Canon 200D vs Sony NEX-7
The Canon EOS 200D (called Canon SL2 in some regions) and the Sony Alpha NEX-7 are two digital cameras that were officially introduced, respectively, in June 2017 and August 2011. The 200D is a DSLR, while the NEX-7 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 200D and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon 200D and the Sony NEX-7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The 200D can be obtained in two different colors (black, white), while the NEX-7 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is notably smaller (29 percent) than the Canon 200D. Moreover, the NEX-7 is markedly lighter (12 percent) than the 200D. In this context, it is worth noting that neither the 200D nor the NEX-7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (200D) and the Sony E-Mount Lens Catalog (NEX-7). Mirrorless cameras, such as the NEX-7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 200D gets 650 shots out of its Canon LP-E17 battery, while the NEX-7 can take 430 images on a single charge of its Sony NP-FW50 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 200D | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | 549 | ebay.com | |
2. | Sony NEX-7 | 120 mm | 67 mm | 43 mm | 400 g | 430 | n | Aug 2011 | 1,349 | ebay.com | |
3. | Canon 77D | 131 mm | 100 mm | 76 mm | 540 g | 600 | n | Feb 2017 | 899 | ebay.com | |
4. | Canon 100D | 117 mm | 91 mm | 69 mm | 407 g | 380 | n | Mar 2013 | 549 | ebay.com | |
5. | Canon 250D | 122 mm | 93 mm | 70 mm | 449 g | 1070 | n | Apr 2019 | 599 | amazon.com | |
6. | Canon 760D | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | 649 | ebay.com | |
7. | Canon 800D | 131 mm | 100 mm | 76 mm | 532 g | 600 | n | Feb 2017 | 749 | ebay.com | |
8. | Canon 2000D | 129 mm | 101 mm | 78 mm | 475 g | 500 | n | Feb 2018 | 449 | amazon.com | |
9. | Canon G9 X Mark II | 98 mm | 58 mm | 31 mm | 206 g | 235 | n | Jan 2017 | 529 | ebay.com | |
10. | Canon M5 | 116 mm | 89 mm | 61 mm | 427 g | 295 | n | Sep 2016 | 979 | ebay.com | |
11. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | 499 | ebay.com | |
12. | Fujifilm X100 | 126 mm | 75 mm | 54 mm | 445 g | 300 | n | Sep 2010 | 1,199 | ebay.com | |
13. | Nikon D3400 | 124 mm | 98 mm | 76 mm | 445 g | 1200 | n | Aug 2016 | 499 | ebay.com | |
14. | Sony A3000 | 128 mm | 91 mm | 85 mm | 411 g | 470 | n | Aug 2013 | 329 | ebay.com | |
15. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
16. | Sony A6400 | 120 mm | 67 mm | 50 mm | 403 g | 410 | Y | Jan 2019 | 899 | amazon.com | |
17. | Sony RX1 | 113 mm | 65 mm | 70 mm | 482 g | 270 | n | Sep 2012 | 2,799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 200D was launched at a markedly lower price (by 59 percent) than the NEX-7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-7 is 10 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (200D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the NEX-7 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the NEX-7 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.90μm versus 3.72μm for the 200D), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the 200D is much more recent (by 5 years and 10 months) than the NEX-7, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The 200D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 200D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 200D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
2. | Sony NEX-7 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.4 | 1016 | 81 | |
3. | Canon 77D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.3 | 971 | 78 | |
4. | Canon 100D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.8 | 11.3 | 843 | 63 | |
5. | Canon 250D | APS-C | 24.0 | 6000 | 4000 | 4K/25p | 23.9 | 13.4 | 1791 | 82 | |
6. | Canon 760D | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
7. | Canon 800D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.1 | 1586 | 80 | |
8. | Canon 2000D | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 11.9 | 1009 | 71 | |
9. | Canon G9 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.9 | 12.5 | 522 | 65 | |
10. | Canon M5 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.4 | 1262 | 77 | |
11. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
12. | Fujifilm X100 | APS-C | 12.2 | 4288 | 2848 | 720/30p | 22.9 | 12.4 | 1001 | 73 | |
13. | Nikon D3400 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.8 | 13.9 | 1192 | 86 | |
14. | Sony A3000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.7 | 12.8 | 1068 | 78 | |
15. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
16. | Sony A6400 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.6 | 1431 | 83 | |
17. | Sony RX1 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.1 | 14.3 | 2534 | 93 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 200D provides a higher frame rate than the NEX-7. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the NEX-7 has an electronic viewfinder (2359k dots), while the 200D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the NEX-7 offers a wider field of view (100%) than the one in the 200D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the NEX-7 has a higher magnification (0.73x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 200D, the Sony NEX-7, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 200D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
2. | Sony NEX-7 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
3. | Canon 77D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
4. | Canon 100D | optical | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.9/s | Y | n | |
5. | Canon 250D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
6. | Canon 760D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
7. | Canon 800D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
8. | Canon 2000D | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Canon G9 X Mark II | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 8.2/s | Y | Y | |
10. | Canon M5 | 2360 | n | 3.2 / 1620 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
11. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
12. | Fujifilm X100 | 1440 | n | 2.8 / 460 | fixed | n | 1/4000s | 5.0/s | Y | n | |
13. | Nikon D3400 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
14. | Sony A3000 | 202 | n | 3.0 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
15. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
16. | Sony A6400 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | n | |
17. | Sony RX1 | optional | n | 3.0 / 1229 | fixed | n | 1/4000s | 5.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 200D has a touchscreen, while the NEX-7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The 200D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the NEX-7 does not have a selfie-screen.The 200D writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards. The 200D supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 200D and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 200D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
2. | Sony NEX-7 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
3. | Canon 77D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Canon 100D | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
5. | Canon 250D | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
6. | Canon 760D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
7. | Canon 800D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
8. | Canon 2000D | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
9. | Canon G9 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
10. | Canon M5 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
11. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
12. | Fujifilm X100 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
13. | Nikon D3400 | Y | mono / mono | - | - | mini | 2.0 | - | - | Y | |
14. | Sony A3000 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony A6400 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
17. | Sony RX1 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
It is notable that the 200D offers wifi support, while the NEX-7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the 200D and the NEX-7 have been discontinued, but can regularly be found used on ebay. The 200D was replaced by the Canon 250D, while the NEX-7 does not have a direct successor. Further information on the features and operation of the 200D and NEX-7 can be found, respectively, in the Canon 200D Manual (free pdf) or the online Sony NEX-7 Manual.
Review summary
So how do things add up? Which of the two cameras – the Canon 200D or the Sony NEX-7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 200D:
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Can take more shots (650 versus 430) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (59 percent cheaper at launch).
- More modern: Reflects 5 years and 10 months of technical progress since the NEX-7 launch.
Arguments in favor of the Sony Alpha NEX-7:
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.54x).
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 122x93mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 53g or 12 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the 200D is the clear winner of the match-up (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 200D and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 200D and the NEX-7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 200D | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | 549 | ebay.com | |
2. | Sony NEX-7 | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Aug 2011 | 1,349 | ebay.com | |
3. | Canon 77D | 4.5/5 | .. | 4/5 | 82/100 | 4.5/5 | 4/5 | Feb 2017 | 899 | ebay.com | |
4. | Canon 100D | 4/5 | + | .. | 78/100 | 4/5 | 4/5 | Mar 2013 | 549 | ebay.com | |
5. | Canon 250D | 4/5 | o | 4.5/5 | 79/100 | 4/5 | 4/5 | Apr 2019 | 599 | amazon.com | |
6. | Canon 760D | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | 649 | ebay.com | |
7. | Canon 800D | 4.5/5 | .. | 3.5/5 | 80/100 | 4.5/5 | 4/5 | Feb 2017 | 749 | ebay.com | |
8. | Canon 2000D | 3/5 | o | 3.5/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 449 | amazon.com | |
9. | Canon G9 X Mark II | 4/5 | .. | 4/5 | 75/100 | 4.5/5 | 4.5/5 | Jan 2017 | 529 | ebay.com | |
10. | Canon M5 | 4/5 | + | 4/5 | 82/100 | 4/5 | 4/5 | Sep 2016 | 979 | ebay.com | |
11. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | 499 | ebay.com | |
12. | Fujifilm X100 | 3/5 | .. | .. | 75/100 | 4/5 | 5/5 | Sep 2010 | 1,199 | ebay.com | |
13. | Nikon D3400 | 4/5 | + | 4/5 | 76/100 | 4/5 | 4.5/5 | Aug 2016 | 499 | ebay.com | |
14. | Sony A3000 | 3/5 | + | .. | .. | 4/5 | 4/5 | Aug 2013 | 329 | ebay.com | |
15. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
16. | Sony A6400 | 4/5 | + | 4/5 | 85/100 | 4.5/5 | 4/5 | Jan 2019 | 899 | amazon.com | |
17. | Sony RX1 | 5/5 | .. | .. | 79/100 | 4/5 | 4.5/5 | Sep 2012 | 2,799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 200D vs Fujifilm GFX 50R
- Canon 200D vs Fujifilm X-A1
- Canon 200D vs Leica S-E Typ 006
- Canon 200D vs Sony A7R
- Canon 200D vs Sony A7S
- Canon 200D vs Sony HX80
- Canon G7 X vs Sony NEX-7
- Fujifilm GFX 100 vs Sony NEX-7
- Fujifilm X-E4 vs Sony NEX-7
- Leica S2 vs Sony NEX-7
- Nikon D5300 vs Sony NEX-7
- Olympus E-330 vs Sony NEX-7
Specifications: Canon 200D vs Sony NEX-7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 200D | Sony NEX-7 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Canon EF mount lenses | Sony E mount lenses |
Launch Date | June 2017 | August 2011 |
Launch Price | USD 549 | USD 1,349 |
Sensor Specs | Canon 200D | Sony NEX-7 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | APS-C Sensor |
Sensor Size | 22.3 x 14.9 mm | 23.4 x 15.6 mm |
Sensor Area | 332.27 mm2 | 365.04 mm2 |
Sensor Diagonal | 26.8 mm | 28.1 mm |
Crop Factor | 1.6x | 1.5x |
Sensor Resolution | 24 Megapixels | 24 Megapixels |
Image Resolution | 6000 x 4000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 3.72 μm | 3.90 μm |
Pixel Density | 7.22 MP/cm2 | 6.57 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60i Video |
ISO Setting | 100 - 25,600 ISO | 100 - 16,000 ISO |
ISO Boost | 100 - 51,200 ISO | no Enhancement |
Image Processor | DIGIC 7 | BIONZ |
DXO Sensor Quality (score) | 79 | 81 |
DXO Color Depth (bits) | 23.6 | 24.1 |
DXO Dynamic Range (EV) | 13.4 | 13.4 |
DXO Low Light (ISO) | 1041 | 1016 |
Screen Specs | Canon 200D | Sony NEX-7 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.54x | 0.73x |
Viewfinder Resolution | 2359k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 921k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Canon 200D | Sony NEX-7 |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 5 shutter flaps/s | 10 shutter flaps/s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Canon 200D | Sony NEX-7 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Microphone Port | External MIC port | External MIC port |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Canon 200D | Sony NEX-7 |
Battery Type | Canon LP-E17 | Sony NP-FW50 |
Battery Life (CIPA) | 650 shots per charge | 430 shots per charge |
Body Dimensions |
122 x 93 x 70 mm (4.8 x 3.7 x 2.8 in) |
120 x 67 x 43 mm (4.7 x 2.6 x 1.7 in) |
Camera Weight | 453 g (16.0 oz) | 400 g (14.1 oz) |
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