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Panasonic G7 versus Sony A6500

The Panasonic Lumix DMC-G7 and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in May 2015 and October 2016. Both the G7 and the A6500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G7) and an APS-C (A6500) sensor. The Panasonic has a resolution of 15.8 megapixel, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Panasonic G7 vs Sony A6500

The side-by-side display below illustrates the physical size and weight of the Panasonic G7 and the Sony A6500. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the G7 – represents 100 percent across all the size and weight measures).

Compare Panasonic G7 vs Sony A6500
G7 versus A6500 top view
G7 and A6500 rear side
Body view (G7 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (25 percent) than the Panasonic G7. However, the A6500 is markedly heavier (10 percent) than the G7. It is noteworthy in this context that the A6500 is splash and dust-proof, while the G7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (G7) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic G7 (⇒ rgt) 125 mm 86 mm 77 mm 410 g 350 no 2015 649discont. check
Sony A6500 (⇒ lft) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Olympus PEN-F (⇒ lft | rgt) 125 mm 72 mm 37 mm 427 g 330 no 2016 1,199 latest check
Panasonic GX850 (⇒ lft | rgt) 107 mm 65 mm 33 mm 269 g 210 no 2017 549 latest check
Panasonic G85 (⇒ lft | rgt) 128 mm 89 mm 74 mm 505 g 330 YES 2016 899 latest check
Panasonic GX85 (⇒ lft | rgt) 122 mm 71 mm 44 mm 426 g 290 no 2016 799 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199discont. check
Panasonic GF7 (⇒ lft | rgt) 107 mm 65 mm 33 mm 266 g 230 no 2015 499discont. check
Panasonic GM5 (⇒ lft | rgt) 99 mm 60 mm 36 mm 211 g 220 no 2014 749discont. check
Panasonic G6 (⇒ lft | rgt) 122 mm 85 mm 71 mm 390 g 340 no 2013 599discont. check
Panasonic GM1 (⇒ lft | rgt) 99 mm 55 mm 30 mm 204 g 230 no 2013 749discont. check
Panasonic G5 (⇒ lft | rgt) 120 mm 83 mm 71 mm 396 g 320 no 2012 599discont. check
Panasonic G3 (⇒ lft | rgt) 115 mm 84 mm 47 mm 336 g 270 no 2011 599discont. check
Panasonic GH2 (⇒ lft | rgt) 124 mm 90 mm 76 mm 442 g 330 no 2010 1,499discont. check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Sony A7 (⇒ lft | rgt) 127 mm 94 mm 48 mm 474 g 340 YES 2013 1,699discont. check

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7 was launched at a markedly lower price (by 54 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.


Sensor comparison: Panasonic G7 vs Sony A6500

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G7 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

Panasonic G7 and Sony A6500 sensor measures
Sensor size

With 24MP, the A6500 offers a higher resolution than the G7 (15.8MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the G7) due to its larger sensor. Moreover, the A6500 is a somewhat more recent model (by 1 year and 4 months) than the G7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

G7 versus A6500 MP
Sensor resolution

For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Panasonic G7 (⇒ rgt) Four Thirds 15.8 4592 3448 4K/30p - - - -
Sony A6500 (⇒ lft) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Olympus PEN-F (⇒ lft | rgt) Four Thirds 20.2 5184 3888 1080/60p 23.1 12.4 894 74
Panasonic GX850 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 23.2 13.3 586 73
Panasonic G85 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.8 12.5 656 71
Panasonic GX85 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.9 12.6 662 71
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Panasonic GF7 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p - - - -
Panasonic GM5 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 22.1 11.7 721 66
Panasonic G6 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 21.3 11.5 639 61
Panasonic GM1 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60i 22.3 11.7 660 66
Panasonic G5 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p - - - -
Panasonic G3 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60i 21 10.6 667 56
Panasonic GH2 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60i 21.2 11.3 655 60
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Sony A7 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.8 14.2 2248 90

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison: Panasonic G7 vs Sony A6500

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G7 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The adjacent table lists some of the other core features of the Panasonic G7 and Sony A6500 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Panasonic G7 (⇒ rgt) 2360 no 3.0 1040 swivel YES 4000 7.0 9.3 no
Sony A6500 (⇒ lft) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Olympus PEN-F (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Panasonic GX850 (⇒ lft | rgt) no no 3.0 1040 tilting YES 500 10.0 4 no
Panasonic G85 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 4000 9.0 6.2 YES
Panasonic GX85 (⇒ lft | rgt) 2765 no 3.0 1040 tilting YES 4000 8.0 6 YES
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Panasonic GF7 (⇒ lft | rgt) no no 3.0 1040 tilting YES 500 5.8 4 no
Panasonic GM5 (⇒ lft | rgt) 1166 no 3.0 921 fixed YES 500 5.8 no no
Panasonic G6 (⇒ lft | rgt) 1440 no 3.0 1036 swivel YES 4000 7.0 10.5 no
Panasonic GM1 (⇒ lft | rgt) no no 3.0 1036 fixed YES 500 5.0 4 no
Panasonic G5 (⇒ lft | rgt) 1440 no 3.0 920 swivel YES 4000 6.0 10.5 no
Panasonic G3 (⇒ lft | rgt) 1440 no 3.0 460 swivel YES 4000 4.0 11 no
Panasonic GH2 (⇒ lft | rgt) 1534 no 3.0 460 swivel no 4000 3.0 15.6 no
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Sony A7 (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no no

The A6500 is a current model that online retailers, such as amazon, will have in stock. In contrast, the G7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the G7 was succeeded by the Panasonic G85.

Review summary: Panasonic G7 vs Sony A6500

So what is the bottom line? Which of the two cameras – the Panasonic G7 or the Sony A6500 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.


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Arguments in favor of the Panasonic Lumix DMC-G7:

  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • More affordable: Was introduced into a lower priced category (54 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in May 2015).

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Advantages of the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 125x86mm) and will fit more readily into a bag.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More modern: Was introduced somewhat (1 year and 4 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the A6500 emerges as the winner of the match-up (7 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

G7 04:07 A6500

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G7 or the A6500 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
.com
dp
review
.com
ephoto
zine
.com
imaging
resource
.com
photography
blog
.com
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic G7 (⇒ rgt) HiRec 80/100 Silver 5/5 4.5/5 4.5/5 2015 649discont. check
Sony A6500 (⇒ lft) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Olympus PEN-F (⇒ lft | rgt) - 82/100 Silver 4.5/5 4.5/5 5/5 2016 1,199 latest check
Panasonic GX850 (⇒ lft | rgt) Rec 76/100 4.5/5 4/5 4.5/5 2017 549 latest check
Panasonic G85 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4.5/5 4.5/5 2016 899 latest check
Panasonic GX85 (⇒ lft | rgt) HiRec 82/100 Silver 5/5 4.5/5 5/5 2016 799 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199discont. check
Panasonic GF7 (⇒ lft | rgt) Rec - 4.5/5 4.5/5 4.5/5 2015 499discont. check
Panasonic GM5 (⇒ lft | rgt) Rec 77/100 Silver 5/5 5/5 4.5/5 2014 749discont. check
Panasonic G6 (⇒ lft | rgt) HiRec - 5/5 - 4.5/5 2013 599discont. check
Panasonic GM1 (⇒ lft | rgt) Rec 78/100 Gold 5/5 4.5/5 4.5/5 2013 749discont. check
Panasonic G5 (⇒ lft | rgt) HiRec - 4.5/5 4.5/5 4.5/5 2012 599discont. check
Panasonic G3 (⇒ lft | rgt) 88/100 HiRec 75/100 Silver 4.5/5 4.5/5 5/5 2011 599discont. check
Panasonic GH2 (⇒ lft | rgt) 86/100 HiRec 79/100 Silver 4.5/5 4.5/5 5/5 2010 1,499discont. check
Sony A9 (⇒ lft | rgt) HiRec 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Sony A7 (⇒ lft | rgt) HiRec 80/100 Silver 5/5 4.5/5 5/5 2013 1,699discont. check

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.


Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, kindly get in touch, and I will try to add information on that model to the database.

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