Panasonic G7 vs Sony A9 III

The Panasonic Lumix DMC-G7 and the Sony Alpha A9 III are two digital cameras that were officially introduced, respectively, in May 2015 and November 2023. Both the G7 and the A9 III are mirrorless interchangeable lens cameras that are based on a Four Thirds (G7) and a full frame (A9 III) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G7		Sony A9 III
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.8 MP – Four Thirds sensor		24 MP – Full Frame sensor
4K/30p Video		4K/120p Video
ISO 160-25,600		ISO 250-25,600 (125 - 51,200)
Electronic viewfinder (2360k dots)		Electronic viewfinder (9440k dots)
3.0" LCD – 1040k dots		3.2" LCD – 2100k dots
Swivel touchscreen		Fully flexible touchscreen
7 shutter flaps per second		120 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
350 shots per battery charge		530 shots per battery charge
125 x 86 x 77 mm, 410 g		136 x 97 x 83 mm, 702 g

Check G7 offers at
ebay.com
Check A9 III price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G7 and the Sony Alpha A9 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic G7 and the Sony A9 III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

The G7 can be obtained in two different colors (black, silver), while the A9 III is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 III is notably larger (23 percent) than the Panasonic G7. Moreover, the A9 III is substantially heavier (71 percent) than the G7. It is noteworthy in this context that the A9 III is splash and dust-proof, while the G7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G7) and the Sony FE Lens Catalog (A9 III). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G7 gets 350 shots out of its Panasonic DMW-BLC12 battery, while the A9 III can take 530 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A9 III can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	US$ 649	ebay.com
2.		Sony A9 III	136 mm	97 mm	83 mm	702 g	530	Y	Nov 2023	US$ 5 999	amazon.com
3.		Olympus E-PL7	115 mm	67 mm	38 mm	357 g	350	n	Aug 2014	US$ 599	ebay.com
4.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	US$ 599	ebay.com
5.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	US$ 599	ebay.com
6.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	US$ 599	ebay.com
7.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
8.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	US$ 749	ebay.com
9.		Panasonic GF7	107 mm	65 mm	33 mm	266 g	230	n	Jan 2015	US$ 499	ebay.com
10.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	US$ 899	ebay.com
11.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	US$ 749	ebay.com
12.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	US$ 749	ebay.com
13.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	US$ 6 499	amazon.com
14.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	US$ 1 999	ebay.com
15.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
16.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	US$ 4 499	ebay.com
17.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	US$ 4 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G7 was launched at a markedly lower price (by 89 percent) than the A9 III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Sony A9 III a full frame sensor. The sensor area in the A9 III is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G7 has a native 4:3 aspect ratio, while the one in the A9 III offers a 3:2 aspect.

With 24MP, the A9 III offers a higher resolution than the G7 (15.8MP), but the A9 III nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.77μm for the G7) due to its larger sensor. Moreover, the A9 III is a much more recent model (by 8 years and 5 months) than the G7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A9 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 III for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The A9 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-G7 has a native sensitivity range from ISO 160 to ISO 25600. The corresponding ISO settings for the Sony Alpha A9 III are ISO 250 to ISO 25600, with the possibility to increase the ISO range to 125-51200.

In terms of underlying technology, the G7 is build around a CMOS sensor, while the A9 III uses a Stacked CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
2.		Sony A9 III	Full Frame	24.0	6000	4000	4K/120p	25.4	14.7	3243	96
3.		Olympus E-PL7	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.4	873	72
4.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
5.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
6.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
7.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
8.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
9.		Panasonic GF7	Four Thirds	15.8	4592	3448	1080/60p	22.7	12.3	874	70
10.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
11.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
12.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
13.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
14.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
15.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
16.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
17.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A9 III provides a faster frame rate than the G7. It can shoot movie footage at 4K/120p, while the Panasonic is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A9 III offers a substantially higher resolution than the one in the G7 (9440k vs 2360k dots). The table below summarizes some of the other core capabilities of the Panasonic G7 and Sony A9 III in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
2.		Sony A9 III	9440	n	3.2 / 2100	full-flex	Y	1/80000s	120.0/s	n	Y
3.		Olympus E-PL7	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
4.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
5.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
6.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
7.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
8.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
9.		Panasonic GF7	none	n	3.0 / 1040	tilting	Y	1/500s	5.8/s	Y	n
10.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
11.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
12.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
13.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
17.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G7 has one, while the A9 III does not. While the built-in flash of the G7 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G7 and the Sony A9 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G7 writes its imaging data to SDXC cards, while the A9 III uses CFexpress (type A) or SDXC cards. The A9 III features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G7 and Sony Alpha A9 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Sony A9 III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Olympus E-PL7	Y	stereo / mono	-	-	micro	2.0	Y	-	-
4.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
8.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GF7	-	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
11.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
16.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
17.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

It is notable that the A9 III has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The G7 lacks such a headphone port.

Studio photographers will appreciate that the Sony A9 III (unlike the G7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A9 III is a recent model that features in the current product line-up of Sony. In contrast, the G7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G7 was succeeded by the Panasonic G85. Further information on the features and operation of the G7 and A9 III can be found, respectively, in the Panasonic G7 Manual (free pdf) or the online Sony A9 III Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Panasonic G7 and the Sony A9 III? Which camera is better? The listing below highlights the relative strengths of the two models.

Advantages of the Panasonic Lumix DMC-G7:

• More compact: Is smaller (125x86mm vs 136x97mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 292g or 42 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in May 2015).

Reasons to prefer the Sony Alpha A9 III:

• More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher movie framerates (4K/120p versus 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.70x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/80000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (120 vs 7 flaps/sec) to capture the decisive moment.
• Longer lasting: Gets more shots (530 versus 350) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 8 years and 5 months of technical progress since the G7 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A9 III is the clear winner of the contest (24 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G7 and the Sony A9 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G7 or the A9 III perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	US$ 649	ebay.com
2.		Sony A9 III	4.5/5	..	..	..	..	..	Nov 2023	US$ 5 999	amazon.com
3.		Olympus E-PL7	4/5	+	..	..	5/5	4/5	Aug 2014	US$ 599	ebay.com
4.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	US$ 599	ebay.com
5.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	US$ 599	ebay.com
6.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
7.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
8.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	US$ 749	ebay.com
9.		Panasonic GF7	4/5	+	..	..	4.5/5	4.5/5	Jan 2015	US$ 499	ebay.com
10.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	US$ 899	ebay.com
11.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	US$ 749	ebay.com
12.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	US$ 749	ebay.com
13.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	US$ 6 499	amazon.com
14.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	US$ 1 999	ebay.com
15.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
16.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	US$ 4 499	ebay.com
17.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	US$ 4 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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