Panasonic FZ82 vs G1
The Panasonic Lumix DC-FZ82 (called Panasonic FZ80 in some regions) and the Panasonic Lumix DMC-G1 are two digital cameras that were revealed to the public, respectively, in January 2017 and September 2008. The FZ82 is a fixed lens compact, while the G1 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ82) and a Four Thirds (G1) sensor. The FZ82 has a resolution of 18 megapixels, whereas the G1 provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FZ82 and the Panasonic Lumix DMC-G1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ82 and the Panasonic G1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G1 is notably smaller (15 percent) than the Panasonic FZ82. In this context, it is worth noting that neither the FZ82 nor the G1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ82 has a lens built in, whereas the G1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G1 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the FZ82 gets 330 shots out of its DMW-BMB9 battery, while the G1 can take 410 images on a single charge of its DMW-BLB13 power pack. The power pack in the FZ82 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic FZ82||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|2.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549|
|5.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|6.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|7.||Panasonic FT7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|8.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|9.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|10.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|11.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|12.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899|
|13.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|14.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|15.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|16.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399|
|17.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ82 was launched at a lower price than the G1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ82 features a 1/2.3-inch sensor and the Panasonic G1 a Four Thirds sensor. The sensor area in the G1 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Panasonic FZ82 offers a higher resolution of 18 megapixels, compared with 12 MP of the Panasonic G1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 4.33μm for the G1). However, it should be noted that the FZ82 is much more recent (by 8 years and 3 months) than the G1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ82 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ82 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ82 for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inches or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inches or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inches or 41.5 x 31.1 cm. The corresponding values for the Panasonic G1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DC-FZ82 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Panasonic Lumix DMC-G1 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-3200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|6.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|8.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|10.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|11.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|12.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|13.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FZ82 indeed provides movie recording capabilities, while the G1 does not. The highest resolution format that the FZ82 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G1 offers a higher resolution than the one in the FZ82 (1440k vs 1166k dots). The table below summarizes some of the other core capabilities of the Panasonic FZ82 and Panasonic G1 in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic FZ82||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|2.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|4.||Canon SX70||2360||n||3.0 / 922||swivel||n||1/2000s||10.0/s||Y||Y|
|5.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|6.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Panasonic FT7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0/s||Y||Y|
|8.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|9.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|10.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|11.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|12.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|13.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|14.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|15.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|16.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|17.||Sony HX350||202||n||3.0 / 922||tilting||n||1/4000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ82 has a touchscreen, while the G1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G1 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the FZ82 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ82 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The FZ82 writes its imaging data to SDXC cards, while the G1 uses SDHC cards. The FZ82 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FZ82 and Panasonic Lumix DMC-G1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ82||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon SX70||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|6.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Panasonic FT7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|11.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|13.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|15.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|16.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony HX350||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the FZ82 offers wifi support, while the G1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The FZ82 is a recent model that features in the current product line-up of Panasonic. In contrast, the G1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G1 was succeeded by the Panasonic G2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Is there a clear favorite between the Panasonic FZ82 and the Panasonic G1? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DC-FZ82:
- More detail: Offers more megapixels (18 vs 12MP) with a 22% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has a lens built-in, whereas the G1 requires a separate lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 8 years and 3 months of technical progress since the G1 launch.
Reasons to prefer the Panasonic Lumix DMC-G1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (124x84mm vs 130x94mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (410 versus 330) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in September 2008).
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (14 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ82 and the Panasonic G1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the FZ82 and the G1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ82||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399|
|2.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|4.||Canon SX70||..||+ +||3.5/5||..||3.5/5||3.5/5||Sep 2018||549|
|5.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|6.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|7.||Panasonic FT7||..||+||..||..||3.5/5||3.5/5||May 2018||449|
|8.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|9.||Panasonic TZ90||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|10.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|11.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|12.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899|
|13.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|14.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|15.||Sony HX95||..||..||..||..||..||..||Aug 2018||429|
|16.||Sony WX800||..||..||..||..||..||..||Oct 2018||399|
|17.||Sony HX350||..||..||..||..||..||4/5||Dec 2016||449|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 600D vs Panasonic FZ82
- Canon G1 X Mark II vs Panasonic FZ82
- Fujifilm X-Pro2 vs Panasonic G1
- Leica D-LUX 6 vs Panasonic G1
- Nikon Coolpix A vs Panasonic G1
- Nikon D1 vs Panasonic FZ82
- Nikon D200 vs Panasonic FZ82
- Nikon D3S vs Panasonic FZ82
- Olympus E-410 vs Panasonic G1
- Panasonic FZ82 vs Panasonic G3
- Panasonic G1 vs Pentax K-1 II
- Panasonic G1 vs Sony HX99
Specifications: Panasonic FZ82 vs Panasonic G1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ82||Panasonic G1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||20-1200mm f/2.8-5.9||Micro Four Thirds lenses|
|Launch Date||January 2017||September 2008|
|Launch Price||USD 399||USD 599|
|Sensor Specs||Panasonic FZ82||Panasonic G1|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||18 Megapixels||12 Megapixels|
|Image Resolution||4896 x 3672 pixels||4000 x 3000 pixels|
|Pixel Pitch||1.25 μm||4.33 μm|
|Pixel Density||64.04 MP/cm2||5.34 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||80 - 3,200 ISO||100 - 1,600 ISO|
|ISO Boost||80 - 6,400 ISO||100 - 3,200 ISO|
|Image Processor||Venus||Venus HD|
|DXO Sensor Quality (score)||..||53|
|DXO Color Depth (bits)||..||21.1|
|DXO Dynamic Range (EV)||..||10.3|
|DXO Low Light (ISO)||..||463|
|Screen Specs||Panasonic FZ82||Panasonic G1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic FZ82||Panasonic G1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic FZ82||Panasonic G1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic FZ82||Panasonic G1|
|Battery Life (CIPA)||330 shots per charge||410 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
124 x 84 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||616 g (21.7 oz)||360 g (12.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.