Canon Rebel vs Sony NEX-7
The Canon EOS Digital Rebel (called Canon 300D in some regions) and the Sony Alpha NEX-7 are two digital cameras that were announced, respectively, in August 2003 and August 2011. The Rebel is a DSLR, while the NEX-7 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 6.3 megapixels, whereas the Sony provides 24 MP.
As their names suggest, both the Canon EOS Digital Rebel and the Sony Alpha NEX-7 belong to Canon's Rebel line of DSLR cameras. This range of APS-C cameras, which started out with the Canon EOS Digital Rebel in 2003, has been a big commercial success and the backbone of Canon's dominance in the digital camera market. The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon Rebel and Sony NEX-7. Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon Rebel||Sony NEX-7|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|6.3 MP, APS-C Sensor||24 MP, APS-C Sensor|
|no Video||1080/60i Video|
|ISO 100-1600||ISO 100-16000|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|1.8" LCD, 118k dots||3.0" LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|2.5 shutter flaps per second||10 shutter flaps per second|
|400 shots per battery charge||430 shots per battery charge|
|142 x 99 x 72 mm, 649 g||120 x 67 x 43 mm, 400 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Digital Rebel and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon Rebel and the Sony NEX-7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is considerably smaller (43 percent) than the Canon Rebel. Moreover, the NEX-7 is substantially lighter (38 percent) than the Rebel. In this context, it is worth noting that neither the Rebel nor the NEX-7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (Rebel) and the Sony E-Mount Lens Catalog (NEX-7). Mirrorless cameras, such as the NEX-7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon Rebel»||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Sony NEX-7«||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon T6s|
|Canon T4i« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon T4i|
|Canon T3i« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||-||Canon T3i|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Canon XTi« »||5.0 in||3.3 in||2.6 in||19.6 oz||370||n||Aug 2006||799||-||Canon XTi|
|Canon XT« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||-||Canon XT|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Canon 10D« »||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||-||Canon 10D|
|Fujifilm X100« »||5.0 in||3.0 in||2.1 in||15.7 oz||300||n||Sep 2010||1,199||-||Fujifilm X100|
|Nikon D70« »||5.5 in||4.4 in||3.1 in||24.0 oz||400||n||Jan 2004||999||-||Nikon D70|
|Sony A6400« »||4.7 in||2.6 in||2.0 in||14.2 oz||410||n||Jan 2019||899||Sony A6400|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Sony RX1« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799||-||Sony RX1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Rebel was launched at a markedly lower price (by 33 percent) than the NEX-7, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-7 is 6 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (Rebel) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the NEX-7 offers a higher resolution than the Rebel (6.3MP), but the NEX-7 has smaller individual pixels (pixel pitch of 3.90μm versus 7.38μm for the Rebel). Yet, the NEX-7 is a much more recent model (by 8 years) than the Rebel, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-7 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon Rebel are 15.4 x 10.2 inch or 39 x 26 cm for good quality, 12.3 x 8.2 inch or 31.2 x 20.8 cm for very good quality, and 10.2 x 6.8 inch or 26 x 17.3 cm for excellent quality prints.
The Canon EOS Digital Rebel has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-7 offers substantially better image quality than the Rebel (overall score 26 points higher). The advantage is based on 3.1 bits higher color depth, 2.6 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon Rebel»||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Sony NEX-7«||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon T4i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon T3i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon T3i|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon XTi« »||APS-C||10.1||3888||2592||-||22.1||11.0||664||62||Canon XTi|
|Canon XT« »||APS-C||8.0||3456||2304||-||21.8||10.8||637||60||Canon XT|
|Canon 20D« »||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Canon 10D« »||APS-C||6.3||3072||2048||-||21.1||10.9||571||57||Canon 10D|
|Fujifilm X100« »||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73||Fujifilm X100|
|Nikon D70« »||APS-C||6.0||3008||2000||-||20.4||10.3||529||50||Nikon D70|
|Sony A6400« »||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony RX1« »||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
Many modern cameras cannot only take still pictures, but also record videos. The NEX-7 indeed provides for movie recording, while the Rebel does not. The highest resolution format that the NEX-7 can use is 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the NEX-7 has an electronic viewfinder (2359k dots), while the Rebel has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the NEX-7 offers a wider field of view (100%) than the one in the Rebel (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the NEX-7 has a higher magnification (0.73x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon Rebel and Sony NEX-7 in connection with corresponding information for a sample of similar cameras.
|Canon Rebel»||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Sony NEX-7«||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon T4i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon T3i« »||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon T3i|
|Canon T1i« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon XTi« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon XTi|
|Canon XT« »||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon XT|
|Canon 20D« »||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Canon 10D« »||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Canon 10D|
|Fujifilm X100« »||1440||n||2.8||460||fixed||n||1/4000s||5.0||Y||n||Fujifilm X100|
|Nikon D70« »||optical||n||1.8||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70|
|Sony A6400« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony RX1« »||-||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1|
The Rebel writes its imaging data to Compact Flash cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Digital Rebel and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon Rebel»||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Sony NEX-7«||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon T4i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon T3i« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon T3i|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon XTi« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XTi|
|Canon XT« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XT|
|Canon 20D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Canon 10D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 10D|
|Fujifilm X100« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Fujifilm X100|
|Nikon D70« »||Y||-||-||-||-||-||1.0||-||-||-||Nikon D70|
|Sony A6400« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony RX1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
Both the Rebel and the NEX-7 have been discontinued, but can regularly be found used on eBay. The Rebel was replaced by the Canon XT, while the NEX-7 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is there a clear favorite between the Canon Rebel and the Sony NEX-7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS Digital Rebel:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2003).
Reasons to prefer the Sony Alpha NEX-7:
- More detail: Has more megapixels (24 vs 6.3MP), which boosts linear resolution by 95%.
- Better image quality: Scores substantially higher (26 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.55x).
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 118k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 142x99mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 249g or 38 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- More modern: Reflects 8 years of technical progress since the Rebel launch.
If the count of relative strengths (bullet points above) is taken as a measure, the NEX-7 is the clear winner of the contest (18 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon Rebel and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the Rebel or the NEX-7 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon Rebel»||-||+ +||-||o||-||Aug 2003||899||-||Canon Rebel|
|Sony NEX-7«||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon T6s« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Canon T4i« »||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon T4i|
|Canon T3i« »||o||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon T3i|
|Canon T1i« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Canon XTi« »||+ +||+ +||o||4.5/5||4/5||Aug 2006||799||-||Canon XTi|
|Canon XT« »||80/100||+ +||o||o||-||Feb 2005||899||-||Canon XT|
|Canon 20D« »||-||+ +||-||o||-||Aug 2004||1,499||-||Canon 20D|
|Canon 10D« »||-||+ +||-||o||-||Feb 2003||1,999||-||Canon 10D|
|Fujifilm X100« »||-||75/100||4/5||4/5||5/5||Sep 2010||1,199||-||Fujifilm X100|
|Nikon D70« »||-||+ +||-||o||-||Jan 2004||999||-||Nikon D70|
|Sony A6400« »||+||85/100||4.5/5||-||4/5||Jan 2019||899||Sony A6400|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony RX1« »||-||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799||-||Sony RX1|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon RP vs Canon Rebel
- Canon Rebel vs Canon SX420
- Canon Rebel vs Nikon Coolpix A
- Canon Rebel vs Nikon D2X
- Canon Rebel vs Olympus E-330
- Canon Rebel vs Panasonic G85
- Canon T7 vs Sony NEX-7
- Fujifilm GFX 50S vs Sony NEX-7
- Nikon D3 vs Sony NEX-7
- Nikon P900 vs Sony NEX-7
- Olympus E-450 vs Sony NEX-7
- Panasonic FZ100 vs Sony NEX-7
Specifications: Canon Rebel vs Sony NEX-7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon Rebel||Sony NEX-7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||August 2003||August 2011|
|Launch Price||USD 899||USD 1349|
|Sensor Specs||Canon Rebel||Sony NEX-7|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.7 x 15.1 mm||23.4 x 15.6 mm|
|Sensor Area||342.77 mm2||365.04 mm2|
|Sensor Diagonal||27.3 mm||28.1 mm|
|Sensor Resolution||6.3 Megapixels||24 Megapixels|
|Image Resolution||3072 x 2048 pixels||6000 x 4000 pixels|
|Pixel Pitch||7.38 μm||3.90 μm|
|Pixel Density||1.84 MP/cm2||6.57 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-1600 ISO||100-16000 ISO|
|DXO Sensor Quality (score)||55||81|
|DXO Color Depth (bits)||21.0||24.1|
|DXO Dynamic Range (EV)||10.8||13.4|
|DXO Low Light (ISO)||544||1016|
|Screen Specs||Canon Rebel||Sony NEX-7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View|
|Rear LCD Size||1.8 inch||3.0 inch|
|LCD Resolution||118k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon Rebel||Sony NEX-7|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||2.5 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon Rebel||Sony NEX-7|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon Rebel||Sony NEX-7|
|Battery Life (CIPA)||400 shots per charge||430 shots per charge|
142 x 99 x 72 mm
(5.6 x 3.9 x 2.8 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||649 g (22.9 oz)||400 g (14.1 oz)|
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