Panasonic G6 vs Sony ZV-1
The Panasonic Lumix DMC-G6 and the Sony Cyber-shot ZV-1 are two digital cameras that were announced, respectively, in April 2013 and May 2020. The G6 is a mirrorless interchangeable lens camera, while the ZV-1 is a fixed lens compact. The cameras are based on a Four Thirds (G6) and an one-inch (ZV-1) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G6 and the Sony Cyber-shot ZV-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic G6 and the Sony ZV-1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the ZV-1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-1 is considerably smaller (39 percent) than the Panasonic G6. In this context, it is worth noting that neither the G6 nor the ZV-1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZV-1 has a lens built in, whereas the G6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G6 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G6 gets 340 shots out of its DMW-BLC12 battery, while the ZV-1 can take 260 images on a single charge of its NP-BX1 power pack. The power pack in the ZV-1 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|2.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799||amazon.com|
|3.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899||amazon.com|
|4.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749||amazon.com|
|5.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599||ebay.com|
|6.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599||ebay.com|
|7.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|8.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|9.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|10.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||ebay.com|
|11.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||ebay.com|
|12.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||ebay.com|
|13.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||ebay.com|
|14.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599||ebay.com|
|15.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199||amazon.com|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||ebay.com|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G6 features a Four Thirds sensor and the Sony ZV-1 an one-inch sensor. The sensor area in the ZV-1 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the G6 has a native 4:3 aspect ratio, while the one in the ZV-1 offers a 3:2 aspect.
Despite having a smaller sensor, the ZV-1 offers a higher resolution of 20 megapixels, compared with 15.9 MP of the G6. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.76μm for the G6). However, it should be noted that the ZV-1 is much more recent (by 7 years and 1 month) than the G6, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony ZV-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZV-1 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic G6 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Panasonic Lumix DMC-G6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Sony Cyber-shot ZV-1 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the G6 is build around a CMOS sensor, while the ZV-1 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|3.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|4.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|5.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|6.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|7.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|8.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|9.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|10.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|11.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|12.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|13.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|14.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|15.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the ZV-1 provides a better video resolution than the G6. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G6 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic G6 and Sony ZV-1 along with similar information for a selection of comparators.
|1.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|2.||Sony ZV-1||none||n||3.0 / 922||swivel||Y||1/2000s||24.0/s||n||Y|
|3.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|4.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|5.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|6.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|7.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|8.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|9.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|10.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|11.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|12.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|13.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|14.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|15.||Sony RX100 VII||2359||n||3.0 / 921||tilting||Y||1/2000s||90.0/s||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The G6 has one, while the ZV-1 does not. While the built-in flash of the G6 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 and the Sony ZV-1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G6 writes its imaging data to SDXC cards, while the ZV-1 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G6 and Sony Cyber-shot ZV-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|2.||Sony ZV-1||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|3.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|4.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|9.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|10.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|14.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Sony RX100 VII||-||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
The ZV-1 is a recent model that features in the current product line-up of Sony. In contrast, the G6 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G6 was succeeded by the Panasonic G7. Further information on the features and operation of the G6 and ZV-1 can be found, respectively, in the Panasonic G6 Manual (free pdf) or the online Sony ZV-1 Manual.
So how do things add up? Which of the two cameras – the Panasonic G6 or the Sony ZV-1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-G6:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (340 versus 260) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in April 2013).
Arguments in favor of the Sony Cyber-shot ZV-1:
- More detail: Has more megapixels (20 vs 15.9MP), which boosts linear resolution by 14%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Faster burst: Shoots at higher frequency (24 vs 7 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the G6 necessitates an extra lens.
- More compact: Is smaller (105x60mm vs 122x85mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the G6).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 7 years and 1 month of technical progress since the G6 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the ZV-1 emerges as the winner of the match-up (10 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G6 and the Sony ZV-1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G6 or the ZV-1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|2.||Sony ZV-1||4/5||..||4.5/5||85/100||4/5||4.5/5||May 2020||799||amazon.com|
|3.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899||amazon.com|
|4.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749||amazon.com|
|5.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599||ebay.com|
|6.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|7.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|8.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|9.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|10.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|11.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499||ebay.com|
|12.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599||ebay.com|
|13.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499||ebay.com|
|14.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599||ebay.com|
|15.||Sony RX100 VII||4.5/5||..||4/5||..||4/5||5/5||Jul 2019||1,199||amazon.com|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799||ebay.com|
|17.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 30D vs Sony ZV-1
- Canon 40D vs Sony ZV-1
- Canon M5 vs Panasonic G6
- Fujifilm GFX 50S II vs Sony ZV-1
- Fujifilm X-E3 vs Panasonic G6
- Fujifilm X-T1 vs Sony ZV-1
- Leica X2 vs Panasonic G6
- Nikon D610 vs Panasonic G6
- Panasonic G6 vs Panasonic G90
- Panasonic G6 vs Sony A7S
- Panasonic GX800 vs Sony ZV-1
- Panasonic TZ200 vs Sony ZV-1
Specifications: Panasonic G6 vs Sony ZV-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G6||Sony ZV-1|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-70mm f/1.8-2.8|
|Launch Date||April 2013||May 2020|
|Launch Price||USD 599||USD 799|
|Sensor Specs||Panasonic G6||Sony ZV-1|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 8.8 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||15.9 Megapixels||20 Megapixels|
|Image Resolution||4608 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.76 μm||2.41 μm|
|Pixel Density||7.08 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||160 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||160 - 25,600 ISO||80 - 25,600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||61||..|
|DXO Color Depth (bits)||21.3||..|
|DXO Dynamic Range (EV)||11.5||..|
|DXO Low Light (ISO)||639||..|
|Screen Specs||Panasonic G6||Sony ZV-1|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1036k dots||922k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Panasonic G6||Sony ZV-1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||7 shutter flaps/s||24 shutter flaps/s|
|Electronic Shutter||up to 1/4000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic G6||Sony ZV-1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic G6||Sony ZV-1|
|Battery Life (CIPA)||340 shots per charge||260 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
105 x 60 x 44 mm
(4.1 x 2.4 x 1.7 in)
|Camera Weight||390 g (13.8 oz)||294 g (10.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.