Panasonic G6 vs Sony A5000
The Panasonic Lumix DMC-G6 and the Sony Alpha A5000 are two digital cameras that were officially introduced, respectively, in April 2013 and January 2014. Both the G6 and the A5000 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G6) and an APS-C (A5000) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G6 and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic G6 and the Sony A5000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
Both cameras are available in three different colors (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is considerably smaller (33 percent) than the Panasonic G6. Moreover, the A5000 is markedly lighter (31 percent) than the G6. In this context, it is worth noting that neither the G6 nor the A5000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G6) and the Sony E-Mount Lens Catalog (A5000). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the G6 gets 340 shots out of its Panasonic DMW-BLC12 battery, while the A5000 can take 420 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
2. | Sony A5000 | 110 mm | 63 mm | 36 mm | 269 g | 420 | n | Jan 2014 | 449 | ebay.com | |
3. | Canon M10 | 108 mm | 67 mm | 35 mm | 301 g | 255 | n | Oct 2015 | 499 | ebay.com | |
4. | Nikon D3300 | 124 mm | 98 mm | 76 mm | 430 g | 700 | n | Jan 2014 | 499 | ebay.com | |
5. | Olympus E-PL5 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | Sep 2012 | 599 | ebay.com | |
6. | Olympus E-PL7 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Aug 2014 | 599 | ebay.com | |
7. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
8. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
9. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
10. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
11. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
12. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
13. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | 499 | ebay.com | |
14. | Panasonic GX7 | 123 mm | 71 mm | 55 mm | 402 g | 350 | n | Aug 2013 | 999 | ebay.com | |
15. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | 549 | ebay.com | |
16. | Sony NEX-3N | 110 mm | 62 mm | 35 mm | 269 g | 480 | n | Feb 2013 | 499 | ebay.com | |
17. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A5000 was launched at a somewhat lower price (by 25 percent) than the G6, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G6 features a Four Thirds sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 59 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G6 has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.
With 19.8MP, the A5000 offers a higher resolution than the G6 (15.9MP), but the A5000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 3.76μm for the G6) due to its larger sensor. Moreover, the A5000 is a somewhat more recent model (by 8 months) than the G6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A5000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Panasonic G6 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Panasonic Lumix DMC-G6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A5000 offers substantially better image quality than the G6 (overall score 18 points higher). The advantage is based on 2.5 bits higher color depth, 1.5 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
2. | Sony A5000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.8 | 13.0 | 1089 | 79 | |
3. | Canon M10 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.2 | 11.4 | 753 | 65 | |
4. | Nikon D3300 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.3 | 12.8 | 1385 | 82 | |
5. | Olympus E-PL5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 889 | 72 | |
6. | Olympus E-PL7 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.4 | 873 | 72 | |
7. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
8. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
9. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
10. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
11. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
12. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
13. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
14. | Panasonic GX7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.6 | 12.2 | 718 | 70 | |
15. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
16. | Sony NEX-3N | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.8 | 12.5 | 1067 | 74 | |
17. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G6 provides a higher frame rate than the A5000. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G6 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic G6 and Sony A5000 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
2. | Sony A5000 | none | n | 3.0 / 461 | tilting | n | 1/4000s | 3.5/s | Y | n | |
3. | Canon M10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.6/s | Y | n | |
4. | Nikon D3300 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
5. | Olympus E-PL5 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
6. | Olympus E-PL7 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
7. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
8. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
9. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
10. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
11. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
12. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
13. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
14. | Panasonic GX7 | 2760 | n | 3.0 / 1040 | tilting | Y | 1/8000s | 5.0/s | Y | Y | |
15. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
16. | Sony NEX-3N | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 4.0/s | Y | n | |
17. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G6 has a touchscreen, while the A5000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G6 writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G6 and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
2. | Sony A5000 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
3. | Canon M10 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Nikon D3300 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
5. | Olympus E-PL5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Olympus E-PL7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
7. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
14. | Panasonic GX7 | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
15. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony NEX-3N | - | stereo / mono | - | - | micro | 2.0 | - | - | - | |
17. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the G6 has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the G6 and the A5000 have been discontinued, but can regularly be found used on ebay. The G6 was replaced by the Panasonic G7, while the A5000 was followed by the Sony A5100. Further information on the features and operation of the G6 and A5000 can be found, respectively, in the Panasonic G6 Manual (free pdf) or the online Sony A5000 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Panasonic G6 and the Sony A5000? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-G6:
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 461k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (7 vs 3.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in April 2013).
Reasons to prefer the Sony Alpha A5000:
- More detail: Has more megapixels (19.8 vs 15.9MP), which boosts linear resolution by 14%.
- Better image quality: Scores substantially higher (18 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- More compact: Is smaller (110x63mm vs 122x85mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 121g or 31 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (420 versus 340) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
- More modern: Was introduced somewhat (8 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (11 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G6 and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G6 or the A5000. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
2. | Sony A5000 | 3/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2014 | 449 | ebay.com | |
3. | Canon M10 | .. | .. | .. | .. | .. | 4/5 | Oct 2015 | 499 | ebay.com | |
4. | Nikon D3300 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Jan 2014 | 499 | ebay.com | |
5. | Olympus E-PL5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Sep 2012 | 599 | ebay.com | |
6. | Olympus E-PL7 | 4/5 | + | .. | .. | 5/5 | 4/5 | Aug 2014 | 599 | ebay.com | |
7. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
8. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
9. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
10. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
11. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
12. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
13. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
14. | Panasonic GX7 | 4/5 | + | .. | 79/100 | 5/5 | 5/5 | Aug 2013 | 999 | ebay.com | |
15. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | 549 | ebay.com | |
16. | Sony NEX-3N | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2013 | 499 | ebay.com | |
17. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 500D vs Panasonic G6
- Canon 5D vs Panasonic G6
- Canon 90D vs Panasonic G6
- Canon T6s vs Panasonic G6
- Fujifilm GFX 100 vs Sony A5000
- Leica M-E Typ 240 vs Sony A5000
- Nikon D5200 vs Panasonic G6
- Nikon W300 vs Sony A5000
- Olympus E-330 vs Sony A5000
- Olympus E-M1 III vs Panasonic G6
- Panasonic GF1 vs Sony A5000
- Sony A5000 vs Sony RX1
Specifications: Panasonic G6 vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic G6 | Sony A5000 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Sony E mount lenses |
Launch Date | April 2013 | January 2014 |
Launch Price | USD 599 | USD 449 |
Sensor Specs | Panasonic G6 | Sony A5000 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | APS-C Sensor |
Sensor Size | 17.3 x 13.0 mm | 23.2 x 15.4 mm |
Sensor Area | 224.9 mm2 | 357.28 mm2 |
Sensor Diagonal | 21.6 mm | 27.8 mm |
Crop Factor | 2.0x | 1.5x |
Sensor Resolution | 15.9 Megapixels | 19.8 Megapixels |
Image Resolution | 4608 x 3456 pixels | 5456 x 3632 pixels |
Pixel Pitch | 3.76 μm | 4.25 μm |
Pixel Density | 7.08 MP/cm2 | 5.55 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60i Video |
ISO Setting | 160 - 12,800 ISO | 100 - 16,000 ISO |
ISO Boost | 160 - 25,600 ISO | no Enhancement |
Image Processor | Venus | BIONZ X |
DXO Sensor Quality (score) | 61 | 79 |
DXO Color Depth (bits) | 21.3 | 23.8 |
DXO Dynamic Range (EV) | 11.5 | 13.0 |
DXO Low Light (ISO) | 639 | 1089 |
Screen Specs | Panasonic G6 | Sony A5000 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 1440k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1036k dots | 461k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Panasonic G6 | Sony A5000 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 7 shutter flaps/s | 3.5 shutter flaps/s |
Electronic Shutter | up to 1/4000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic G6 | Sony A5000 |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | NFC built-in |
Body Specs | Panasonic G6 | Sony A5000 |
Battery Type | Panasonic DMW-BLC12 | Sony NP-FW50 |
Battery Life (CIPA) | 340 shots per charge | 420 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
122 x 85 x 71 mm (4.8 x 3.3 x 2.8 in) |
110 x 63 x 36 mm (4.3 x 2.5 x 1.4 in) |
Camera Weight | 390 g (13.8 oz) | 269 g (9.5 oz) |
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