Panasonic G6 vs Sony HX90V
The Panasonic Lumix DMC-G6 and the Sony Cyber-shot DSC-HX90V are two digital cameras that were announced, respectively, in April 2013 and April 2015. The G6 is a mirrorless interchangeable lens camera, while the HX90V is a fixed lens compact. The cameras are based on a Four Thirds (G6) and a 1/2.3-inch (HX90V) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Sony provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic G6||Sony HX90V|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||24-720mm f/3.5-6.4|
|15.9 MP, Four Thirds Sensor||18 MP, 1/2.3" Sensor|
|1080/60p Video||1080/60p Video|
|ISO 160-12800 (160-25600)||ISO 80-3200 (80-12800)|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (638k dots)|
|3.0" LCD, 1036k dots||3.0" LCD, 921k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|7 shutter flaps per second||10 shutter flaps per second|
|340 shots per battery charge||360 shots per battery charge|
|122 x 85 x 71 mm, 390 g||102 x 58 x 36 mm, 245 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G6 and the Sony Cyber-shot DSC-HX90V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic G6 and the Sony HX90V are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the HX90V is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX90V is considerably smaller (43 percent) than the Panasonic G6. In this context, it is worth noting that neither the G6 nor the HX90V are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the HX90V has a lens built in, whereas the G6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G6 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G6 gets 340 shots out of its DMW-BLC12 battery, while the HX90V can take 360 images on a single charge of its NP-BX1 power pack. The power pack in the HX90V can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic G6»||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Sony HX90V«||4.0 in||2.3 in||1.4 in||8.6 oz||360||n||Apr 2015||429||Sony HX90V|
|Canon SX720« »||4.3 in||2.5 in||1.4 in||9.5 oz||250||n||Feb 2016||379||-||Canon SX720|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||-||Olympus E-PL5|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-||Panasonic G7|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-||Panasonic GX7|
|Panasonic G5« »||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||-||Panasonic G5|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-||Panasonic G2|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Sony HX400V« »||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The HX90V was launched at a lower price than the G6, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G6 features a Four Thirds sensor and the Sony HX90V a 1/2.3-inch sensor. The sensor area in the HX90V is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the HX90V offers a higher resolution of 18 megapixels, compared with 15.9 MP of the G6. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 3.76μm for the G6). However, it should be noted that the HX90V is a somewhat more recent model (by 1 year and 11 months) than the G6, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the HX90V has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony HX90V implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the HX90V for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inch or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inch or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inch or 41.5 x 31.1 cm. The corresponding values for the Panasonic G6 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Panasonic Lumix DMC-G6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-HX90V are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic G6»||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Sony HX90V«||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX90V|
|Canon SX720« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX720|
|Olympus E-PL7« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-PL5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-||Panasonic G7|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Panasonic G5« »||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-||Panasonic G5|
|Panasonic GF5« »||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
|Sony HX400V« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Sony HX400V|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G6 offers a substantially higher resolution than the one in the HX90V (1440k vs 638k dots). The adjacent table lists some of the other core features of the Panasonic G6 and Sony HX90V along with similar information for a selection of comparators.
|Panasonic G6»||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Sony HX90V«||638||n||3.0||921||tilting||n||1/2000s||10.0||Y||Y||Sony HX90V|
|Canon SX720« »||-||n||3.0||922||fixed||n||1/3200s||5.9||Y||Y||Canon SX720|
|Olympus E-PL7« »||-||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-PL5« »||-||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Panasonic G5« »||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Panasonic GF5« »||-||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony WX800« »||-||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
|Sony HX400V« »||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G6 has a touchscreen, while the HX90V has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G6 writes its imaging data to SDXC cards, while the HX90V uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G6 and Sony Cyber-shot DSC-HX90V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G6»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Sony HX90V«||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX90V|
|Canon SX720« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX720|
|Olympus E-PL7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-PL5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Panasonic G7« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic GX7« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Panasonic G5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic GF5« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony HX400V« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
It is notable that the G6 has a hotshoe, while the HX90V does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Travel and landscape photographers will find it useful that the HX90V has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The HX90V is a recent model that features in the current product line-up of Sony. In contrast, the G6 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the G6 was succeeded by the Panasonic G7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Is the Panasonic G6 better than the Sony HX90V or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-G6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 638k dots).
- More detailed LCD: Has a higher resolution rear screen (1036k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in April 2013).
Arguments in favor of the Sony Cyber-shot DSC-HX90V:
- More detail: Has more megapixels (18 vs 15.9MP), which boosts linear resolution by 6%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the G6 necessitates an extra lens.
- More compact: Is smaller (102x58mm vs 122x85mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the G6).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (1 year and 11 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the G6 is the clear winner of the match-up (16 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G6 and the Sony HX90V place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the G6 and the HX90V in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic G6»||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Sony HX90V«||+ +||-||4/5||-||4.5/5||Apr 2015||429||Sony HX90V|
|Canon SX720« »||+||-||4/5||-||4.5/5||Feb 2016||379||-||Canon SX720|
|Olympus E-PL7« »||+||-||5/5||4.5/5||4/5||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-PL5« »||+ +||-||4.5/5||4.5/5||4.5/5||Sep 2012||599||-||Olympus E-PL5|
|Panasonic G7« »||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649||-||Panasonic G7|
|Panasonic GF6« »||+ +||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic GX7« »||+||79/100||5/5||4.5/5||5/5||Aug 2013||999||-||Panasonic GX7|
|Panasonic G5« »||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic G5|
|Panasonic GF5« »||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
|Sony HX400V« »||+ +||-||4/5||-||4/5||Feb 2014||499||Sony HX400V|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 20D vs Panasonic G6
- Canon SX720 vs Panasonic G6
- Canon T100 vs Sony HX90V
- Fujifilm X10 vs Sony HX90V
- Kodak AZ901 vs Sony HX90V
- Leica SL vs Sony HX90V
- Nikon D3S vs Sony HX90V
- Olympus E-30 vs Sony HX90V
- Olympus TG-6 vs Panasonic G6
- Panasonic G6 vs Panasonic G95
- Panasonic G6 vs Pentax K-3 II
- Panasonic GX850 vs Sony HX90V
Specifications: Panasonic G6 vs Sony HX90V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G6||Sony HX90V|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-720mm f/3.5-6.4|
|Launch Date||April 2013||April 2015|
|Launch Price||USD 599||USD 429|
|Sensor Specs||Panasonic G6||Sony HX90V|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||15.9 Megapixels||18 Megapixels|
|Image Resolution||4608 x 3456 pixels||4896 x 3672 pixels|
|Pixel Pitch||3.76 μm||1.25 μm|
|Pixel Density||7.08 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||160-12800 ISO||80-3200 ISO|
|ISO Boost||160-25600 ISO||80-12800 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||61||..|
|DXO Color Depth (bits)||21.3||..|
|DXO Dynamic Range (EV)||11.5||..|
|DXO Low Light (ISO)||639||..|
|Screen Specs||Panasonic G6||Sony HX90V|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||638k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1036k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G6||Sony HX90V|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/2000/s|
|Continuous Shooting||7 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/4000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic G6||Sony HX90V|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Panasonic G6||Sony HX90V|
|Battery Life (CIPA)||340 shots per charge||360 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
102 x 58 x 36 mm
(4.0 x 2.3 x 1.4 in)
|Camera Weight||390 g (13.8 oz)||245 g (8.6 oz)|
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