Olympus E-P3 vs Sony A6500
The Olympus PEN E-P3 and the Sony Alpha A6500 are two enthusiast cameras that were revealed to the public, respectively, in June 2011 and October 2016. Both the E-P3 and the A6500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-P3) and an APS-C (A6500) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-P3 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-P3 and the Sony A6500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-P3 can be obtained in three different colors (black, silver, white), while the A6500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is somewhat smaller (4 percent) than the Olympus E-P3. However, the A6500 is markedly heavier (23 percent) than the E-P3. It is noteworthy in this context that the A6500 is splash and dust-proof, while the E-P3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-P3) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the E-P3 gets 330 shots out of its BLS-5 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799|
|2.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|3.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|4.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|5.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599|
|6.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|7.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|8.||Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599|
|9.||Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799|
|10.||Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799|
|11.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|12.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|13.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|14.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|15.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|16.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|17.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-P3 was launched at a markedly lower price (by 43 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-P3 features a Four Thirds sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-P3 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.
With 24MP, the A6500 offers a higher resolution than the E-P3 (12.2MP), but the A6500 has smaller individual pixels (pixel pitch of 3.91μm versus 4.29μm for the E-P3). Yet, the A6500 is a much more recent model (by 5 years and 3 months) than the E-P3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-P3 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Olympus PEN E-P3 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A6500 offers substantially better image quality than the E-P3 (overall score 34 points higher). The advantage is based on 3.7 bits higher color depth, 3.6 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|3.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|4.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|5.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|6.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|7.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|8.||Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|9.||Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|10.||Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|11.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|12.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|13.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6500 provides a better video resolution than the E-P3. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P3 relies on live view and the rear LCD for framing. That said, the E-P3 can be equipped with an optional viewfinder – the VF-3. The table below summarizes some of the other core capabilities of the Olympus E-P3 and Sony A6500 in connection with corresponding information for a sample of similar cameras.
|1.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0||Y||Y|
|2.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|3.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|4.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|5.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||Y|
|6.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5||n||Y|
|7.||Olympus E-PM1||optional||n||3.0 / 460||fixed||n||1/4000s||5.5||n||Y|
|8.||Olympus E-PL1||optional||n||2.7 / 230||fixed||n||1/2000s||3.0||Y||Y|
|9.||Olympus E-P1||none||n||3.0 / 230||fixed||n||1/4000s||3.0||n||Y|
|10.||Olympus E-P2||optional||n||3.0 / 230||fixed||n||1/4000s||3.0||n||Y|
|11.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|12.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|13.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|14.||Sony A6600||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||n||Y|
|15.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|16.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0||Y||Y|
|17.||Sony NEX-7||2359||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The E-P3 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-P3 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|2.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|4.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|6.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-PM1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Olympus E-PL1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Olympus E-P1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|10.||Olympus E-P2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|11.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|12.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|14.||Sony A6600||Y||stereo / mono||Y||Y||YES||2.0||Y||Y||Y|
|15.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony NEX-7||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A6500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-P3 does not provide wifi capability.
Both the E-P3 and the A6500 have been discontinued, but can regularly be found used on eBay. The E-P3 was replaced by the Olympus E-P5, while the A6500 was followed by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So how do things add up? Is there a clear favorite between the Olympus E-P3 and the Sony A6500? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus PEN E-P3:
- Less heavy: Is lighter (by 84g or 19 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2011).
Reasons to prefer the Sony Alpha A6500:
- More detail: Has more megapixels (24 vs 12.2MP), which boosts linear resolution by 43%.
- Better image quality: Scores substantially higher (34 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.4 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 614k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 5 years and 3 months of technical progress since the E-P3 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the contest (18 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-P3 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the E-P3 and the A6500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799|
|2.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|3.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|4.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599|
|5.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599|
|6.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599|
|7.||Olympus E-PM1||..||86/100||..||71/100||4.5/5||4.5/5||Jun 2011||499|
|8.||Olympus E-PL1||..||86/100||..||69/100||4/5||4.5/5||Feb 2010||599|
|9.||Olympus E-P1||..||+||..||66/100||4/5||4.5/5||Jun 2009||799|
|10.||Olympus E-P2||3/5||+||..||69/100||4/5||4.5/5||Nov 2009||799|
|11.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|12.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|13.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|14.||Sony A6600||4/5||+||4/5||83/100||4.5/5||4/5||Aug 2019||1,399|
|15.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|16.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|17.||Sony NEX-7||5/5||+ +||..||81/100||4.5/5||5/5||Aug 2011||1,349|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G5 X vs Sony A6500
- Canon SX520 vs Sony A6500
- Leica X-U Typ 113 vs Olympus E-P3
- Nikon D4 vs Olympus E-P3
- Olympus E-M1X vs Sony A6500
- Olympus E-M5 vs Olympus E-P3
- Olympus E-P3 vs Sony A9
- Olympus E-P3 vs Sony RX0 II
- Olympus E-P3 vs Sony RX100 IV
- Olympus E-PL9 vs Sony A6500
- Panasonic GF7 vs Sony A6500
- Panasonic ZS70 vs Sony A6500
Specifications: Olympus E-P3 vs Sony A6500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-P3||Sony A6500|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||June 2011||October 2016|
|Launch Price||USD 799||USD 1,399|
|Sensor Specs||Olympus E-P3||Sony A6500|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||12.2 Megapixels||24 Megapixels|
|Image Resolution||4032 x 3024 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.29 μm||3.91 μm|
|Pixel Density||5.42 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||200 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 51,200 ISO|
|Image Processor||TruePic VI||BIONZ X|
|DXO Sensor Quality (score)||51||85|
|DXO Color Depth (bits)||20.8||24.5|
|DXO Dynamic Range (EV)||10.1||13.7|
|DXO Low Light (ISO)||536||1405|
|Screen Specs||Olympus E-P3||Sony A6500|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||614k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Olympus E-P3||Sony A6500|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Olympus E-P3||Sony A6500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-P3||Sony A6500|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 69 x 34 mm
(4.8 x 2.7 x 1.3 in)
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
|Camera Weight||369 g (13.0 oz)||453 g (16.0 oz)|
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