Panasonic FZ80 vs Sony A7C II

The Panasonic Lumix DC-FZ80 (called Panasonic FZ82 in some regions) and the Sony Alpha A7C II are two digital cameras that were revealed to the public, respectively, in January 2017 and August 2023. The FZ80 is a fixed lens compact, while the A7C II is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ80) and a full frame (A7C II) sensor. The Panasonic has a resolution of 18 megapixels, whereas the Sony provides 32.7 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FZ80		Sony A7C II
Fixed lens compact camera		Mirrorless system camera
20-1200mm f/2.8-5.9		Sony E mount lenses
18 MP – 1/2.3" sensor		32.7 MP – Full Frame sensor
4K/30p Video		4K/60p Video
ISO 80-3,200 (80 - 6,400)		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (1166k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1037k dots
Fixed touchscreen		Swivel touchscreen
10 shutter flaps per second		10 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
330 shots per battery charge		540 shots per battery charge
130 x 94 x 119 mm, 616 g		124 x 71 x 63 mm, 514 g

Check FZ80 offers at
ebay.com
Check A7C II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FZ80 and the Sony Alpha A7C II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic FZ80 and the Sony A7C II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The A7C II can be obtained in two different colors (black, silver), while the FZ80 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C II is notably smaller (28 percent) than the Panasonic FZ80. It is noteworthy in this context that the A7C II is splash and dust-proof, while the FZ80 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ80 has a lens built in, whereas the A7C II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7C II and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the FZ80 gets 330 shots out of its Panasonic DMW-BMB9 battery, while the A7C II can take 540 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ80	130 mm	94 mm	119 mm	616 g	330	n	Jan 2017	399	ebay.com
2.		Sony A7C II	124 mm	71 mm	63 mm	514 g	540	Y	Aug 2023	2,199	amazon.com
3.		Canon SX70	127 mm	91 mm	117 mm	608 g	325	n	Sep 2018	549	amazon.com
4.		Canon SX730	110 mm	64 mm	40 mm	300 g	250	n	Apr 2017	399	ebay.com
5.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	399	amazon.com
6.		Panasonic TS7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	449	ebay.com
7.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
8.		Panasonic ZS80	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	449	ebay.com
9.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
10.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	2,499	amazon.com
11.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	1,799	amazon.com
12.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
13.		Sony HX95	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	429	ebay.com
14.		Sony HX99	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	449	ebay.com
15.		Sony HX350	130 mm	93 mm	103 mm	652 g	300	n	Dec 2016	449	ebay.com
16.		Sony WX800	102 mm	58 mm	36 mm	233 g	370	n	Oct 2018	399	ebay.com
17.		Sony ZV-E1	121 mm	72 mm	54 mm	483 g	570	Y	Mar 2023	2,199	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ80 was launched at a lower price than the A7C II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic FZ80 features a 1/2.3-inch sensor and the Sony A7C II a full frame sensor. The sensor area in the A7C II is 2964 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the FZ80 has a native 4:3 aspect ratio, while the one in the A7C II offers a 3:2 aspect.

With 32.7MP, the A7C II offers a higher resolution than the FZ80 (18MP), but the A7C II nevertheless has larger individual pixels (pixel pitch of 5.12μm versus 1.25μm for the FZ80) due to its larger sensor. Moreover, the A7C II is a much more recent model (by 6 years and 7 months) than the FZ80, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Sony A7C II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7C II for good quality output (200 dots per inch) amounts to 35 x 23.4 inches or 89 x 59.3 cm, for very good quality (250 dpi) 28 x 18.7 inches or 71.2 x 47.5 cm, and for excellent quality (300 dpi) 23.4 x 15.6 inches or 59.3 x 39.6 cm. The corresponding values for the Panasonic FZ80 are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.

The A7C II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DC-FZ80 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony Alpha A7C II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FZ80	1/2.3	18.0	4896	3672	4K/30p	20.5	11.9	900	49
2.		Sony A7C II	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3237	96
3.		Canon SX70	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1063	51
4.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
5.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
6.		Panasonic TS7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
7.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
8.		Panasonic ZS80	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
9.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
10.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
11.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
12.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
13.		Sony HX95	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1057	51
14.		Sony HX99	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1058	51
15.		Sony HX350	1/2.3	19.9	5152	3864	1080/60p	20.5	11.9	896	49
16.		Sony WX800	1/2.3	18.0	4896	3672	4K/30p	20.6	12.2	1070	51
17.		Sony ZV-E1	Full Frame	12.0	4240	2832	4K/60p	25.4	14.6	3181	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7C II provides a faster frame rate than the FZ80. It can shoot movie footage at 4K/60p, while the Panasonic is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7C II offers a substantially higher resolution than the one in the FZ80 (2360k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ80, the Sony A7C II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FZ80	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
2.		Sony A7C II	2360	n	3.0 / 1037	swivel	Y	1/4000s	10.0/s	n	Y
3.		Canon SX70	2360	n	3.0 / 922	swivel	n	1/2000s	10.0/s	Y	Y
4.		Canon SX730	none	n	3.0 / 922	tilting	n	1/3200s	5.9/s	Y	Y
5.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
6.		Panasonic TS7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
7.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
8.		Panasonic ZS80	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
9.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
10.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
11.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
12.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
13.		Sony HX95	638	n	3.0 / 922	tilting	n	1/2000s	10.0/s	Y	Y
14.		Sony HX99	638	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
15.		Sony HX350	202	n	3.0 / 922	tilting	n	1/4000s	10.0/s	Y	Y
16.		Sony WX800	none	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Sony ZV-E1	none	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The FZ80 has one, while the A7C II does not. While the built-in flash of the FZ80 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Sony A7C II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The FZ80 writes its imaging data to SDXC cards, while the A7C II uses SDXC or Memory Stick PRO Duo cards. The A7C II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the FZ80 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FZ80 and Sony Alpha A7C II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FZ80	Y	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Sony A7C II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Canon SX70	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Canon SX730	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
5.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
6.		Panasonic TS7	-	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic ZS80	-	stereo / mono	-	-	micro	2.0	Y	-	Y
9.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
10.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
11.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
12.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
13.		Sony HX95	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
14.		Sony HX99	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
15.		Sony HX350	-	stereo / mono	-	-	micro	2.0	-	-	-
16.		Sony WX800	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony ZV-E1	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

It is notable that the A7C II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The FZ80 does not feature such a mic input.

The A7C II is a recent model that features in the current product line-up of Sony. In contrast, the FZ80 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the FZ80 from Panasonic. Further information on the features and operation of the FZ80 and A7C II can be found, respectively, in the Panasonic FZ80 Manual (free pdf) or the online Sony A7C II Manual.

Review summary

So how do things add up? Is the Panasonic FZ80 better than the Sony A7C II or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Panasonic Lumix DC-FZ80:

• Ready to shoot: Has a lens built-in, whereas the A7C II requires a separate lens.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in January 2017).

Arguments in favor of the Sony Alpha A7C II:

• More detail: Has more megapixels (32.7 vs 18MP), which boosts linear resolution by 38%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1166k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.7x vs 0.46x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• More compact: Is smaller (124x71mm vs 130x94mm) and will fit more readily into a bag.
• Longer lasting: Gets more shots (540 versus 330) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 6 years and 7 months of technical progress since the FZ80 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A7C II is the clear winner of the contest (23 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FZ80 and the Sony A7C II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the FZ80 or the A7C II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ80	..	+ +	..	..	4.5/5	4.5/5	Jan 2017	399	ebay.com
2.		Sony A7C II	4/5	..	4/5	87/100	4.5/5	4.5/5	Aug 2023	2,199	amazon.com
3.		Canon SX70	..	+ +	3.5/5	..	3.5/5	3.5/5	Sep 2018	549	amazon.com
4.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	399	ebay.com
5.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	399	amazon.com
6.		Panasonic TS7	..	+	..	..	..	3.5/5	May 2018	449	ebay.com
7.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	449	ebay.com
8.		Panasonic ZS80	..	+ +	..	..	4.5/5	..	Feb 2019	449	ebay.com
9.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
10.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	2,499	amazon.com
11.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	1,799	amazon.com
12.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
13.		Sony HX95	..	..	..	..	..	..	Aug 2018	429	ebay.com
14.		Sony HX99	..	..	..	..	4/5	4.5/5	Aug 2018	449	ebay.com
15.		Sony HX350	..	..	..	..	..	4/5	Dec 2016	449	ebay.com
16.		Sony WX800	..	..	..	..	..	..	Oct 2018	399	ebay.com
17.		Sony ZV-E1	..	+	4/5	..	..	4.5/5	Mar 2023	2,199	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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