Canon 6D Mark II vs Sony NEX-7
The Canon EOS 6D Mark II and the Sony Alpha NEX-7 are two enthusiast cameras that were announced, respectively, in June 2017 and August 2011. The 6D Mark II is a DSLR, while the NEX-7 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and an APS-C (NEX-7) sensor. The Canon has a resolution of 26 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 6D Mark II||Sony NEX-7|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|26 MP, Full Frame Sensor||24 MP, APS-C Sensor|
|1080/60p Video||1080/60i Video|
|ISO 100-40,000 (50 - 102,400)||ISO 100-16,000|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0 LCD, 1040k dots||3.0 LCD, 921k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|6.5 shutter flaps per second||10 shutter flaps per second|
|Weathersealed body||not weather sealed|
|1200 shots per battery charge||430 shots per battery charge|
|144 x 111 x 75 mm, 765 g||120 x 67 x 43 mm, 400 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 6D Mark II and the Sony NEX-7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is considerably smaller (50 percent) than the Canon 6D Mark II. Moreover, the NEX-7 is substantially lighter (48 percent) than the 6D Mark II. It is worth mentioning in this context that the 6D Mark II is splash and dust resistant, while the NEX-7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Sony E-Mount Lens Catalog (NEX-7). Mirrorless cameras, such as the NEX-7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 6D Mark II||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Sony NEX-7||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349|
|Canon R||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299|
|Canon 5D Mark IV||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499|
|Canon 80D||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon 5D Mark III||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499|
|Canon 6D||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099|
|Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|Fujifilm X100||5.0 in||3.0 in||2.1 in||15.7 oz||300||n||Sep 2010||1,199|
|Nikon D750||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299|
|Nikon D610||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999|
|Nikon D600||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099|
|Sony A6400||4.7 in||2.6 in||2.0 in||14.2 oz||410||n||Jan 2019||899|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A6000||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599|
|Sony A3000||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329|
|Sony RX1||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The NEX-7 was launched at a markedly lower price (by 33 percent) than the 6D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Sony NEX-7 an APS-C sensor. The sensor area in the NEX-7 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 26MP, the 6D Mark II offers a slightly higher resolution than the NEX-7 (24MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 3.90μm for the NEX-7) due to its larger sensor. Moreover, the 6D Mark II is a much more recent model (by 5 years and 10 months) than the NEX-7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 6D Mark II has a notably higher overall DXO score than the NEX-7 (overall score 4 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.3 bits higher color depth, 1.5 EV of lower dynamic range, and 1.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 6D Mark II provides a higher frame rate than the NEX-7. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the NEX-7 has an electronic viewfinder (2359k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the NEX-7 offers a wider field of view (100%) than the one in the 6D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the NEX-7 has a higher magnification (0.73x vs 0.72x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Sony NEX-7 in connection with corresponding information for a sample of similar cameras.
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
One feature that is present on the 6D Mark II, but is missing on the NEX-7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The 6D Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the NEX-7 does not have a selfie-screen.
The Canon 6D Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 6D Mark II writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards. The 6D Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the 6D Mark II offers wifi support, while the NEX-7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 6D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the NEX-7 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the NEX-7 from Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 6D Mark II or the Sony NEX-7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 6D Mark II:
- Better image quality: Scores markedly higher (4 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (1.5 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (1200 versus 430) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 10 months of technical progress since the NEX-7 launch.
Advantages of the Sony Alpha NEX-7:
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.72x).
- Faster burst: Shoots at higher frequency (10 vs 6.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 365g or 48 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the 6D Mark II is the clear winner of the match-up (19 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D Mark II and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 6D Mark II or the NEX-7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Sony NEX-7||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349|
|Canon R||o||79/100||4.5/5||4/5||4/5||Sep 2018||2,299|
|Canon 5D Mark IV||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499|
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Fujifilm X100||..||75/100||4/5||4/5||5/5||Sep 2010||1,199|
|Nikon D750||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299|
|Nikon D610||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999|
|Nikon D600||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Sony A6400||+||85/100||4.5/5||..||4/5||Jan 2019||899|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A6000||+||80/100||4.5/5||5/5||5/5||Feb 2014||599|
|Sony A3000||+||..||4/5||4.5/5||4/5||Aug 2013||329|
|Sony RX1||..||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark III vs Sony NEX-7
- Canon 6D Mark II vs Leica D-LUX 7
- Canon 6D Mark II vs Leica M-E Typ 240
- Canon 6D Mark II vs Nikon D3100
- Canon 6D Mark II vs Panasonic TZ95
- Canon 6D Mark II vs Sony A3000
- Canon 6D Mark II vs Sony NEX-5N
- Canon M6 Mark II vs Sony NEX-7
- Nikon D2Xs vs Sony NEX-7
- Panasonic FZ330 vs Sony NEX-7
- Panasonic GX7 vs Sony NEX-7
- Sony NEX-7 vs Sony RX10 IV
Specifications: Canon 6D Mark II vs Sony NEX-7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D Mark II||Sony NEX-7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||June 2017||August 2011|
|Launch Price||USD 1,999||USD 1,349|
|Sensor Specs||Canon 6D Mark II||Sony NEX-7|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.9 x 24.0 mm||23.4 x 15.6 mm|
|Sensor Area||861.6 mm2||365.04 mm2|
|Sensor Diagonal||43.2 mm||28.1 mm|
|Sensor Resolution||26 Megapixels||24 Megapixels|
|Image Resolution||6240 x 4160 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.76 μm||3.90 μm|
|Pixel Density||3.01 MP/cm2||6.57 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||100 - 40,000 ISO||100 - 16,000 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Image Processor||DIGIC 7||BIONZ|
|DXO Sensor Quality (score)||85||81|
|DXO Color Depth (bits)||24.4||24.1|
|DXO Dynamic Range (EV)||11.9||13.4|
|DXO Low Light (ISO)||2862||1016|
|Screen Specs||Canon 6D Mark II||Sony NEX-7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 6D Mark II||Sony NEX-7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||6.5 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon 6D Mark II||Sony NEX-7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 6D Mark II||Sony NEX-7|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1200 shots per charge||430 shots per charge|
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||765 g (27.0 oz)||400 g (14.1 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.