Panasonic G9 II vs Sony NEX-7
The Panasonic Lumix DC-G9 II and the Sony Alpha NEX-7 are two enthusiast cameras that were revealed to the public, respectively, in September 2023 and August 2011. Both the G9 II and the NEX-7 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G9 II) and an APS-C (NEX-7) sensor. The Panasonic has a resolution of 25 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-G9 II and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic G9 II and the Sony NEX-7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is considerably smaller (41 percent) than the Panasonic G9 II. Moreover, the NEX-7 is substantially lighter (39 percent) than the G9 II. It is worth mentioning in this context that the G9 II is splash and dust resistant, while the NEX-7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G9 II) and the Sony E-Mount Lens Catalog (NEX-7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the G9 II gets 390 shots out of its Panasonic DMW-BLK22 battery, while the NEX-7 can take 430 images on a single charge of its Sony NP-FW50 power pack. The power pack in the G9 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
2. | Sony NEX-7 | 120 mm | 67 mm | 43 mm | 400 g | 430 | n | Aug 2011 | US$ 1 349 | ebay.com | |
3. | Fujifilm X100 | 126 mm | 75 mm | 54 mm | 445 g | 300 | n | Sep 2010 | US$ 1 199 | ebay.com | |
4. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | US$ 1 999 | amazon.com | |
5. | Olympus E-M1 II | 134 mm | 91 mm | 67 mm | 574 g | 440 | Y | Sep 2016 | US$ 1 999 | ebay.com | |
6. | Olympus E-M1 III | 134 mm | 91 mm | 69 mm | 580 g | 420 | Y | Feb 2020 | US$ 1 799 | ebay.com | |
7. | OM System OM-1 | 135 mm | 92 mm | 73 mm | 599 g | 520 | Y | Feb 2022 | US$ 2 199 | ebay.com | |
8. | Panasonic G9 | 137 mm | 97 mm | 92 mm | 658 g | 400 | Y | Nov 2017 | US$ 1 699 | ebay.com | |
9. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | US$ 1 999 | ebay.com | |
10. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | US$ 1 699 | amazon.com | |
11. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | US$ 2 199 | amazon.com | |
12. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | US$ 1 999 | amazon.com | |
13. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
14. | Sony A3000 | 128 mm | 91 mm | 85 mm | 411 g | 470 | n | Aug 2013 | US$ 329 | ebay.com | |
15. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | US$ 599 | ebay.com | |
16. | Sony A6400 | 120 mm | 67 mm | 50 mm | 403 g | 410 | Y | Jan 2019 | US$ 899 | amazon.com | |
17. | Sony RX1 | 113 mm | 65 mm | 70 mm | 482 g | 270 | n | Sep 2012 | US$ 2 799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The NEX-7 was launched at a markedly lower price (by 29 percent) than the G9 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G9 II features a Four Thirds sensor and the Sony NEX-7 an APS-C sensor. The sensor area in the NEX-7 is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G9 II has a native 4:3 aspect ratio, while the one in the NEX-7 offers a 3:2 aspect.
Despite having a smaller sensor, the Panasonic G9 II offers a higher resolution of 25 megapixels, compared with 24 MP of the Sony NEX-7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.00μm versus 3.90μm for the NEX-7). However, it should be noted that the G9 II is much more recent (by 12 years) than the NEX-7, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the G9 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The G9 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the NEX-7, the G9 II has the capacity to capture high quality composite images (100MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-G9 II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-25600. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
2. | Sony NEX-7 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.4 | 1016 | 81 | |
3. | Fujifilm X100 | APS-C | 12.2 | 4288 | 2848 | 720/30p | 22.9 | 12.4 | 1001 | 73 | |
4. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
5. | Olympus E-M1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.7 | 12.8 | 1312 | 80 | |
6. | Olympus E-M1 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1356 | 76 | |
7. | OM System OM-1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.4 | 1553 | 77 | |
8. | Panasonic G9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.1 | 12.8 | 1138 | 74 | |
9. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
10. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
11. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
12. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
13. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
14. | Sony A3000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.7 | 12.8 | 1068 | 78 | |
15. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
16. | Sony A6400 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.6 | 1431 | 83 | |
17. | Sony RX1 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.1 | 14.3 | 2534 | 93 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G9 II provides a higher video resolution than the NEX-7. It can shoot video footage at 5.7K/60p, while the Sony is limited to 1080/60i.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G9 II offers a substantially higher resolution than the one in the NEX-7 (3680k vs 2359k dots). The table below summarizes some of the other core capabilities of the Panasonic G9 II and Sony NEX-7 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
2. | Sony NEX-7 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
3. | Fujifilm X100 | 1440 | n | 2.8 / 460 | fixed | n | 1/4000s | 5.0/s | Y | n | |
4. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
5. | Olympus E-M1 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
6. | Olympus E-M1 III | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
7. | OM System OM-1 | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
8. | Panasonic G9 | 3680 | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 20.0/s | n | Y | |
9. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
10. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
11. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
12. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
13. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
14. | Sony A3000 | 202 | n | 3.0 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
15. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
16. | Sony A6400 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | n | |
17. | Sony RX1 | optional | n | 3.0 / 1229 | fixed | n | 1/4000s | 5.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the G9 II and the NEX-7 is in-body image stabilization (IBIS). The G9 II reduces the risk of handshake-induced blur with all attached lenses, while the NEX-7 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The G9 II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the NEX-7 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G9 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G9 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G9 II writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards. The G9 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the NEX-7 only has one slot. The G9 II supports UHS-II cards (on both slots), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G9 II and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
2. | Sony NEX-7 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
3. | Fujifilm X100 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
4. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Olympus E-M1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
6. | Olympus E-M1 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
7. | OM System OM-1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
8. | Panasonic G9 | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
9. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
10. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
11. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
12. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
13. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
14. | Sony A3000 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony A6400 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
17. | Sony RX1 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
It is notable that the G9 II has a headphone jack, which is not present on the NEX-7 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
The G9 II is a recent model that features in the current product line-up of Panasonic. In contrast, the NEX-7 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the NEX-7 from Sony. Further information on the features and operation of the G9 II and NEX-7 can be found, respectively, in the Panasonic G9 II Manual (free pdf) or the online Sony NEX-7 Manual.
Review summary
So how do things add up? Is there a clear favorite between the Panasonic G9 II and the Sony NEX-7? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DC-G9 II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (5.7K/60p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2359k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.8x vs 0.73x).
- More detailed LCD: Has a higher resolution rear screen (1840k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 12 years of technical progress since the NEX-7 launch.
Advantages of the Sony Alpha NEX-7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (120x67mm vs 134x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 258g or 39 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (430 versus 390) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the number of relative strengths (bullet points above) is taken as a guide, the G9 II is the clear winner of the match-up (24 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G9 II and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G9 II or the NEX-7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
2. | Sony NEX-7 | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Aug 2011 | US$ 1 349 | ebay.com | |
3. | Fujifilm X100 | 3/5 | .. | .. | 75/100 | 4/5 | 5/5 | Sep 2010 | US$ 1 199 | ebay.com | |
4. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | US$ 1 999 | amazon.com | |
5. | Olympus E-M1 II | 5/5 | + + | 5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | US$ 1 999 | ebay.com | |
6. | Olympus E-M1 III | 5/5 | .. | 5/5 | 83/100 | 4.5/5 | 4/5 | Feb 2020 | US$ 1 799 | ebay.com | |
7. | OM System OM-1 | 5/5 | .. | .. | 87/100 | 5/5 | 4.5/5 | Feb 2022 | US$ 2 199 | ebay.com | |
8. | Panasonic G9 | .. | + + | 5/5 | 85/100 | 5/5 | 5/5 | Nov 2017 | US$ 1 699 | ebay.com | |
9. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | US$ 1 999 | ebay.com | |
10. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | US$ 1 699 | amazon.com | |
11. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | US$ 2 199 | amazon.com | |
12. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | US$ 1 999 | amazon.com | |
13. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
14. | Sony A3000 | 3/5 | + | .. | .. | 4/5 | 4/5 | Aug 2013 | US$ 329 | ebay.com | |
15. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | US$ 599 | ebay.com | |
16. | Sony A6400 | 4/5 | + | 4/5 | 85/100 | 4.5/5 | 4/5 | Jan 2019 | US$ 899 | amazon.com | |
17. | Sony RX1 | 5/5 | .. | .. | 79/100 | 4/5 | 4.5/5 | Sep 2012 | US$ 2 799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Fujifilm X-Pro3 vs Panasonic G9 II
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Specifications: Panasonic G9 II vs Sony NEX-7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic G9 II | Sony NEX-7 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Sony E mount lenses |
Launch Date | September 2023 | August 2011 |
Launch Price | USD 1,899 | USD 1,349 |
Sensor Specs | Panasonic G9 II | Sony NEX-7 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | APS-C Sensor |
Sensor Size | 17.3 x 13.0 mm | 23.4 x 15.6 mm |
Sensor Area | 224.9 mm2 | 365.04 mm2 |
Sensor Diagonal | 21.6 mm | 28.1 mm |
Crop Factor | 2.0x | 1.5x |
Sensor Resolution | 25 Megapixels | 24 Megapixels |
Image Resolution | 5776 x 4336 pixels | 6000 x 4000 pixels |
Pixel Pitch | 3.00 μm | 3.90 μm |
Pixel Density | 11.14 MP/cm2 | 6.57 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 5.7K/60p Video | 1080/60i Video |
ISO Setting | 100 - 25,600 ISO | 100 - 16,000 ISO |
ISO Boost | 50 - 25,600 ISO | no Enhancement |
Image Processor | Venus | BIONZ |
DXO Sensor Quality (score) | .. | 81 |
DXO Color Depth (bits) | .. | 24.1 |
DXO Dynamic Range (EV) | .. | 13.4 |
DXO Low Light (ISO) | .. | 1016 |
Screen Specs | Panasonic G9 II | Sony NEX-7 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.8x | 0.73x |
Viewfinder Resolution | 3680k dots | 2359k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1840k dots | 921k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Panasonic G9 II | Sony NEX-7 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 10 shutter flaps/s |
Shutter Life Expectancy | 200 000 actuations | 150 000 actuations |
Electronic Shutter | up to 1/32000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | no |
Connectivity Specs | Panasonic G9 II | Sony NEX-7 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 3.2 | USB 2.0 |
HDMI Port | full HDMI | mini HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Panasonic G9 II | Sony NEX-7 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Panasonic DMW-BLK22 | Sony NP-FW50 |
Battery Life (CIPA) | 390 shots per charge | 430 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
134 x 102 x 90 mm (5.3 x 4.0 x 3.5 in) |
120 x 67 x 43 mm (4.7 x 2.6 x 1.7 in) |
Camera Weight | 658 g (23.2 oz) | 400 g (14.1 oz) |
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