Panasonic FT7 vs Sony ZV-1F
The Panasonic Lumix DC-FT7 (called Panasonic TS7 in some regions) and the Sony ZV-1F are two digital cameras that were officially introduced, respectively, in May 2018 and October 2022. Both the FT7 and the ZV-1F are fixed lens compact cameras that are based on a 1/2.3-inch (FT7) and an one-inch (ZV-1F) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FT7 and the Sony ZV-1F? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic FT7 and the Sony ZV-1F are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The FT7 can be obtained in three different colors (black, blue, orange), while the ZV-1F is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-1F is notably smaller (28 percent) than the Panasonic FT7. Moreover, the ZV-1F is markedly lighter (20 percent) than the FT7. It is worth mentioning in this context that the FT7 is splash and dust resistant, while the ZV-1F does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.
Concerning battery life, the FT7 gets 300 shots out of its Panasonic DMW-BCM13 battery, while the ZV-1F can take 360 images on a single charge of its Sony NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FT7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | US$ 449 | ebay.com | |
2. | Sony ZV-1F | 106 mm | 60 mm | 46 mm | 256 g | 360 | n | Oct 2022 | US$ 499 | amazon.com | |
3. | Canon G1 X Mark III | 115 mm | 78 mm | 51 mm | 399 g | 200 | Y | Oct 2017 | US$ 1 299 | ebay.com | |
4. | Canon SX730 | 110 mm | 64 mm | 40 mm | 300 g | 250 | n | Apr 2017 | US$ 399 | ebay.com | |
5. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | US$ 399 | amazon.com | |
6. | Fujifilm X-A5 | 117 mm | 68 mm | 40 mm | 361 g | 450 | n | Jan 2018 | US$ 399 | ebay.com | |
7. | Fujifilm XF10 | 113 mm | 64 mm | 41 mm | 279 g | 330 | n | Jul 2018 | US$ 499 | ebay.com | |
8. | Nikon W300 | 112 mm | 66 mm | 29 mm | 231 g | 280 | Y | May 2017 | US$ 389 | ebay.com | |
9. | Panasonic FZ82 | 130 mm | 94 mm | 119 mm | 616 g | 330 | n | Jan 2017 | US$ 399 | amazon.com | |
10. | Panasonic TZ90 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | US$ 449 | ebay.com | |
11. | Panasonic TZ95 | 112 mm | 69 mm | 42 mm | 327 g | 380 | n | Feb 2019 | US$ 449 | ebay.com | |
12. | Ricoh WG-6 | 118 mm | 66 mm | 33 mm | 246 g | 340 | Y | Feb 2019 | US$ 399 | amazon.com | |
13. | Sony RX100 II | 102 mm | 58 mm | 38 mm | 281 g | 350 | n | Jun 2013 | US$ 749 | ebay.com | |
14. | Sony RX100 III | 102 mm | 58 mm | 41 mm | 290 g | 320 | n | May 2014 | US$ 799 | ebay.com | |
15. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | US$ 999 | ebay.com | |
16. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | US$ 999 | ebay.com | |
17. | Sony ZV-1 II | 106 mm | 60 mm | 47 mm | 292 g | 290 | n | May 2023 | US$ 899 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FT7 was somewhat cheaper (by 10 percent) than the ZV-1F at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FT7 features a 1/2.3-inch sensor and the Sony ZV-1F an one-inch sensor. The sensor area in the ZV-1F is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the FT7 has a native 4:3 aspect ratio, while the one in the ZV-1F offers a 3:2 aspect.
Despite having a smaller sensor, the Panasonic FT7 offers a higher resolution of 20.2 megapixels, compared with 20 MP of the Sony ZV-1F. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 2.41μm for the ZV-1F). Moreover, it should be noted that the ZV-1F is much more recent (by 4 years and 5 months) than the FT7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The Panasonic Lumix DC-FT7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony ZV-1F are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FT7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
2. | Sony ZV-1F | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.3 | 12.8 | 904 | 67 | |
3. | Canon G1 X Mark III | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 13.2 | 1649 | 81 | |
4. | Canon SX730 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.5 | 11.9 | 924 | 50 | |
5. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
6. | Fujifilm X-A5 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.3 | 1800 | 82 | |
7. | Fujifilm XF10 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1844 | 83 | |
8. | Nikon W300 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.5 | 12.0 | 938 | 50 | |
9. | Panasonic FZ82 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.5 | 11.9 | 900 | 49 | |
10. | Panasonic TZ90 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
11. | Panasonic TZ95 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1103 | 52 | |
12. | Ricoh WG-6 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1104 | 52 | |
13. | Sony RX100 II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.5 | 12.4 | 483 | 67 | |
14. | Sony RX100 III | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 12.3 | 495 | 67 | |
15. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
16. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
17. | Sony ZV-1 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.3 | 12.9 | 965 | 67 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FT7 has an electronic viewfinder (1170k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-1F relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic FT7 and Sony ZV-1F in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FT7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
2. | Sony ZV-1F | none | n | 3.0 / 922 | swivel | Y | 1/2000s | 16.0/s | n | n | |
3. | Canon G1 X Mark III | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 9.0/s | Y | Y | |
4. | Canon SX730 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 5.9/s | Y | Y | |
5. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
6. | Fujifilm X-A5 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
7. | Fujifilm XF10 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 6.0/s | Y | n | |
8. | Nikon W300 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.0/s | Y | Y | |
9. | Panasonic FZ82 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
10. | Panasonic TZ90 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
11. | Panasonic TZ95 | 2330 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
12. | Ricoh WG-6 | none | n | 3.0 / 1040 | fixed | n | 1/4000s | 1.0/s | Y | n | |
13. | Sony RX100 II | optional | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
14. | Sony RX100 III | 1440 | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
15. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
16. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
17. | Sony ZV-1 II | none | n | 3.0 / 922 | swivel | Y | 1/2000s | 24.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The FT7 has one, while the ZV-1F does not. While the built-in flash of the FT7 is not very powerful, it can at times be useful as a fill-in light.
The ZV-1F has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the FT7 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony ZV-1F has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The FT7 is equipped with a zoom lens, while the ZV-1F comes with a built-in prime. The FT7 has a 28-128mm f/3.3-5.9 optic and the ZV-1F offers a 20mm f/2.0 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end than the Panasonic, but less tele-photo reach at the long end. The ZV-1F offers the faster maximum aperture.
The FT7 writes its imaging data to SDXC cards, while the ZV-1F uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FT7 and Sony ZV-1F and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FT7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Sony ZV-1F | - | stereo / mono | Y | - | - | 3.0 | Y | - | Y | |
3. | Canon G1 X Mark III | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
4. | Canon SX730 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
5. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
6. | Fujifilm X-A5 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
7. | Fujifilm XF10 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Nikon W300 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
9. | Panasonic FZ82 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Panasonic TZ90 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Panasonic TZ95 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
12. | Ricoh WG-6 | - | mono / mono | - | - | micro | 3.0 | - | - | - | |
13. | Sony RX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
14. | Sony RX100 III | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony ZV-1 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y |
It is notable that the ZV-1F has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The FT7 does not feature such a mic input.
The ZV-1F is a recent model that features in the current product line-up of Sony. In contrast, the FT7 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the FT7 from Panasonic. Further information on the features and operation of the FT7 and ZV-1F can be found, respectively, in the Panasonic FT7 Manual (free pdf) or the online Sony ZV-1F Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Panasonic FT7 or the Sony ZV-1F – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DC-FT7:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in May 2018).
Advantages of the Sony ZV-1F:
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/1300s) to freeze action.
- Faster burst: Shoots at higher frequency (16 vs 10 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/3.3).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (106x60mm vs 117x76mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 63g or 20 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (360 versus 300) out of a single battery charge.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 4 years and 5 months of technical progress since the FT7 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the ZV-1F is the clear winner of the contest (19 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FT7 and the Sony ZV-1F place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the FT7 or the ZV-1F perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FT7 | .. | + | .. | .. | 3.5/5 | 3.5/5 | May 2018 | US$ 449 | ebay.com | |
2. | Sony ZV-1F | .. | .. | 4/5 | 78/100 | .. | 4/5 | Oct 2022 | US$ 499 | amazon.com | |
3. | Canon G1 X Mark III | 5/5 | + | 4/5 | 79/100 | 4.5/5 | 4.5/5 | Oct 2017 | US$ 1 299 | ebay.com | |
4. | Canon SX730 | .. | + | .. | .. | 4/5 | 4/5 | Apr 2017 | US$ 399 | ebay.com | |
5. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | US$ 399 | amazon.com | |
6. | Fujifilm X-A5 | .. | + | 4.1/5 | .. | 4/5 | 3.5/5 | Jan 2018 | US$ 399 | ebay.com | |
7. | Fujifilm XF10 | .. | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Jul 2018 | US$ 499 | ebay.com | |
8. | Nikon W300 | .. | + | .. | .. | 4/5 | 4/5 | May 2017 | US$ 389 | ebay.com | |
9. | Panasonic FZ82 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jan 2017 | US$ 399 | amazon.com | |
10. | Panasonic TZ90 | .. | + + | 4/5 | .. | 4/5 | 4/5 | Apr 2017 | US$ 449 | ebay.com | |
11. | Panasonic TZ95 | .. | + + | .. | .. | 4.5/5 | .. | Feb 2019 | US$ 449 | ebay.com | |
12. | Ricoh WG-6 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Feb 2019 | US$ 399 | amazon.com | |
13. | Sony RX100 II | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jun 2013 | US$ 749 | ebay.com | |
14. | Sony RX100 III | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | May 2014 | US$ 799 | ebay.com | |
15. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | US$ 999 | ebay.com | |
16. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | US$ 999 | ebay.com | |
17. | Sony ZV-1 II | 4.5/5 | .. | 3.5/5 | 83/100 | 3.5/5 | 4.5/5 | May 2023 | US$ 899 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Fujifilm GFX 100 II vs Sony ZV-1F
- Fujifilm X-H1 vs Panasonic FT7
- Fujifilm X-T5 vs Panasonic FT7
- Leica M10-P vs Sony ZV-1F
- Leica Q2 vs Panasonic FT7
- Nikon P950 vs Sony ZV-1F
- Olympus E-410 vs Panasonic FT7
- Panasonic FT7 vs Panasonic G100
- Panasonic FT7 vs Sony A7S
- Panasonic S1 vs Sony ZV-1F
- Panasonic TZ200 vs Sony ZV-1F
- Sony A7C R vs Sony ZV-1F
Specifications: Panasonic FT7 vs Sony ZV-1F
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic FT7 | Sony ZV-1F |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 28-128mm f/3.3-5.9 | 20mm f/2.0 |
Launch Date | May 2018 | October 2022 |
Launch Price | USD 449 | USD 499 |
Sensor Specs | Panasonic FT7 | Sony ZV-1F |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | 1/2.3" Sensor | 1" Sensor |
Sensor Size | 6.17 x 4.55 mm | 13.2 x 8.8 mm |
Sensor Area | 28.0735 mm2 | 116.16 mm2 |
Sensor Diagonal | 7.7 mm | 15.9 mm |
Crop Factor | 5.6x | 2.7x |
Sensor Resolution | 20.2 Megapixels | 20 Megapixels |
Image Resolution | 5184 x 3888 pixels | 5472 x 3648 pixels |
Pixel Pitch | 1.18 μm | 2.41 μm |
Pixel Density | 71.80 MP/cm2 | 17.18 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 80 - 3,200 ISO | 125 - 12,800 ISO |
ISO Boost | 80 - 6,400 ISO | 80 - 25,600 ISO |
Image Processor | Venus | BIONZ X |
Screen Specs | Panasonic FT7 | Sony ZV-1F |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.45x | |
Viewfinder Resolution | 1170k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 922k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Panasonic FT7 | Sony ZV-1F |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/1300s | 1/2000s |
Continuous Shooting | 10 shutter flaps/s | 16 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/32000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic FT7 | Sony ZV-1F |
External Flash | no Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | micro HDMI | no HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Panasonic FT7 | Sony ZV-1F |
Environmental Sealing | Waterproof body (31m) | not weather sealed |
Battery Type | Panasonic DMW-BCM13 | Sony NP-BX1 |
Battery Life (CIPA) | 300 shots per charge | 360 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
117 x 76 x 37 mm (4.6 x 3.0 x 1.5 in) |
106 x 60 x 46 mm (4.2 x 2.4 x 1.8 in) |
Camera Weight | 319 g (11.3 oz) | 256 g (9.0 oz) |
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