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Panasonic G85 versus Sony A6500

The Panasonic Lumix DMC-G85 (called Panasonic G80 in some regions) and the Sony Alpha A6500 are two digital cameras that were officially introduced, respectively, in September 2016 and October 2016. Both the G85 and the A6500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G85) and an APS-C (A6500) sensor. The Panasonic has a resolution of 15.8 megapixel, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Panasonic G85 vs Sony A6500

The side-by-side display below illustrates the physical size and weight of the Panasonic G85 and the Sony A6500. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the G85 – represents the basis for the calculations across all the size and weight measures).

Compare Panasonic G85 vs Sony A6500
Compare G85 versus A6500 top
Compare G85 and A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (29 percent) than the Panasonic G85. Moreover, the A6500 is markedly lighter (10 percent) than the G85. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (G85) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G85 gets 330 shots out of its DMW-BLC12 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Panasonic G85» 5.0 in 3.5 in 2.9 in 17.8 oz 330 Y Sep 2016 899 i i Panasonic G85
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Fujifilm X-Pro2« » 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
Olympus E-M1 II« » 5.3 in 3.6 in 2.6 in 20.2 oz 440 Y Sep 2016 1,999 i i Olympus E-M1 II
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Olympus E-M5 II« » 4.9 in 3.3 in 1.8 in 16.5 oz 310 Y Feb 2015 1,099 i i Olympus E-M5 II
Olympus E-P5« » 4.8 in 2.7 in 1.5 in 14.8 oz 330 n May 2013 999- i Olympus E-P5
Olympus E-M5« » 4.8 in 3.5 in 1.7 in 15.0 oz 360 Y Feb 2012 1,299- i Olympus E-M5
Panasonic GX85« » 4.8 in 2.8 in 1.7 in 15.0 oz 290 n Apr 2016 799 i i Panasonic GX85
Panasonic G7« » 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Panasonic GH4« » 5.2 in 3.7 in 3.3 in 19.8 oz 500 Y Feb 2014 1,499- i Panasonic GH4
Panasonic GX7« » 4.8 in 2.8 in 2.2 in 14.2 oz 350 n Aug 2013 999- i Panasonic GX7
Panasonic GH3« » 5.2 in 3.7 in 3.2 in 19.4 oz 540 Y Sep 2012 1,299- i Panasonic GH3
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7

Any camera purchase will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G85 was launched at a markedly lower price (by 36 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Panasonic G85 vs Sony A6500

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G85 features a Four Thirds sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G85 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

In terms of underlying technology, both cameras are build around CMOS sensors.

Panasonic G85 and Sony A6500 sensor measures

With 24MP, the A6500 offers a higher resolution than the G85 (15.8MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the G85) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the G85 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The A6500 has on-sensor phase detect pixels, which results in relatively fast and reliable autofocus acquisition during video recording.

G85 versus A6500 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6500 offers substantially better image quality than the G85 (overall score 14 points higher). The advantage is based on 1.7 bits higher color depth, 1.2 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Panasonic G85» Four Thirds 15.8 4592 34484K/30p22.812.565671Panasonic G85
Sony A6500« APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Fujifilm X-Pro2« » APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
Olympus E-M1 II« » Four Thirds 20.2 5184 38884K/30p23.712.8131280Olympus E-M1 II
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Olympus E-M5 II« » Four Thirds 15.9 4608 34561080/60p23.012.584273Olympus E-M5 II
Olympus E-P5« » Four Thirds 15.9 4608 34561080/30p22.812.489572Olympus E-P5
Olympus E-M5« » Four Thirds 15.9 4608 34561080/60i22.812.382671Olympus E-M5
Panasonic GX85« » Four Thirds 15.8 4592 34484K/30p22.912.666271Panasonic GX85
Panasonic G7« » Four Thirds 15.8 4592 34484K/30p----Panasonic G7
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Panasonic GH4« » Four Thirds 15.9 4608 34564K/30p23.212.879174Panasonic GH4
Panasonic GX7« » Four Thirds 15.8 4592 34481080/60p22.612.271870Panasonic GX7
Panasonic GH3« » Four Thirds 15.9 4608 34561080/60p22.712.481271Panasonic GH3
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).

 

Feature comparison: Panasonic G85 vs Sony A6500

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G85 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The table below summarizes some of the other core capabilities of the Panasonic G85 and Sony A6500 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Panasonic G85»2360 n 3.0 1040 swivel Y 4000 9.0 Y Y Panasonic G85
Sony A6500«2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Fujifilm X-Pro2« »2360 n 3.0 1620 fixed n 8000 8.0 n n Fujifilm X-Pro2
Olympus E-M1 II« »2360 n 3.0 1037 swivel Y 8000 18.0 n Y Olympus E-M1 II
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Olympus E-M5 II« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus E-M5 II
Olympus E-P5« »- n 3.0 1037 tilting Y 8000 9.0 Y Y Olympus E-P5
Olympus E-M5« »1440 n 3.0 610 tilting Y 4000 9.0 n Y Olympus E-M5
Panasonic GX85« »2765 n 3.0 1040 tilting Y 4000 8.0 Y Y Panasonic GX85
Panasonic G7« »2360 n 3.0 1040 swivel Y 4000 7.0 Y n Panasonic G7
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Panasonic GH4« »2359 n 3.0 1036 swivel Y 8000 12.0 Y n Panasonic GH4
Panasonic GX7« »2760 n 3.0 1040 tilting Y 8000 5.0 Y Y Panasonic GX7
Panasonic GH3« »1746 n 3.0 614 swivel Y 4000 6.0 Y n Panasonic GH3
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the G85 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

The G85 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Panasonic G85»YstereomonoY-micro2.0Y--Panasonic G85
Sony A6500«YstereomonoY-micro2.0YY-Sony A6500
Fujifilm X-Pro2« »YstereomonoY-micro2.0Y--Fujifilm X-Pro2
Olympus E-M1 II« »YstereomonoYYmicro3.0Y--Olympus E-M1 II
Olympus PEN-F« »Ystereomono--micro2.0Y--Olympus PEN-F
Olympus E-M5 II« »YstereomonoY-micro2.0Y--Olympus E-M5 II
Olympus E-P5« »Ystereomono--micro2.0Y--Olympus E-P5
Olympus E-M5« »Ystereomono--mini2.0---Olympus E-M5
Panasonic GX85« »Ystereomono--micro2.0YY-Panasonic GX85
Panasonic G7« »YstereomonoY-micro2.0Y--Panasonic G7
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
Panasonic GH4« »YstereomonoYYmicro2.0YY-Panasonic GH4
Panasonic GX7« »Ystereomono--mini2.0YY-Panasonic GX7
Panasonic GH3« »YstereomonoYYmini2.0Y--Panasonic GH3
Sony A6300« »YstereomonoY-micro2.0YY-Sony A6300
Sony A7« »YstereomonoYYmicro2.0YY-Sony A7

Both the G85 and the A6500 are recent models that feature in their makers' current product line-up. The G85 replaced the earlier Panasonic G7, while the A6500 followed on from the Sony A6300.

Review summary: Panasonic G85 vs Sony A6500

So how do things add up? Is the Panasonic G85 better than the Sony A6500 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

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Reasons to prefer the Panasonic Lumix DMC-G85:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).

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Advantages of the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better image quality: Scores substantially higher (14 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (1.7 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
  • Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
  • Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 128x89mm) and will fit more readily into a bag.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.

If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (10 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

G85 05:10 A6500

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the G85 and the A6500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Panasonic G85»HiRec84/1005/54.5/54.5/5 Sep 2016 899 i i Panasonic G85
Sony A6500«HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Fujifilm X-Pro2« »Rec83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
Olympus E-M1 II« »HiRec85/1004.5/55/54.5/5 Sep 2016 1,999 i i Olympus E-M1 II
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Olympus E-M5 II« »HiRec81/1005/54.5/55/5 Feb 2015 1,099 i i Olympus E-M5 II
Olympus E-P5« »HiRec78/1004.5/54.5/55/5 May 2013 999- i Olympus E-P5
Olympus E-M5« »HiRec80/1004.5/55/55/5 Feb 2012 1,299- i Olympus E-M5
Panasonic GX85« »HiRec82/1005/54.5/55/5 Apr 2016 799 i i Panasonic GX85
Panasonic G7« »HiRec80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Panasonic GH4« »HiRec85/1005/55/55/5 Feb 2014 1,499- i Panasonic GH4
Panasonic GX7« »Rec79/1005/54.5/55/5 Aug 2013 999- i Panasonic GX7
Panasonic GH3« »HiRec79/1004.5/55/54.5/5 Sep 2012 1,299- i Panasonic GH3
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

 

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, please contact me, and I will try to add information on that model to the database.

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