Panasonic G5 versus Panasonic GX7
The Panasonic Lumix DMC-G5 and the Panasonic Lumix DMC-GX7 are two digital cameras that were announced, respectively, in July 2012 and August 2013. Both the G5 and the GX7 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The G5 has a resolution of 15.9 megapixel, whereas the GX7 provides 15.8 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic G5 vs Panasonic GX7
The side-by-side display below illustrates the physical size and weight of the Panasonic G5 and the Panasonic GX7. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the G5 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is notably smaller (12 percent) than the Panasonic G5. However, the GX7 is slightly heavier (2 percent) than the G5. In this context, it is worth noting that neither the G5 nor the GX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Panasonic G5 (⇒ rgt)||4.7 in||3.3 in||2.8 in||14.0 oz||320||no||2012||599||discont.||check|
|Panasonic GX7 (⇒ lft)||4.8 in||2.8 in||2.2 in||14.2 oz||350||no||2013||999||discont.||check|
|Olympus E-PL7 (⇒ lft | rgt)||4.5 in||2.6 in||1.5 in||12.6 oz||350||no||2014||599||discont.||check|
|Olympus E-M10 (⇒ lft | rgt)||4.7 in||3.2 in||1.8 in||14.0 oz||320||no||2014||699||discont.||check|
|Olympus E-P5 (⇒ lft | rgt)||4.8 in||2.7 in||1.5 in||14.8 oz||330||no||2013||999||discont.||check|
|Panasonic GX850 (⇒ lft | rgt)||4.2 in||2.6 in||1.3 in||9.5 oz||210||no||2017||549||latest||check|
|Panasonic G7 (⇒ lft | rgt)||4.9 in||3.4 in||3.0 in||14.5 oz||350||no||2015||649||discont.||check|
|Panasonic GF6 (⇒ lft | rgt)||4.4 in||2.6 in||1.5 in||11.4 oz||340||no||2013||499||discont.||check|
|Panasonic G6 (⇒ lft | rgt)||4.8 in||3.3 in||2.8 in||13.8 oz||340||no||2013||599||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||3.9 in||2.2 in||1.2 in||7.2 oz||230||no||2013||749||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||4.5 in||3.3 in||1.9 in||11.9 oz||270||no||2011||599||discont.||check|
|Panasonic GX1 (⇒ lft | rgt)||4.6 in||2.7 in||1.5 in||11.2 oz||320||no||2011||949||discont.||check|
|Panasonic GH2 (⇒ lft | rgt)||4.9 in||3.5 in||3.0 in||15.6 oz||330||no||2010||1,499||discont.||check|
|Panasonic G2 (⇒ lft | rgt)||4.9 in||3.3 in||2.9 in||15.1 oz||360||no||2010||599||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G5 was launched at a markedly lower price (by 40 percent) than the GX7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic G5 vs Panasonic GX7
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G5 offers a slightly higher resolution of 15.9 megapixel, compared with 15.8 MP of the GX7. This megapixel advantage translates into a 0.3 percent gain in linear resolution. On the other hand, these sensor specs imply that the G5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 3.77μm for the GX7). Moreover, it should be noted that the GX7 is a somewhat more recent model (by 1 year) than the G5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic G5 (⇒ rgt)||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-|
|Panasonic GX7 (⇒ lft)||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Olympus E-PL7 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|Olympus E-M10 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-P5 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Panasonic GX850 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|Panasonic G7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Panasonic GF6 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic G6 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GM1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic G3 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||21||10.6||667||56|
|Panasonic GX1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Panasonic GH2 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Panasonic G2 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Feature comparison: Panasonic G5 vs Panasonic GX7
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX7 offers a substantially higher resolution than the one in the G5 (2760k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic G5 and Panasonic GX7 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Panasonic G5 (⇒ rgt)||1440||no||3.0||920||swivel||YES||4000||6.0||10.5||no|
|Panasonic GX7 (⇒ lft)||2760||no||3.0||1040||tilting||YES||8000||5.0||7||YES|
|Olympus E-PL7 (⇒ lft | rgt)||no||no||3.0||1037||tilting||YES||4000||8.0||no||YES|
|Olympus E-M10 (⇒ lft | rgt)||1440||no||3.0||1037||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-P5 (⇒ lft | rgt)||no||no||3.0||1037||tilting||YES||8000||9.0||7||YES|
|Panasonic GX850 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||500||10.0||4||no|
|Panasonic G7 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||7.0||9.3||no|
|Panasonic GF6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||6.3||no|
|Panasonic G6 (⇒ lft | rgt)||1440||no||3.0||1036||swivel||YES||4000||7.0||10.5||no|
|Panasonic GM1 (⇒ lft | rgt)||no||no||3.0||1036||fixed||YES||500||5.0||4||no|
|Panasonic G3 (⇒ lft | rgt)||1440||no||3.0||460||swivel||YES||4000||4.0||11||no|
|Panasonic GX1 (⇒ lft | rgt)||no||no||3.0||460||fixed||YES||4000||4.2||7.6||no|
|Panasonic GH2 (⇒ lft | rgt)||1534||no||3.0||460||swivel||no||4000||3.0||15.6||no|
|Panasonic G2 (⇒ lft | rgt)||1440||no||3.0||460||swivel||YES||4000||2.6||11||no|
Both the G5 and the GX7 have been discontinued, but can regularly be found used on eBay. The G5 was replaced by the Panasonic G6, while the GX7 was followed by the Panasonic GX85.
Review summary: Panasonic G5 vs Panasonic GX7
So what is the bottom line? Which of the two cameras – the Panasonic G5 or the Panasonic GX7 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-G5:
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in July 2012).
Reasons to prefer the Panasonic Lumix DMC-GX7:
- More detailed viewfinder: Has higher resolution electronic viewfinder (2760k vs 1440k dots).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- More compact: Is smaller (123x71mm vs 120x83mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (1 year) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the GX7 emerges as the winner of the match-up (6 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the G5 or the GX7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic G5 (⇒ rgt)||HiRec||-||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Panasonic GX7 (⇒ lft)||Rec||79/100 Silver||5/5||4.5/5||5/5||2013||999||discont.||check|
|Olympus E-PL7 (⇒ lft | rgt)||Rec||-||5/5||4.5/5||4/5||2014||599||discont.||check|
|Olympus E-M10 (⇒ lft | rgt)||-||80/100 Gold||5/5||4.5/5||5/5||2014||699||discont.||check|
|Olympus E-P5 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4.5/5||5/5||2013||999||discont.||check|
|Panasonic GX850 (⇒ lft | rgt)||Rec||76/100||4.5/5||4/5||4.5/5||2017||549||latest||check|
|Panasonic G7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||4.5/5||2015||649||discont.||check|
|Panasonic GF6 (⇒ lft | rgt)||HiRec||-||4.5/5||-||4.5/5||2013||499||discont.||check|
|Panasonic G6 (⇒ lft | rgt)||HiRec||-||5/5||-||4.5/5||2013||599||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||Rec||78/100 Gold||5/5||4.5/5||4.5/5||2013||749||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||88/100 HiRec||75/100 Silver||4.5/5||4.5/5||5/5||2011||599||discont.||check|
|Panasonic GX1 (⇒ lft | rgt)||85/100 Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2011||949||discont.||check|
|Panasonic GH2 (⇒ lft | rgt)||86/100 HiRec||79/100 Silver||4.5/5||4.5/5||5/5||2010||1,499||discont.||check|
|Panasonic G2 (⇒ lft | rgt)||-||72/100 Silver||4/5||4/5||4.5/5||2010||599||discont.||check|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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