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Panasonic G85 versus Sony A6500

The Panasonic Lumix DMC-G85 (called Panasonic G80 in some regions) and the Sony Alpha A6500 are two digital cameras that were revealed to the public, respectively, in September 2016 and October 2016. Both the G85 and the A6500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G85) and an APS-C sensor. The Panasonic has a resolution of 15.8 megapixel, whereas the Sony provides 24 MP.

Body comparison

An illustration of the physical size and weight of the Panasonic G85 and the Sony A6500 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the G85 – represents 100 percent across all the size and weight measures).

Panasonic G85 vs Sony A6500 front
G85 versus A6500 top view
G85 and A6500 rear side
Body view (G85 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (29 percent) than the Panasonic G85. Moreover, the A6500 is markedly lighter (10 percent) than the G85. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (G85) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic G85 (⇒ rgt) 128 mm 89 mm 74 mm 505 g 330 YES 2016 899 latest check
Sony A6500 (⇒ lft) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Olympus E-M1 II (⇒ lft | rgt) 134 mm 91 mm 67 mm 574 g 440 YES 2016 1,999 latest check
Olympus E-M10 II (⇒ lft | rgt) 120 mm 83 mm 47 mm 390 g 320 no 2015 799discont. check
Olympus E-M5 II (⇒ lft | rgt) 124 mm 85 mm 45 mm 469 g 310 YES 2015 1,099 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Panasonic GX85 (⇒ lft | rgt) 122 mm 71 mm 44 mm 426 g 290 no 2016 799 latest check
Panasonic G7 (⇒ lft | rgt) 125 mm 86 mm 77 mm 410 g 350 no 2015 649discont. check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199 latest check
Panasonic GH4 (⇒ lft | rgt) 133 mm 93 mm 84 mm 560 g 500 YES 2014 1,499discont. check
Panasonic GM1 (⇒ lft | rgt) 99 mm 55 mm 30 mm 204 g 230 no 2013 749discont. check
Panasonic GX7 (⇒ lft | rgt) 123 mm 71 mm 55 mm 402 g 350 no 2013 999discont. check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Sony RX10 III (⇒ lft | rgt) 133 mm 94 mm 127 mm 1051 g 420 YES 2016 1,499discont. check
Sony RX10 II (⇒ lft | rgt) 129 mm 88 mm 102 mm 813 g 400 YES 2015 1,299discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G85 was launched at a markedly lower price (by 36 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G85 features a Four Thirds sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G85 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

Panasonic G85 and Sony A6500 sensor measures
Sensor size
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Sensor size

With 24MP, the A6500 offers a higher resolution than the G85 (15.8MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the G85) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the G85 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

G85 versus A6500 MP
Sensor resolution
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Sensor resolution

For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6500 offers substantially better image quality than the G85 (overall score 14 points higher). The advantage is based on 1.7 bits higher color depth, 1.2 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Panasonic G85 (⇒ rgt) Four Thirds 15.8 4592 3448 4K/30p 22.8 12.5 656 71
Sony A6500 (⇒ lft) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Olympus E-M1 II (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.7 12.8 1312 80
Olympus E-M10 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.1 12.5 842 73
Olympus E-M5 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.0 12.5 842 73
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Panasonic GX85 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.9 12.6 662 71
Panasonic G7 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p - - - -
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Panasonic GH4 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 4K/30p 23.2 12.8 791 74
Panasonic GM1 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60i 22.3 11.7 660 66
Panasonic GX7 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 22.6 12.2 718 70
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Sony RX10 III (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.1 12.6 472 70
Sony RX10 II (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.0 12.6 531 70

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G85 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The table below summarizes some of the other core capabilities of the Panasonic G85 and Sony A6500 in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Panasonic G85 (⇒ rgt) 2360 no 3.0 1040 swivel YES 4000 9.0 6.2 YES
Sony A6500 (⇒ lft) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Olympus E-M1 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 18.0 no YES
Olympus E-M10 II (⇒ lft | rgt) 2360 no 3.0 1040 tilting YES 4000 8.0 5.8 YES
Olympus E-M5 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Panasonic GX85 (⇒ lft | rgt) 2765 no 3.0 1040 tilting YES 4000 8.0 6 YES
Panasonic G7 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 4000 7.0 9.3 no
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Panasonic GH4 (⇒ lft | rgt) 2359 no 3.0 1036 swivel YES 8000 12.0 17 no
Panasonic GM1 (⇒ lft | rgt) no no 3.0 1036 fixed YES 500 5.0 4 no
Panasonic GX7 (⇒ lft | rgt) 2760 no 3.0 1040 tilting YES 8000 5.0 7 YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Sony RX10 III (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 2000 14.0 10.8 no
Sony RX10 II (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 3200 14.0 10.2 no

Both the G85 and the A6500 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G85 replaced the earlier Panasonic G7, while the A6500 followed on from the Sony A6300.

Summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic G85 or the Sony A6500 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.


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Reasons to prefer the Panasonic Lumix DMC-G85:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).

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Arguments in favor of the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better image quality: Scores substantially higher (14 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (1.7 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
  • More compact: Is smaller (120x67mm vs 128x89mm) and will fit more readily into a bag.

If the number of relative strengths (bullet points above) is taken as a guide, the A6500 emerges as the winner of the match-up (7 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.

G85 04:07 A6500

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the G85 or the A6500. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic G85 (⇒ rgt) HiRec 84/100 Gold 5/5 4.5/5 4.5/5 2016 899 latest check
Sony A6500 (⇒ lft) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Olympus E-M1 II (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 4.5/5 2016 1,999 latest check
Olympus E-M10 II (⇒ lft | rgt) HiRec 80/100 Silver 5/5 5/5 5/5 2015 799discont. check
Olympus E-M5 II (⇒ lft | rgt) HiRec 81/100 Silver 5/5 4.5/5 5/5 2015 1,099 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Panasonic GX85 (⇒ lft | rgt) HiRec 82/100 Silver 5/5 4.5/5 5/5 2016 799 latest check
Panasonic G7 (⇒ lft | rgt) HiRec 80/100 Silver 5/5 4.5/5 4.5/5 2015 649discont. check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199 latest check
Panasonic GH4 (⇒ lft | rgt) HiRec 85/100 Gold 5/5 5/5 5/5 2014 1,499discont. check
Panasonic GM1 (⇒ lft | rgt) Rec 78/100 Gold 5/5 4.5/5 4.5/5 2013 749discont. check
Panasonic GX7 (⇒ lft | rgt) Rec 79/100 Silver 5/5 4.5/5 5/5 2013 999discont. check
Sony A9 (⇒ lft | rgt) .. 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Sony RX10 III (⇒ lft | rgt) Rec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,499discont. check
Sony RX10 II (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 4.5/5 4/5 2015 1,299discont. check

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Other comparisons

In case you are interested in seeing how other cameras pair up, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please contact me, and I will try to locate and add the respective data to the application.

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