |
5. | Leica Digilux 3 | 146 mm | 87 mm | 77 mm | 606 g | 750 | n | Sep 2006 | 1,499 | ebay.com | |
6. | Nikon D500 | 147 mm | 115 mm | 81 mm | 860 g | 1240 | Y | Jan 2016 | 1,999 | ebay.com | |
7. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
8. | Nikon D7000 | 132 mm | 105 mm | 77 mm | 780 g | 1050 | Y | Sep 2010 | 1,499 | ebay.com | |
9. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ebay.com | |
10. | Olympus E-M1 | 130 mm | 94 mm | 63 mm | 497 g | 350 | Y | Sep 2013 | 1,399 | ebay.com | |
11. | Olympus E-5 | 142 mm | 117 mm | 75 mm | 873 g | 750 | Y | Sep 2010 | 1,699 | ebay.com | |
12. | Olympus E-3 | 142 mm | 116 mm | 75 mm | 876 g | 750 | Y | Oct 2007 | 1,699 | ebay.com | |
13. | Olympus E-330 | 140 mm | 87 mm | 72 mm | 637 g | 750 | n | Jan 2006 | 999 | ebay.com | |
14. | Olympus E-300 | 147 mm | 85 mm | 64 mm | 624 g | 750 | n | Sep 2004 | 799 | ebay.com | |
15. | Panasonic GH4 | 133 mm | 93 mm | 84 mm | 560 g | 500 | Y | Feb 2014 | 1,499 | ebay.com | |
16. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
17. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GH3 was launched at a somewhat lower price (by 24 percent) than the E-1, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the GH3 offers a higher resolution of 15.9 megapixels, compared with 4.9 MP of the E-1. This megapixels advantage translates into a 80 percent gain in linear resolution. On the other hand, these sensor specs imply that the GH3 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 6.78μm for the E-1). However, it should be noted that the GH3 is much more recent (by 9 years and 2 months) than the E-1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Panasonic GH3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GH3 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Olympus E-1 are 12.8 x 9.6 inches or 32.5 x 24.4 cm for good quality, 10.2 x 7.7 inches or 26 x 19.5 cm for very good quality, and 8.5 x 6.4 inches or 21.7 x 16.3 cm for excellent quality prints.
The Olympus E-1 has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC-GH3 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 125-25600.
In terms of underlying technology, the E-1 is build around a CCD sensor, while the GH3 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | Four Thirds | 4.9 | 2560 | 1920 | none | 20.0 | 9.7 | -145 | 44 | |
2. | Panasonic GH3 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 22.7 | 12.4 | 812 | 71 | |
3. | Canon 6D Mark II | Full Frame | 26.0 | 6240 | 4160 | 1080/60p | 24.4 | 11.9 | 2862 | 85 | |
4. | Canon 7D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.0 | 11.7 | 854 | 66 | |
5. | Leica Digilux 3 | Four Thirds | 7.4 | 3136 | 2352 | none | 21.0 | 10.6 | 127 | 53 | |
6. | Nikon D500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.0 | 14.0 | 1324 | 83 | |
7. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
8. | Nikon D7000 | APS-C | 16.1 | 4928 | 3264 | 1080/24p | 23.5 | 13.9 | 1167 | 80 | |
9. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
10. | Olympus E-M1 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.7 | 757 | 73 | |
11. | Olympus E-5 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.6 | 10.5 | 519 | 56 | |
12. | Olympus E-3 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.6 | 10.5 | 571 | 56 | |
13. | Olympus E-330 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 73 | 52 | |
14. | Olympus E-300 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.4 | 10.1 | -40 | 48 | |
15. | Panasonic GH4 | Four Thirds | 15.9 | 4608 | 3456 | 4K/30p | 23.2 | 12.8 | 791 | 74 | |
16. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
17. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The GH3 indeed provides for movie recording, while the E-1 does not. The highest resolution format that the GH3 can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH3 has an electronic viewfinder (1746k dots), while the E-1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GH3 has a higher magnification than the one of the E-1 (0.67x vs 0.48x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-1 and Panasonic GH3 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | optical | Y | 1.8 / 134 | fixed | n | 1/4000s | 3.0/s | n | n | |
2. | Panasonic GH3 | 1746 | n | 3.0 / 614 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
3. | Canon 6D Mark II | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.5/s | n | n | |
4. | Canon 7D | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 8.0/s | Y | n | |
5. | Leica Digilux 3 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
6. | Nikon D500 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 10.0/s | n | n | |
7. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
8. | Nikon D7000 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 6.0/s | Y | n | |
9. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
10. | Olympus E-M1 | 2360 | n | 3.0 / 1037 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
11. | Olympus E-5 | optical | Y | 3.0 / 920 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
12. | Olympus E-3 | optical | Y | 2.5 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
13. | Olympus E-330 | optical | n | 2.5 / 215 | tilting | n | 1/4000s | 3.0/s | Y | n | |
14. | Olympus E-300 | optical | n | 1.8 / 134 | fixed | n | 1/4000s | 2.5/s | Y | n | |
15. | Panasonic GH4 | 2359 | n | 3.0 / 1036 | swivel | Y | 1/8000s | 12.0/s | Y | n | |
16. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
17. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the E-1, but is missing on the GH3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The GH3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-1 writes its imaging data to Compact Flash or xD Picture cards, while the GH3 uses SDXC cards. The E-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GH3 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-1 and Panasonic Lumix DMC-GH3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Panasonic GH3 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | - | |
3. | Canon 6D Mark II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Canon 7D | Y | mono / - | Y | - | mini | 2.0 | - | - | - | |
5. | Leica Digilux 3 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
6. | Nikon D500 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
7. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
8. | Nikon D7000 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
10. | Olympus E-M1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Olympus E-5 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
12. | Olympus E-3 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Olympus E-330 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Olympus E-300 | Y | - / - | - | - | - | 2.0 | - | - | - | |
15. | Panasonic GH4 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
16. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
It is notable that the GH3 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-1 does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the E-1 and the GH3 have been discontinued, but can regularly be found used on ebay. The E-1 was replaced by the Olympus E-3, while the GH3 was followed by the Panasonic GH4. Further information on the features and operation of the E-1 and GH3 can be found, respectively, in the Olympus E-1 Manual (free pdf) or the online Panasonic GH3 Manual.
Review summary
So how do things add up? Which of the two cameras – the Olympus E-1 or the Panasonic GH3 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus E-1:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (750 versus 540) on a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in June 2003).
Arguments in favor of the Panasonic Lumix DMC-GH3:
- More detail: Has more megapixels (15.9 vs 4.9MP), which boosts linear resolution by 80%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.67x vs 0.48x).
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (614k vs 134k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (133x93mm vs 141x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 188g or 25 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was released into a lower priced segment (24 percent cheaper at launch).
- More modern: Reflects 9 years and 2 months of technical progress since the E-1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GH3 is the clear winner of the contest (19 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-1 and the Panasonic GH3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the E-1 or the GH3 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | .. | .. | .. | + | o | .. | Jun 2003 | 1,699 | ebay.com | |
2. | Panasonic GH3 | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Sep 2012 | 1,299 | ebay.com | |
3. | Canon 6D Mark II | 4/5 | + | 4/5 | 80/100 | 4.5/5 | 4/5 | Jun 2017 | 1,999 | amazon.com | |
4. | Canon 7D | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2009 | 1,699 | ebay.com | |
5. | Leica Digilux 3 | .. | .. | .. | .. | .. | .. | Sep 2006 | 1,499 | ebay.com | |
6. | Nikon D500 | 5/5 | + + | 4.7/5 | 91/100 | 4.5/5 | 5/5 | Jan 2016 | 1,999 | ebay.com | |
7. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
8. | Nikon D7000 | 4/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Sep 2010 | 1,499 | ebay.com | |
9. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ebay.com | |
10. | Olympus E-M1 | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2013 | 1,399 | ebay.com | |
11. | Olympus E-5 | 4/5 | .. | .. | 75/100 | 4/5 | 4.5/5 | Sep 2010 | 1,699 | ebay.com | |
12. | Olympus E-3 | .. | 88/100 | .. | + + | o | 4/5 | Oct 2007 | 1,699 | ebay.com | |
13. | Olympus E-330 | .. | .. | .. | + | o | .. | Jan 2006 | 999 | ebay.com | |
14. | Olympus E-300 | .. | .. | .. | + | o | 4.5/5 | Sep 2004 | 799 | ebay.com | |
15. | Panasonic GH4 | 5/5 | + + | .. | 85/100 | 5/5 | 5/5 | Feb 2014 | 1,499 | ebay.com | |
16. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
17. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark II N vs Olympus E-1
- Canon 40D vs Olympus E-1
- Canon 60D vs Olympus E-1
- Canon G1 X Mark III vs Olympus E-1
- Canon G1 X Mark III vs Panasonic GH3
- Canon M5 vs Panasonic GH3
- Fujifilm X-T3 vs Olympus E-1
- Leica S2 vs Panasonic GH3
- Leica V-LUX 1 vs Panasonic GH3
- Nikon D60 vs Olympus E-1
- Nikon D7100 vs Panasonic GH3
- Panasonic GH3 vs Sony A1
Specifications: Olympus E-1 vs Panasonic GH3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-1 | Panasonic GH3 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Four Thirds lenses | Micro Four Thirds lenses |
Launch Date | June 2003 | September 2012 |
Launch Price | USD 1,699 | USD 1,299 |
Sensor Specs | Olympus E-1 | Panasonic GH3 |
Sensor Technology | CCD | CMOS |
Sensor Format | Four Thirds Sensor | Four Thirds Sensor |
Sensor Size | 17.3 x 13.0 mm | 17.3 x 13.0 mm |
Sensor Area | 224.9 mm2 | 224.9 mm2 |
Sensor Diagonal | 21.6 mm | 21.6 mm |
Crop Factor | 2.0x | 2.0x |
Sensor Resolution | 4.9 Megapixels | 15.9 Megapixels |
Image Resolution | 2560 x 1920 pixels | 4608 x 3456 pixels |
Pixel Pitch | 6.78 μm | 3.76 μm |
Pixel Density | 2.19 MP/cm2 | 7.08 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60p Video |
ISO Setting | 100 - 800 ISO | 200 - 12,800 ISO |
ISO Boost | 100 - 3,200 ISO | 125 - 25,600 ISO |
Image Processor | TruePic | Venus VII FHD |
DXO Sensor Quality (score) | .. | 71 |
DXO Color Depth (bits) | .. | 22.7 |
DXO Dynamic Range (EV) | .. | 12.4 |
DXO Low Light (ISO) | .. | 812 |
Screen Specs | Olympus E-1 | Panasonic GH3 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.48x | 0.67x |
Viewfinder Resolution | 1746k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | |
Rear LCD Size | 1.8inch | 3.0inch |
LCD Resolution | 134k dots | 614k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Olympus E-1 | Panasonic GH3 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 3 shutter flaps/s | 6 shutter flaps/s |
Electronic Shutter | no E-Shutter | YES |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CF or XD cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Olympus E-1 | Panasonic GH3 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | no HDMI | mini HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Olympus E-1 | Panasonic GH3 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Olympus BLM-1 | Panasonic DMW-BLF19 |
Battery Life (CIPA) | 750 shots per charge | 540 shots per charge |
Body Dimensions |
141 x 104 x 81 mm (5.6 x 4.1 x 3.2 in) |
133 x 93 x 82 mm (5.2 x 3.7 x 3.2 in) |
Camera Weight | 738 g (26.0 oz) | 550 g (19.4 oz) |
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