Canon 5D vs Panasonic G6
The Canon EOS 5D and the Panasonic Lumix DMC-G6 are two digital cameras that were officially introduced, respectively, in August 2005 and April 2013. The 5D is a DSLR, while the G6 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D) and a Four Thirds (G6) sensor. The Canon has a resolution of 12.7 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D and the Panasonic Lumix DMC-G6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 5D and the Panasonic G6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the 5D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is considerably smaller (40 percent) than the Canon 5D. Moreover, the G6 is substantially lighter (56 percent) than the 5D. It is worth mentioning in this context that the 5D is splash and dust resistant, while the G6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D) and the Micro Four Thirds Lens Catalog (G6). Mirrorless cameras, such as the G6, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||ebay.com|
|2.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||amazon.com|
|4.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|5.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|6.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||ebay.com|
|7.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|8.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||ebay.com|
|9.||Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999||ebay.com|
|10.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999||ebay.com|
|11.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999||ebay.com|
|12.||Nikon D700||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999||ebay.com|
|13.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|14.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|15.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|16.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||ebay.com|
|17.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G6 was launched at a markedly lower price (by 82 percent) than the 5D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D features a full frame sensor and the Panasonic G6 a Four Thirds sensor. The sensor area in the G6 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 5D has a native 3:2 aspect ratio, while the one in the G6 offers a 4:3 aspect.
Despite having a smaller sensor, the G6 offers a higher resolution of 15.9 megapixels, compared with 12.7 MP of the 5D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 8.25μm for the 5D). However, it should be noted that the G6 is much more recent (by 7 years and 8 months) than the 5D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic G6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G6 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Canon 5D are 21.8 x 14.6 inches or 55.5 x 37 cm for good quality, 17.5 x 11.6 inches or 44.4 x 29.6 cm for very good quality, and 14.6 x 9.7 inches or 37 x 24.7 cm for excellent quality prints.
The Canon EOS 5D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Panasonic Lumix DMC-G6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 5D has a notably higher overall DXO score than the G6 (overall score 10 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.6 bits higher color depth, 0.4 EV of lower dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|2.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|5.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|6.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|7.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|8.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|9.||Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|10.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|11.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|12.||Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80|
|13.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|14.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|15.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|16.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|17.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The G6 indeed provides for movie recording, while the 5D does not. The highest resolution format that the G6 can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G6 has an electronic viewfinder (1440k dots), while the 5D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G6 offers a wider field of view (100%) than the one in the 5D (96%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 5D has a higher magnification (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 5D and Panasonic G6 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0/s||n||n|
|2.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|4.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|5.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|6.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|7.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|8.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|9.||Canon 1D Mark II N||optical||Y||2.5 / 230||fixed||n||1/8000s||8.5/s||n||n|
|10.||Canon 1Ds Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||4.0/s||n||n|
|11.||Canon 1Ds||optical||Y||2.0 / 120||fixed||n||1/8000s||3.0/s||n||n|
|12.||Nikon D700||optical||Y||3.0 / 922||fixed||n||1/8000s||8.0/s||Y||n|
|13.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|14.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|15.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|16.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|17.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 5D, but is missing on the G6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G6 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D writes its imaging data to Compact Flash cards, while the G6 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D and Panasonic Lumix DMC-G6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|5.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|7.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|8.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon 1D Mark II N||Y||- / -||-||-||-||1.1||-||-||-|
|10.||Canon 1Ds Mark II||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon 1Ds||Y||- / -||-||-||-||FW||-||-||-|
|12.||Nikon D700||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|15.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|16.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the G6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 5D does not provide wifi capability.
Studio photographers will appreciate that the Canon 5D (unlike the G6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D and the G6 have been discontinued, but can regularly be found used on ebay. The 5D was replaced by the Canon 5D Mark II, while the G6 was followed by the Panasonic G7. Further information on the features and operation of the 5D and G6 can be found, respectively, in the Canon 5D Manual (free pdf) or the online Panasonic G6 Manual.
So what is the bottom line? Which of the two cameras – the Canon 5D or the Panasonic G6 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 5D:
- Better image quality: Scores markedly higher (10 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.6 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.1 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (400 versus 340) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2005).
Advantages of the Panasonic Lumix DMC-G6:
- More detail: Has more megapixels (15.9 vs 12.7MP), which boosts linear resolution by 10%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (122x85mm vs 152x113mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 505g or 56 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (82 percent cheaper at launch).
- More modern: Reflects 7 years and 8 months of technical progress since the 5D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the G6 is the clear winner of the contest (20 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D and the Panasonic G6 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 5D or the G6 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299||ebay.com|
|2.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999||amazon.com|
|4.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699||amazon.com|
|5.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699||amazon.com|
|6.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499||ebay.com|
|7.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|8.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499||ebay.com|
|9.||Canon 1D Mark II N||..||..||..||..||..||..||Aug 2005||3,999||ebay.com|
|10.||Canon 1Ds Mark II||..||..||..||+ +||..||..||Sep 2004||7,999||ebay.com|
|11.||Canon 1Ds||..||..||..||+ +||..||..||Sep 2002||8,999||ebay.com|
|12.||Nikon D700||..||89/100||..||+ +||4.5/5||4.5/5||Jul 2008||2,999||ebay.com|
|13.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|14.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|15.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|16.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|17.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
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- Canon 5D vs Sony A9 II
- Leica M Typ 240 vs Panasonic G6
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- Olympus E-PL6 vs Panasonic G6
Specifications: Canon 5D vs Panasonic G6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D||Panasonic G6|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||August 2005||April 2013|
|Launch Price||USD 3,299||USD 599|
|Sensor Specs||Canon 5D||Panasonic G6|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||12.7 Megapixels||15.9 Megapixels|
|Image Resolution||4368 x 2912 pixels||4608 x 3456 pixels|
|Pixel Pitch||8.25 μm||3.76 μm|
|Pixel Density||1.47 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||160 - 12,800 ISO|
|ISO Boost||50 - 3,200 ISO||160 - 25,600 ISO|
|Image Processor||DIGIC 2||Venus|
|DXO Sensor Quality (score)||71||61|
|DXO Color Depth (bits)||22.9||21.3|
|DXO Dynamic Range (EV)||11.1||11.5|
|DXO Low Light (ISO)||1368||639|
|Screen Specs||Canon 5D||Panasonic G6|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||230k dots||1036k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 5D||Panasonic G6|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/4000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 5D||Panasonic G6|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 5D||Panasonic G6|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||400 shots per charge||340 shots per charge|
152 x 113 x 75 mm
(6.0 x 4.4 x 3.0 in)
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
|Camera Weight||895 g (31.6 oz)||390 g (13.8 oz)|
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