OM System OM-5 vs Sony A6600
The OM System OM-5 and the Sony Alpha A6600 are two enthusiast cameras that were announced, respectively, in October 2022 and August 2019. Both the OM-5 and the A6600 are mirrorless interchangeable lens cameras that are based on a Four Thirds (OM-5) and an APS-C (A6600) sensor. The OM System has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the OM System OM-5 and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the OM System OM-5 and the Sony A6600. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The OM-5 can be obtained in two different colors (black, silver), while the A6600 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is notably smaller (24 percent) than the OM System OM-5. However, the A6600 is markedly heavier (21 percent) than the OM-5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (OM-5) and the Sony E-Mount Lens Catalog (A6600). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the OM-5 gets 310 shots out of its OM System BLS-50 battery, while the A6600 can take 810 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-5 | 125 mm | 85 mm | 50 mm | 414 g | 310 | Y | Oct 2022 | US$ 1 199 | amazon.com | |
2. | Sony A6600 | 120 mm | 67 mm | 69 mm | 503 g | 810 | Y | Aug 2019 | US$ 1 399 | amazon.com | |
3. | Fujifilm X-T4 | 135 mm | 93 mm | 64 mm | 607 g | 500 | Y | Feb 2020 | US$ 1 699 | ebay.com | |
4. | Olympus E-M1 | 130 mm | 94 mm | 63 mm | 497 g | 350 | Y | Sep 2013 | US$ 1 399 | ebay.com | |
5. | Olympus E-M5 | 122 mm | 89 mm | 43 mm | 425 g | 360 | Y | Feb 2012 | US$ 1 299 | ebay.com | |
6. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | US$ 1 099 | ebay.com | |
7. | Olympus E-M5 III | 125 mm | 85 mm | 50 mm | 414 g | 310 | Y | Oct 2019 | US$ 1 199 | ebay.com | |
8. | Olympus PEN-F | 125 mm | 72 mm | 37 mm | 427 g | 330 | n | Jan 2016 | US$ 1 199 | ebay.com | |
9. | OM System OM-1 | 135 mm | 92 mm | 73 mm | 599 g | 520 | Y | Feb 2022 | US$ 2 199 | ebay.com | |
10. | OM System OM-1 II | 135 mm | 92 mm | 73 mm | 599 g | 500 | Y | Jan 2024 | US$ 2 399 | amazon.com | |
11. | Panasonic G95 | 130 mm | 94 mm | 77 mm | 536 g | 290 | Y | Apr 2019 | US$ 999 | ebay.com | |
12. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | US$ 1 699 | amazon.com | |
13. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | US$ 1 199 | ebay.com | |
14. | Sony A7C | 124 mm | 71 mm | 60 mm | 509 g | 740 | Y | Sep 2020 | US$ 1 799 | amazon.com | |
15. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | US$ 1 399 | ebay.com | |
16. | Sony A6500 | 120 mm | 67 mm | 53 mm | 453 g | 350 | Y | Oct 2016 | US$ 1 399 | ebay.com | |
17. | Sony A6700 | 122 mm | 69 mm | 64 mm | 493 g | 570 | Y | Jul 2023 | US$ 1 399 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The OM-5 was launched at a somewhat lower price (by 14 percent) than the A6600, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the OM System OM-5 features a Four Thirds sensor and the Sony A6600 an APS-C sensor. The sensor area in the A6600 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the OM-5 has a native 4:3 aspect ratio, while the one in the A6600 offers a 3:2 aspect.
With 24MP, the A6600 offers a higher resolution than the OM-5 (20.2MP), but the A6600 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the OM-5) due to its larger sensor. However, the OM-5 is a much more recent model (by 3 years and 1 month) than the A6600, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the OM-5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the OM System OM-5 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
Unlike the A6600, the OM-5 has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The OM System OM-5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 64-25600. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.4 | 13.4 | 1622 | 78 | |
2. | Sony A6600 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.4 | 1497 | 82 | |
3. | Fujifilm X-T4 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.1 | 13.6 | 1995 | 84 | |
4. | Olympus E-M1 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.7 | 757 | 73 | |
5. | Olympus E-M5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 22.8 | 12.3 | 826 | 71 | |
6. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
7. | Olympus E-M5 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1324 | 76 | |
8. | Olympus PEN-F | Four Thirds | 20.2 | 5184 | 3888 | 1080/60p | 23.1 | 12.4 | 894 | 74 | |
9. | OM System OM-1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.4 | 1553 | 77 | |
10. | OM System OM-1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.6 | 1749 | 78 | |
11. | Panasonic G95 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.2 | 13.0 | 1273 | 75 | |
12. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
13. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
14. | Sony A7C | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3407 | 95 | |
15. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
16. | Sony A6500 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.5 | 13.7 | 1405 | 85 | |
17. | Sony A6700 | APS-C | 25.6 | 6192 | 4128 | 4K/120p | 24.3 | 14.0 | 2329 | 86 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the OM-5 offers a slightly higher resolution than the one in the A6600 (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the OM System OM-5, the Sony A6600, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-5 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
2. | Sony A6600 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | n | Y | |
3. | Fujifilm X-T4 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
4. | Olympus E-M1 | 2360 | n | 3.0 / 1037 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
5. | Olympus E-M5 | 1440 | n | 3.0 / 610 | tilting | Y | 1/4000s | 9.0/s | n | Y | |
6. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
7. | Olympus E-M5 III | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
8. | Olympus PEN-F | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
9. | OM System OM-1 | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
10. | OM System OM-1 II | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
11. | Panasonic G95 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 9.0/s | Y | Y | |
12. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
13. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
14. | Sony A7C | 2360 | n | 3.0 / 922 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
15. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
16. | Sony A6500 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | Y | |
17. | Sony A6700 | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 11.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The OM System OM-5 and the Sony A6600 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The OM-5 writes its imaging data to SDXC cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards. The OM-5 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A6600 can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the OM System OM-5 and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-5 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
2. | Sony A6600 | Y | stereo / mono | Y | Y | YES | 2.0 | Y | Y | Y | |
3. | Fujifilm X-T4 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
4. | Olympus E-M1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
5. | Olympus E-M5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
7. | Olympus E-M5 III | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Olympus PEN-F | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
9. | OM System OM-1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
10. | OM System OM-1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
11. | Panasonic G95 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | Y | |
12. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
13. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
14. | Sony A7C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
15. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
16. | Sony A6500 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
17. | Sony A6700 | Y | stereo / mono | Y | Y | YES | 3.2 | Y | Y | Y |
It is notable that the A6600 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The OM-5 lacks such a headphone port.
Both the OM-5 and the A6600 are recent models that are part of the current product line-up. The A6600 replaced the earlier Sony A6500, while the OM-5 followed on from the Olympus E-M5 III. Further information on the features and operation of the OM-5 and A6600 can be found, respectively, in the OM System OM-5 Manual (free pdf) or the online Sony A6600 Manual.
Review summary
So what is the bottom line? Is the OM System OM-5 better than the Sony A6600 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the OM System OM-5:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less heavy: Is lighter (by 89g or 18 percent) and hence easier to carry around.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced segment (14 percent cheaper at launch).
- More modern: Reflects 3 years and 1 month of technical progress since the A6600 launch.
Arguments in favor of the Sony Alpha A6600:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.68x).
- More compact: Is smaller (120x67mm vs 125x85mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (810 versus 310) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in August 2019).
If the count of individual advantages (bullet points above) is taken as a guide, the A6600 emerges as the winner of the match-up (12 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the OM System OM-5 and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the OM-5 or the A6600. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | OM System OM-5 | 5/5 | .. | 4.5/5 | 83/100 | 5/5 | 4.5/5 | Oct 2022 | US$ 1 199 | amazon.com | |
2. | Sony A6600 | 4/5 | + | 4/5 | 83/100 | 4.5/5 | 4/5 | Aug 2019 | US$ 1 399 | amazon.com | |
3. | Fujifilm X-T4 | 5/5 | + + | 5/5 | 88/100 | 5/5 | 5/5 | Feb 2020 | US$ 1 699 | ebay.com | |
4. | Olympus E-M1 | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2013 | US$ 1 399 | ebay.com | |
5. | Olympus E-M5 | 4/5 | + + | .. | 80/100 | 4.5/5 | 5/5 | Feb 2012 | US$ 1 299 | ebay.com | |
6. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | US$ 1 099 | ebay.com | |
7. | Olympus E-M5 III | 5/5 | + | 5/5 | 82/100 | 4.5/5 | 4.5/5 | Oct 2019 | US$ 1 199 | ebay.com | |
8. | Olympus PEN-F | .. | .. | 4/5 | 82/100 | 4.5/5 | 5/5 | Jan 2016 | US$ 1 199 | ebay.com | |
9. | OM System OM-1 | 5/5 | .. | .. | 87/100 | 5/5 | 4.5/5 | Feb 2022 | US$ 2 199 | ebay.com | |
10. | OM System OM-1 II | .. | .. | .. | .. | .. | .. | Jan 2024 | US$ 2 399 | amazon.com | |
11. | Panasonic G95 | 4.5/5 | + | 4.5/5 | 83/100 | 4.5/5 | 4.5/5 | Apr 2019 | US$ 999 | ebay.com | |
12. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | US$ 1 699 | amazon.com | |
13. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | US$ 1 199 | ebay.com | |
14. | Sony A7C | 3.5/5 | .. | 3.5/5 | 86/100 | 4/5 | 4/5 | Sep 2020 | US$ 1 799 | amazon.com | |
15. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | US$ 1 399 | ebay.com | |
16. | Sony A6500 | 5/5 | + + | 3.5/5 | 85/100 | 4.5/5 | 4.5/5 | Oct 2016 | US$ 1 399 | ebay.com | |
17. | Sony A6700 | 4.5/5 | + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Jul 2023 | US$ 1 399 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon SX510 vs Sony A6600
- Canon SX740 vs OM System OM-5
- Fujifilm X-A5 vs OM System OM-5
- Fujifilm X-T30 vs Sony A6600
- Fujifilm X100F vs Sony A6600
- Leica M10-R vs Sony A6600
- Nikon B600 vs OM System OM-5
- Nikon Z30 vs Sony A6600
- Nikon Z50 vs Sony A6600
- OM System OM-5 vs Sony NEX-7
- OM System OM-5 vs Sony ZV-1 II
- OM System OM-5 vs Sony ZV-1F
Specifications: OM System OM-5 vs Sony A6600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | OM System OM-5 | Sony A6600 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Sony E mount lenses |
Launch Date | October 2022 | August 2019 |
Launch Price | USD 1,199 | USD 1,399 |
Sensor Specs | OM System OM-5 | Sony A6600 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | APS-C Sensor |
Sensor Size | 17.3 x 13.0 mm | 23.5 x 15.6 mm |
Sensor Area | 224.9 mm2 | 366.6 mm2 |
Sensor Diagonal | 21.6 mm | 28.2 mm |
Crop Factor | 2.0x | 1.5x |
Sensor Resolution | 20.2 Megapixels | 24 Megapixels |
Image Resolution | 5184 x 3888 pixels | 6000 x 4000 pixels |
Pixel Pitch | 3.34 μm | 3.91 μm |
Pixel Density | 8.96 MP/cm2 | 6.55 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 200 - 25,600 ISO | 100 - 32,000 ISO |
ISO Boost | 64 - 25,600 ISO | 100 - 102,400 ISO |
Image Processor | TruePic IX | BIONZ X |
DXO Sensor Quality (score) | .. | 82 |
DXO Color Depth (bits) | .. | 23.8 |
DXO Dynamic Range (EV) | .. | 13.4 |
DXO Low Light (ISO) | .. | 1497 |
Screen Specs | OM System OM-5 | Sony A6600 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.68x | 0.70x |
Viewfinder Resolution | 2360k dots | 2359k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 922k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | OM System OM-5 | Sony A6600 |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 11 shutter flaps/s |
Electronic Shutter | up to 1/32000s | YES |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-II | UHS-I |
Connectivity Specs | OM System OM-5 | Sony A6600 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | YES HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | OM System OM-5 | Sony A6600 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | OM System BLS-50 | Sony NP-FZ100 |
Battery Life (CIPA) | 310 shots per charge | 810 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
125 x 85 x 50 mm (4.9 x 3.3 x 2.0 in) |
120 x 67 x 69 mm (4.7 x 2.6 x 2.7 in) |
Camera Weight | 414 g (14.6 oz) | 503 g (17.7 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.