Olympus TG-5 vs Panasonic S1
The Olympus Tough TG-5 and the Panasonic Lumix DC-S1 are two digital cameras that were revealed to the public, respectively, in May 2017 and February 2019. The TG-5 is a fixed lens compact, while the S1 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (TG-5) and a full frame (S1) sensor. The Olympus has a resolution of 12 megapixels, whereas the Panasonic provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus TG-5||Panasonic S1|
|Fixed lens compact camera||Mirrorless system camera|
|25-100mm f/2.0-4.9||Leica L mount lenses|
|12 MP, 1/2.3" Sensor||24 MP, Full Frame Sensor|
|4K/30p Video||4K/60p Video|
|ISO 100-12800||ISO 100-51200 (50-204800)|
|No viewfinder, LCD framing||Electronic viewfinder (5760k dots)|
|3.0" LCD, 460k dots||3.2" LCD, 2100k dots|
|Fixed screen (not touch-sensitive)||Fully flexible touchscreen|
|20 shutter flaps per second||9 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Waterproof body (nom)||Weathersealed body|
|340 shots per battery charge||400 shots per battery charge|
|113 x 66 x 32 mm, 250 g||149 x 110 x 97 mm, 1017 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Tough TG-5 and the Panasonic Lumix DC-S1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Olympus TG-5 vs Panasonic S1
The physical size and weight of the Olympus TG-5 and the Panasonic S1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The TG-5 can be obtained in two different colors (black, red), while the S1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 is considerably larger (120 percent) than the Olympus TG-5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TG-5 is water-proof up to 15m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TG-5 has a lens built in, whereas the S1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the TG-5 gets 340 shots out of its LI-92B battery, while the S1 can take 400 images on a single charge of its DMW-BLJ31 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Olympus TG-5»||4.4 in||2.6 in||1.3 in||8.8 oz||340||Y||May 2017||449||-||Olympus TG-5|
|Panasonic S1«||5.9 in||4.3 in||3.8 in||35.9 oz||400||Y||Feb 2019||2,499||Panasonic S1|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Fujifilm XP130« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||n||Jan 2018||229||-||Fujifilm XP130|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||-||Nikon D600|
|Olympus TG-6« »||4.4 in||2.6 in||1.3 in||8.9 oz||340||Y||May 2019||449||Olympus TG-6|
|Olympus TG-4« »||4.4 in||2.6 in||1.2 in||8.7 oz||380||Y||Apr 2015||379||-||Olympus TG-4|
|Olympus E-PM1« »||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499||-||Olympus E-PM1|
|Olympus XZ-1« »||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499||-||Olympus XZ-1|
|Panasonic S1R« »||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699||Panasonic S1R|
|Panasonic TS7« »||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic TS7|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A900« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Sep 2008||2,999||-||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The TG-5 was launched at a lower price than the S1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Olympus TG-5 vs Panasonic S1
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus TG-5 features a 1/2.3-inch sensor and the Panasonic S1 a full frame sensor. The sensor area in the S1 is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the TG-5 has a native 4:3 aspect ratio, while the one in the S1 offers a 3:2 aspect.
With 24MP, the S1 offers a higher resolution than the TG-5 (12MP), but the S1 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.53μm for the TG-5) due to its larger sensor. Moreover, the S1 is a somewhat more recent model (by 1 year and 8 months) than the TG-5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Olympus TG-5 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
Unlike the TG-5, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus Tough TG-5 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DC-S1 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus TG-5»||1/2.3||12.0||4000||3000||4K/30p||-||-||-||-||Olympus TG-5|
|Panasonic S1«||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Fujifilm XP130« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Fujifilm XP130|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Nikon D600« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Olympus TG-6« »||1/2.3||12.0||4000||3000||4K/30p||-||-||-||-||Olympus TG-6|
|Olympus TG-4« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Olympus TG-4|
|Olympus E-PM1« »||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52||Olympus E-PM1|
|Olympus XZ-1« »||1/1.7||10.1||3664||2752||720/30p||18.8||10.4||117||34||Olympus XZ-1|
|Panasonic S1R« »||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Panasonic TS7« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TS7|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A900« »||Full Frame||24.4||6048||4032||-||23.7||12.3||1431||79||Sony A900|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1 provides a faster frame rate than the TG-5. It can shoot movie footage at 4K/60p, while the Olympus is limited to 4K/30p.
Feature comparison: Olympus TG-5 vs Panasonic S1
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S1 has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the TG-5 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Olympus TG-5 and Panasonic S1 in connection with corresponding information for a sample of similar cameras.
|Olympus TG-5»||-||n||3.0||460||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-5|
|Panasonic S1«||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Fujifilm XP130« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP130|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Nikon D600« »||optical||Y||3.0||921||fixed||n||1/4000s||5.5||Y||n||Nikon D600|
|Olympus TG-6« »||-||n||3.0||1040||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-6|
|Olympus TG-4« »||-||n||3.0||460||fixed||n||1/2000s||5.0||Y||Y||Olympus TG-4|
|Olympus E-PM1« »||-||n||3.0||460||fixed||n||1/4000s||5.5||n||Y||Olympus E-PM1|
|Olympus XZ-1« »||-||n||3.0||614||fixed||n||1/2000s||2.0||Y||Y||Olympus XZ-1|
|Panasonic S1R« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Panasonic TS7« »||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic TS7|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Sony A900« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One difference between the cameras concerns the presence of an on-board flash. The TG-5 has one, while the S1 does not. While the built-in flash of the TG-5 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus TG-5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The TG-5 writes its imaging data to SDXC cards, while the S1 uses SDHC or XQD cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the TG-5 only has one slot. The S1 supports UHS-II cards (on both slots), while the TG-5 can use UHS-I cards.
Connectivity comparison: Olympus TG-5 vs Panasonic S1
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Tough TG-5 and Panasonic Lumix DC-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus TG-5»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-5|
|Panasonic S1«||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Fujifilm XP130« »||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP130|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Nikon D600« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Olympus TG-6« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-6|
|Olympus TG-4« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-4|
|Olympus E-PM1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM1|
|Olympus XZ-1« »||Y||mono||-||-||-||mini||2.0||-||-||-||Olympus XZ-1|
|Panasonic S1R« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Panasonic TS7« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TS7|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A900« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A900|
It is notable that the S1 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TG-5 does not feature such a mic input.
Studio photographers will appreciate that the Panasonic S1 (unlike the TG-5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1 is a recent model that features in the current product line-up of Panasonic. In contrast, the TG-5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the TG-5 was succeeded by the Olympus TG-6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
Review summary: Olympus TG-5 vs Panasonic S1
So what conclusions can be drawn? Which of the two cameras – the Olympus TG-5 or the Panasonic S1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Olympus Tough TG-5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Faster burst: Shoots at higher frequency (20 vs 9 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the S1 requires a separate lens.
- More compact: Is smaller (113x66mm vs 149x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the S1).
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 15m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in May 2017).
Reasons to prefer the Panasonic Lumix DC-S1:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 460k dots).
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 340) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (1 year and 8 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the S1 is the clear winner of the contest (28 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus TG-5 and the Panasonic S1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the TG-5 or the S1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Olympus TG-5 vs Panasonic S1
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus TG-5»||+ +||-||4/5||o||4/5||May 2017||449||-||Olympus TG-5|
|Panasonic S1«||+ +||88/100||4.5/5||-||4/5||Feb 2019||2,499||Panasonic S1|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Fujifilm XP130« »||o||-||3.5/5||-||4/5||Jan 2018||229||-||Fujifilm XP130|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||Leica SL|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Nikon D600« »||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Nikon D600|
|Olympus TG-6« »||-||-||4/5||-||-||May 2019||449||Olympus TG-6|
|Olympus TG-4« »||+||79/100||4/5||4/5||4/5||Apr 2015||379||-||Olympus TG-4|
|Olympus E-PM1« »||86/100||71/100||4.5/5||-||4.5/5||Jun 2011||499||-||Olympus E-PM1|
|Olympus XZ-1« »||-||74/100||4.5/5||4.5/5||4.5/5||Jan 2011||499||-||Olympus XZ-1|
|Panasonic S1R« »||-||89/100||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Panasonic TS7« »||+||-||-||-||3.5/5||May 2018||449||Panasonic TS7|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A900« »||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999||-||Sony A900|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 200D vs Panasonic S1
- Canon SX740 vs Panasonic S1
- Canon T7i vs Panasonic S1
- Contax N Digital vs Olympus TG-5
- Fujifilm X-E3 vs Panasonic S1
- Fujifilm X-T30 vs Olympus TG-5
- Leica M10-P vs Olympus TG-5
- Leica SL vs Panasonic S1
- Leica V-LUX 4 vs Olympus TG-5
- Olympus E-5 vs Panasonic S1
- Olympus TG-5 vs Pentax Q
- Olympus TG-5 vs Sony HX95
Specifications: Olympus TG-5 vs Panasonic S1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus TG-5||Panasonic S1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-100mm f/2.0-4.9||Leica L mount lenses|
|Launch Date||May 2017||February 2019|
|Launch Price||USD 449||USD 2499|
|Sensor Specs||Olympus TG-5||Panasonic S1|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.6 x 23.8 mm|
|Sensor Area||28.0735 mm2||847.28 mm2|
|Sensor Diagonal||7.7 mm||42.8 mm|
|Sensor Resolution||12 Megapixels||24 Megapixels|
|Image Resolution||4000 x 3000 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.53 μm||5.94 μm|
|Pixel Density||42.74 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||100-12800 ISO||100-51200 ISO|
|ISO Boost||no Enhancement||50-204800 ISO|
|Image Processor||TruePic VIII||Venus|
|DXO Sensor Quality (score)||..||95|
|DXO Color Depth (bits)||..||25.2|
|DXO Dynamic Range (EV)||..||14.5|
|DXO Low Light (ISO)||..||3333|
|Screen Specs||Olympus TG-5||Panasonic S1|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||460k dots||2100k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus TG-5||Panasonic S1|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||20 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Olympus TG-5||Panasonic S1|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus TG-5||Panasonic S1|
|Environmental Sealing||Waterproof body (15m)||Weathersealed body|
|Battery Type||LI-92B power pack||DMW-BLJ31 power pack|
|Battery Life (CIPA)||340 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||USB charging|
113 x 66 x 32 mm
(4.4 x 2.6 x 1.3 in)
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
|Camera Weight||250 g (8.8 oz)||1017 g (35.9 oz)|
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