PW

Panasonic G1 vs Sony A6500

The Panasonic Lumix DMC-G1 and the Sony Alpha A6500 are two digital cameras that were revealed to the public, respectively, in September 2008 and October 2016. Both the G1 and the A6500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G1) and an APS-C (A6500) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic G1   Sony A6500
Panasonic G1 Sony A6500
Mirrorless system camera Mirrorless system camera
Micro Four Thirds lenses Sony E mount lenses
12 MP, Four Thirds Sensor 24 MP, APS-C Sensor
no Video 4K/30p Video
ISO 100-1600 (100-3200) ISO 100-25600 (100-51200)
Electronic viewfinder (1440k dots) Electronic viewfinder (2359k dots)
3.0" LCD, 460k dots 3.0" LCD, 922k dots
Swivel screen (not touch-sensitive) Tilting touchscreen
3 shutter flaps per second 11 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Not weather sealedWeathersealed body
410 shots per battery charge350 shots per battery charge
124 x 84 x 45 mm, 360 g 120 x 67 x 53 mm, 453 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G1 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Panasonic G1 vs Sony A6500

The physical size and weight of the Panasonic G1 and the Sony A6500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

Size Panasonic G1 vs Sony A6500
Compare G1 versus A6500 top
Comparison G1 or A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (23 percent) than the Panasonic G1. However, the A6500 is markedly heavier (26 percent) than the G1. It is noteworthy in this context that the A6500 is splash and dust-proof, while the G1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G1) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G1 gets 410 shots out of its DMW-BLB13 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic G1» 4.9 in 3.3 in 1.8 in 12.7 oz 410 n Sep 2008 599- i Panasonic G1
 
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
 
Fujifilm X-Pro2« » 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
 
Olympus E-410« » 5.1 in 3.6 in 2.1 in 15.3 oz 500 n Mar 2007 699- i Olympus E-410
 
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
 
Panasonic GF6« » 4.4 in 2.6 in 1.5 in 11.4 oz 340 n Apr 2013 499- i Panasonic GF6
 
Panasonic GF5« » 4.3 in 2.6 in 1.5 in 9.4 oz 360 n Apr 2012 499- i Panasonic GF5
 
Panasonic GF3« » 4.3 in 2.6 in 1.3 in 9.3 oz 300 n Jun 2011 549- i Panasonic GF3
 
Panasonic G10« » 4.9 in 3.3 in 2.9 in 13.7 oz 380 n Mar 2010 499- i Panasonic G10
 
Panasonic G2« » 4.9 in 3.3 in 2.9 in 15.1 oz 360 n Mar 2010 599- i Panasonic G2
 
Panasonic GF2« » 4.4 in 2.7 in 1.3 in 10.9 oz 300 n Nov 2010 549- i Panasonic GF2
 
Panasonic GF1« » 4.7 in 2.8 in 1.4 in 13.6 oz 380 n Sep 2009 749- i Panasonic GF1
 
Panasonic GH1« » 4.9 in 3.5 in 1.8 in 13.6 oz 300 n Mar 2009 899- i Panasonic GH1
 
Panasonic L10« » 5.3 in 3.8 in 3.1 in 19.6 oz 450 n Aug 2007 599- i Panasonic L10
 
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
 
Sony A77« » 5.6 in 4.1 in 3.2 in 25.8 oz 470 Y Aug 2011 1,399- i Sony A77
 
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G1 was launched at a markedly lower price (by 57 percent) than the A6500, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Panasonic G1 vs Sony A6500

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic G1 features a Four Thirds sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G1 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

Panasonic G1 and Sony A6500 sensor measures

With 24MP, the A6500 offers a higher resolution than the G1 (12MP), but the A6500 has smaller individual pixels (pixel pitch of 3.91μm versus 4.33μm for the G1). Yet, the A6500 is a much more recent model (by 8 years) than the G1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic G1 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.

The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-G1 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

G1 versus A6500 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6500 offers substantially better image quality than the G1 (overall score 32 points higher). The advantage is based on 3.4 bits higher color depth, 3.4 EV in additional dynamic range, and 1.6 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic G1» Four Thirds 12.0 4000 3000-21.110.346353Panasonic G1
 
Sony A6500« APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
 
Fujifilm X-Pro2« » APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
 
Olympus E-410« » Four Thirds 10.0 3648 2736-21.110.049451Olympus E-410
 
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
 
Panasonic GF6« » Four Thirds 15.8 4592 34481080/60i20.710.662254Panasonic GF6
 
Panasonic GF5« » Four Thirds 12.0 4000 30001080/60i21.411.661861Panasonic GF5
 
Panasonic GF3« » Four Thirds 12.0 4000 30001080/60i20.610.045849Panasonic GF3
 
Panasonic G10« » Four Thirds 12.0 4000 3000720/30p21.210.141152Panasonic G10
 
Panasonic G2« » Four Thirds 12.0 4000 3000720/30p21.210.349353Panasonic G2
 
Panasonic GF2« » Four Thirds 12.0 4000 30001080/60i21.210.350654Panasonic GF2
 
Panasonic GF1« » Four Thirds 12.0 4000 3000720/30p21.210.351354Panasonic GF1
 
Panasonic GH1« » Four Thirds 12.0 4000 30001080/24p21.611.677264Panasonic GH1
 
Panasonic L10« » Four Thirds 10.0 3648 2736-21.310.842955Panasonic L10
 
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
 
Sony A77« » APS-C 24.0 6000 40001080/60p24.013.280178Sony A77
 
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A6500 indeed provides for movie recording, while the G1 does not. The highest resolution format that the A6500 can use is 4K/30p.

 

Feature comparison: Panasonic G1 vs Sony A6500

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A6500 offers a substantially higher resolution than the one in the G1 (2359k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Panasonic G1, the Sony A6500, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic G1»1440 n 3.0 460 swivel n 1/4000s 3.0 Y n Panasonic G1
 
Sony A6500«2359 n 3.0 922 tilting Y 1/4000s 11.0 Y Y Sony A6500
 
Fujifilm X-Pro2« »2360 n 3.0 1620 fixed n 1/8000s 8.0 n n Fujifilm X-Pro2
 
Olympus E-410« »optical n 2.5 215 fixed n 1/4000s 3.0 Y n Olympus E-410
 
Panasonic GX8« »2360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y Panasonic GX8
 
Panasonic GF6« »- n 3.0 1040 tilting Y 1/4000s 4.2 Y n Panasonic GF6
 
Panasonic GF5« »- n 3.0 920 fixed Y 1/4000s 4.0 Y n Panasonic GF5
 
Panasonic GF3« »- n 3.0 460 fixed Y 1/4000s 3.2 Y n Panasonic GF3
 
Panasonic G10« »202 n 3.0 460 fixed n 1/4000s 2.6 Y n Panasonic G10
 
Panasonic G2« »1440 n 3.0 460 swivel Y 1/4000s 2.6 Y n Panasonic G2
 
Panasonic GF2« »- n 3.0 460 fixed Y 1/4000s 2.6 Y n Panasonic GF2
 
Panasonic GF1« »- n 3.0 460 fixed n 1/4000s 3.0 Y n Panasonic GF1
 
Panasonic GH1« »1440 n 3.0 460 swivel n 1/4000s 3.0 Y n Panasonic GH1
 
Panasonic L10« »optical n 2.5 207 swivel n 1/4000s 3.0 Y n Panasonic L10
 
Sony A6300« »2359 n 3.0 922 tilting n 1/4000s 11.0 Y n Sony A6300
 
Sony A77« »2359 Y 3.0 921 full-flex n 1/8000s 12.0 Y Y Sony A77
 
Sony NEX-7« »2359 n 3.0 921 tilting n 1/4000s 10.0 Y n Sony NEX-7

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A6500 has a touchscreen, while the G1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The G1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A6500 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The G1 writes its imaging data to SDHC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G1 cannot take advantage of Ultra High Speed SD cards.

 

Connectivity comparison: Panasonic G1 vs Sony A6500

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G1 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic G1»Y----mini2.0---Panasonic G1
 
Sony A6500«YstereomonoY-micro2.0YY-Sony A6500
 
Fujifilm X-Pro2« »YstereomonoY-micro2.0Y--Fujifilm X-Pro2
 
Olympus E-410« »Y-----2.0---Olympus E-410
 
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
 
Panasonic GF6« »-stereomono--mini2.0YY-Panasonic GF6
 
Panasonic GF5« »-stereomono--mini2.0---Panasonic GF5
 
Panasonic GF3« »-stereomono--mini2.0---Panasonic GF3
 
Panasonic G10« »Ymono---mini2.0---Panasonic G10
 
Panasonic G2« »Ystereomono--mini2.0---Panasonic G2
 
Panasonic GF2« »Ystereomono--mini2.0---Panasonic GF2
 
Panasonic GF1« »Ymonomono--mini2.0---Panasonic GF1
 
Panasonic GH1« »Ystereo-Y-mini2.0---Panasonic GH1
 
Panasonic L10« »Y-----2.0---Panasonic L10
 
Sony A6300« »YstereomonoY-micro2.0YY-Sony A6300
 
Sony A77« »YstereomonoY-mini2.0---Sony A77
 
Sony NEX-7« »YstereomonoY-mini2.0---Sony NEX-7

It is notable that the A6500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G1 does not offer wifi capability.

The A6500 is a recent model that features in the current product line-up of Sony. In contrast, the G1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the G1 was succeeded by the Panasonic G2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.


Review summary: Panasonic G1 vs Sony A6500

So how do things add up? Which of the two cameras – the Panasonic G1 or the Sony A6500 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

ilogo

Arguments in favor of the Panasonic Lumix DMC-G1:

  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Less heavy: Is lighter (by 93g or 21 percent) and hence easier to carry around.
  • Longer lasting: Can take more shots (410 versus 350) on a single battery charge.
  • More affordable: Was introduced into a lower priced category (57 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in September 2008).

ilogo

Reasons to prefer the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
  • Better image quality: Scores substantially higher (32 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (3.4 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (3.4 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (1.6 stops ISO advantage).
  • Broader imaging potential: Can capture not only stills but also 4K/30p video.
  • Better live-view autofocus: Features on-sensor phase-detection for quicker and more confident autofocus.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1440k dots).
  • More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More compact: Is smaller (120x67mm vs 124x84mm) and will fit more readily into a bag.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
  • More modern: Reflects 8 years of technical progress since the G1 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (19 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

G1 06:19 A6500

How about other alternatives? Do the specifications of the Panasonic G1 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G1 or the A6500. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews: Panasonic G1 vs Sony A6500

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic G1»+ +70/1004/54.5/54.5/5 Sep 2008 599- i Panasonic G1
 
Sony A6500«+ +85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
 
Fujifilm X-Pro2« »+83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
 
Olympus E-410« »86/100+ +4/5o4.5/5 Mar 2007 699- i Olympus E-410
 
Panasonic GX8« »+82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
 
Panasonic GF6« »+ +-4.5/5-4.5/5 Apr 2013 499- i Panasonic GF6
 
Panasonic GF5« »--4.5/54/54.5/5 Apr 2012 499- i Panasonic GF5
 
Panasonic GF3« »82/10071/1004.5/54.5/54/5 Jun 2011 549- i Panasonic GF3
 
Panasonic G10« »-70/1004/5-4/5 Mar 2010 499- i Panasonic G10
 
Panasonic G2« »-72/1004/54/54.5/5 Mar 2010 599- i Panasonic G2
 
Panasonic GF2« »82/10070/1004.5/54.5/54.5/5 Nov 2010 549- i Panasonic GF2
 
Panasonic GF1« »85/10069/1004.5/54.5/54.5/5 Sep 2009 749- i Panasonic GF1
 
Panasonic GH1« »+ +72/1004.5/55/54.5/5 Mar 2009 899- i Panasonic GH1
 
Panasonic L10« »85/100+3.5/5o4/5 Aug 2007 599- i Panasonic L10
 
Sony A6300« »+85/1005/55/55/5 Feb 2016 999- i Sony A6300
 
Sony A77« »91/10081/100-4.5/55/5 Aug 2011 1,399- i Sony A77
 
Sony NEX-7« »+ +81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Panasonic G1:
Check Ebay offers
Sony A6500:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

~

    Specifications: Panasonic G1 vs Sony A6500

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic G1 Sony A6500
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Micro Four Thirds lenses Sony E mount lenses
    Launch Date September 2008 October 2016
    Launch Price USD 599 USD 1399
    Sensor Specs Panasonic G1 Sony A6500
    Sensor Technology CMOS CMOS
    Sensor Format Four Thirds Sensor APS-C Sensor
    Sensor Size 17.3 x 13.0 mm 23.5 x 15.6 mm
    Sensor Area 224.9 mm2 366.6 mm2
    Sensor Diagonal 21.6 mm 28.2 mm
    Crop Factor 2.0x 1.5x
    Sensor Resolution 12 Megapixels 24 Megapixels
    Image Resolution 4000 x 3000 pixels 6000 x 4000 pixels
    Pixel Pitch 4.33 μm 3.91 μm
    Pixel Density 5.34 MP/cm2 6.55 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability no Video 4K/30p Video
    ISO Setting 100-1600 ISO 100-25600 ISO
    ISO Boost 100-3200 ISO 100-51200 ISO
    Image Processor Venus HD BIONZ X
    DXO Sensor Quality (score) 53 85
    DXO Color Depth (bits) 21.1 24.5
    DXO Dynamic Range (EV) 10.3 13.7
    DXO Low Light (ISO) 463 1405
    Screen Specs Panasonic G1 Sony A6500
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.70x 0.70x
    Viewfinder Resolution 1440k dots 2359k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 460k dots 922k dots
    LCD Attachment Swivel screen Tilting screen
    Touch Input no Touchscreen Touchscreen
    Shooting Specs Panasonic G1 Sony A6500
    Autofocus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 3 shutter flaps/s 11 shutter flaps/s
    Electronic Shutterno E-ShutterYES
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash Build-in Flash Build-in Flash
    Storage Medium SDHC cards MS or SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support no UHS-I
    Connectivity Specs Panasonic G1 Sony A6500
    External Flash Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Wifi Support no Wifi Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Panasonic G1 Sony A6500
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type DMW-BLB13 power pack NP-FW50 power pack
    Battery Life (CIPA)410 shots per charge350 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 124 x 84 x 45 mm
    (4.9 x 3.3 x 1.8 in)
    120 x 67 x 53 mm
    (4.7 x 2.6 x 2.1 in)
    Camera Weight 360 g (12.7 oz) 453 g (16.0 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

    You are here  »   »