Leica S2 vs Sony A6500
The Leica S2 and the Sony Alpha A6500 are two digital cameras that were revealed to the public, respectively, in September 2008 and October 2016. The S2 is a DSLR, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on a medium format (S2) and an APS-C (A6500) sensor. The Leica has a resolution of 37.5 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S2 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica S2 and the Sony A6500. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (58 percent) than the Leica S2. Moreover, the A6500 is substantially lighter (68 percent) than the S2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Leica S2||160 mm||120 mm||80 mm||1410 g||..||Y||Sep 2008||22,995|
|2.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|3.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|4.||Leica S3||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2018||18,995|
|5.||Leica S-E Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||16,900|
|6.||Leica S Typ 007||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||24,490|
|7.||Leica S Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2012||21,950|
|8.||Leica S1||339 mm||214 mm||119 mm||2500 g||..||n||Aug 1996||21,490|
|9.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|10.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|11.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|12.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|13.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995|
|14.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|15.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|16.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|17.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6500 was launched at a markedly lower price (by 94 percent) than the S2, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica S2 features a medium format sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 73 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 37.5MP, the S2 offers a higher resolution than the A6500 (24MP), but the S2 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 3.91μm for the A6500) due to its larger sensor. However, the A6500 is a much more recent model (by 8 years) than the S2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica S2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S2 for good quality output (200 dots per inch) amounts to 37.5 x 25 inches or 95.3 x 63.5 cm, for very good quality (250 dpi) 30 x 20 inches or 76.2 x 50.8 cm, and for excellent quality (300 dpi) 25 x 16.7 inches or 63.5 x 42.3 cm. The corresponding values for the Sony A6500 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica S2 has a native sensitivity range from ISO 80 to ISO 1250. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Leica S2||Medium Format||37.5||7500||5000||none||..||..||..||..|
|3.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|4.||Leica S3||Medium Format||64.0||9800||6533||4K/24p||..||..||..||..|
|5.||Leica S-E Typ 006||Medium Format||37.5||7500||5000||none||..||..||..||..|
|6.||Leica S Typ 007||Medium Format||37.5||7500||5000||4K/24p||..||..||..||..|
|7.||Leica S Typ 006||Medium Format||37.5||7500||5000||none||23.9||12.2||824||76|
|8.||Leica S1||Medium Format||26.4||5140||5140||none||..||..||..||..|
|9.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|10.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|11.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|12.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|13.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
Many modern cameras cannot only take still pictures, but also record videos. The A6500 indeed provides for movie recording, while the S2 does not. The highest resolution format that the A6500 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6500 has an electronic viewfinder (2359k dots), while the S2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A6500 offers a wider field of view (100%) than the one in the S2 (96%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S2 has a higher magnification (0.86x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Leica S2 and Sony A6500 in connection with corresponding information for a sample of similar cameras.
|1.||Leica S2||optical||Y||3.0 / 460||fixed||n||1/4000s||1.5||n||n|
|2.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|3.||Canon 1Ds Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||5.0||n||n|
|4.||Leica S3||optical||Y||3.0 / 922||fixed||n||1/4000s||3.0||n||n|
|5.||Leica S-E Typ 006||optical||Y||3.0 / 922||fixed||n||1/4000s||1.5||n||n|
|6.||Leica S Typ 007||optical||Y||3.0 / 922||fixed||n||1/4000s||3.5||n||n|
|7.||Leica S Typ 006||optical||Y||3.0 / 922||fixed||n||1/4000s||1.5||n||n|
|8.||Leica S1||optical||n||none / none||none||n||..||0.01||n||n|
|9.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0||n||n|
|10.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0||n||n|
|11.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0||n||n|
|12.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|13.||Pentax 645D||optical||Y||3.0 / 921||fixed||n||1/4000s||1.1||n||n|
|14.||Sony A6600||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||n||Y|
|15.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|16.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0||Y||Y|
|17.||Sony NEX-7||2359||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||n|
One feature that is present on the S2, but is missing on the A6500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The S2 writes its imaging data to Compact Flash or SDHC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The S2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6500 only has one slot. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the S2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S2 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica S2||Y||- / -||-||-||mini||2.0||-||-||-|
|2.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon 1Ds Mark III||Y||mono / -||-||-||-||2.0||-||-||-|
|4.||Leica S3||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|5.||Leica S-E Typ 006||Y||- / -||-||-||mini||2.0||-||-||-|
|6.||Leica S Typ 007||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|7.||Leica S Typ 006||Y||- / -||-||-||mini||2.0||-||-||-|
|8.||Leica S1||-||- / -||-||-||-||-||-||-||-|
|9.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|10.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|13.||Pentax 645D||Y||stereo / -||-||-||-||2.0||-||-||-|
|14.||Sony A6600||Y||stereo / mono||Y||Y||YES||2.0||Y||Y||Y|
|15.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony NEX-7||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A6500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the S2 does not provide wifi capability.
Studio photographers will appreciate that the Leica S2 (unlike the A6500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the S2 and the A6500 have been discontinued, but can regularly be found used on eBay. The S2 was replaced by the Leica S Typ 006, while the A6500 was followed by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what is the bottom line? Which of the two cameras – the Leica S2 or the Sony A6500 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Leica S2:
- More detail: Offers more megapixels (37.5 vs 24MP) with a 25% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.86x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Reasons to prefer the Sony Alpha A6500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (11 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 160x120mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 957g or 68 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (94 percent cheaper at launch).
- More modern: Reflects 8 years of technical progress since the S2 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (21 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica S2 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the S2 or the A6500. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica S2||..||..||..||..||..||..||Sep 2008||22,995|
|2.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|3.||Canon 1Ds Mark III||..||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|4.||Leica S3||..||..||..||..||..||..||Sep 2018||18,995|
|5.||Leica S-E Typ 006||..||..||..||..||..||..||Sep 2014||16,900|
|6.||Leica S Typ 007||4/5||..||..||..||..||..||Sep 2014||24,490|
|7.||Leica S Typ 006||..||..||..||..||..||..||Sep 2012||21,950|
|8.||Leica S1||..||..||..||..||..||..||Aug 1996||21,490|
|9.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|10.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|11.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|12.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|13.||Pentax 645D||5/5||..||..||..||..||..||Mar 2010||9,995|
|14.||Sony A6600||4/5||+||4/5||83/100||4.5/5||4/5||Aug 2019||1,399|
|15.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|16.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|17.||Sony NEX-7||5/5||+ +||..||81/100||4.5/5||5/5||Aug 2011||1,349|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark III vs Sony A6500
- Canon G1 X Mark II vs Leica S2
- Canon SX510 vs Sony A6500
- Fujifilm X-T2 vs Sony A6500
- Leica S2 vs Nikon D60
- Leica S2 vs Olympus E-P3
- Leica S2 vs Panasonic GX80
- Leica S2 vs Ricoh WG-60
- Leica S2 vs Sony RX100 VII
- Nikon D5600 vs Sony A6500
- Panasonic GX9 vs Sony A6500
- Sony A6500 vs Sony NEX-5T
Specifications: Leica S2 vs Sony A6500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica S2||Sony A6500|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Leica S mount lenses||Sony E mount lenses|
|Launch Date||September 2008||October 2016|
|Launch Price||USD 22,995||USD 1,399|
|Sensor Specs||Leica S2||Sony A6500|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||45.0 x 30.0 mm||23.5 x 15.6 mm|
|Sensor Area||1350 mm2||366.6 mm2|
|Sensor Diagonal||54.1 mm||28.2 mm|
|Sensor Resolution||37.5 Megapixels||24 Megapixels|
|Image Resolution||7500 x 5000 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.00 μm||3.91 μm|
|Pixel Density||2.78 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||80 - 1,250 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 51,200 ISO|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.5|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1405|
|Screen Specs||Leica S2||Sony A6500|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica S2||Sony A6500|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||1.5 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Image Stabilization||no shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SDHC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica S2||Sony A6500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Leica S2||Sony A6500|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|In-Camera Charging||no USB charging||USB charging|
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
|Camera Weight||1410 g (49.7 oz)||453 g (16.0 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.