Olympus PEN-F vs Sony A900
The Olympus PEN-F and the Sony Alpha A900 are two digital cameras that were officially introduced, respectively, in January 2016 and September 2008. The PEN-F is a mirrorless interchangeable lens camera, while the A900 is a DSLR. The cameras are based on a Four Thirds (PEN-F) and a full frame (A900) sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Sony provides 24.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus PEN-F||Sony A900|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Sony A mount lenses|
|20.2 MP, Four Thirds Sensor||24.4 MP, Full Frame Sensor|
|1080/60p Video||no Video|
|ISO 80-25,600||ISO 200-3,200 (100 - 6,400)|
|Electronic viewfinder (2360k dots)||Optical viewfinder|
|3.0 LCD, 1037k dots||3.0 LCD, 922k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|330 shots per battery charge||880 shots per battery charge|
|125 x 72 x 37 mm, 427 g||156 x 117 x 82 mm, 895 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN-F and the Sony Alpha A900? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus PEN-F and the Sony A900. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The PEN-F can be obtained in two different colors (black, silver), while the A900 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A900 is considerably larger (103 percent) than the Olympus PEN-F. Moreover, the A900 is substantially heavier (110 percent) than the PEN-F. It is noteworthy in this context that the A900 is splash and dust-proof, while the PEN-F does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus PEN-F||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199|
|Sony A900||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Sep 2008||2,999|
|Olympus E-M10 III||4.8 in||3.3 in||2.0 in||14.5 oz||330||n||Aug 2017||649|
|Olympus E-PL8||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Sep 2016||549|
|Olympus E-M5 II||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Olympus E-M10 II||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649|
|Olympus E-PL7||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599|
|Olympus E-M1||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399|
|Olympus E-P5||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999|
|Olympus E-M5||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299|
|Panasonic GX8||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199|
|Panasonic GX7||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999|
|Sony A9||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499|
|Sony A99 II||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199|
|Sony A7S II||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999|
|Sony A99||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799|
|Sony A850||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The PEN-F was launched at a markedly lower price (by 60 percent) than the A900, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus PEN-F features a Four Thirds sensor and the Sony A900 a full frame sensor. The sensor area in the A900 is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the PEN-F has a native 4:3 aspect ratio, while the one in the A900 offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24.4MP, the A900 offers a higher resolution than the PEN-F (20.2MP), but the A900 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.34μm for the PEN-F) due to its larger sensor. However, the PEN-F is a much more recent model (by 7 years and 4 months) than the A900, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A900 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A900 for good quality output (200 dots per inch) amounts to 30.2 x 20.2 inches or 76.8 x 51.2 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 41 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Olympus PEN-F are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
Unlike the A900, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus PEN-F has a native sensitivity range from ISO 80 to ISO 25600. The corresponding ISO settings for the Sony Alpha A900 are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A900 has a markedly higher DXO score than the PEN-F (overall score 5 points higher), which will translate into better image quality. The advantage is based on 0.6 bits higher color depth, 0.1 EV of lower dynamic range, and 0.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79|
|Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79|
Many modern cameras cannot only take still pictures, but also record videos. The PEN-F indeed provides movie recording capabilities, while the A900 does not. The highest resolution format that the PEN-F can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the PEN-F has an electronic viewfinder (2360k dots), while the A900 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A900 has a higher magnification than the one of the PEN-F (0.74x vs 0.62x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus PEN-F and Sony A900 along with similar information for a selection of comparators.
|Olympus E-M10 III||2360||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The PEN-F has a touchscreen, while the A900 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The PEN-F has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A900 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the PEN-F is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus PEN-F has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The PEN-F writes its imaging data to SDXC cards, while the A900 uses Compact Flash or Memory Stick PRO Duo cards. The A900 features dual card slots, which can be very useful in case a memory card fails. In contrast, the PEN-F only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN-F and Sony Alpha A900 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Olympus E-M10 III||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the PEN-F offers wifi support, while the A900 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Sony A900 (unlike the PEN-F) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the PEN-F and the A900 have been discontinued, but can regularly be found used on eBay. The A900 was replaced by the Sony A99, while the PEN-F does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what conclusions can be drawn? Is the Olympus PEN-F better than the Sony A900 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus PEN-F:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (125x72mm vs 156x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 468g or 52 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More modern: Reflects 7 years and 4 months of technical progress since the A900 launch.
Advantages of the Sony Alpha A900:
- More detail: Has more megapixels (24.4 vs 20.2MP), which boosts linear resolution by 12%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (5 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.62x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Longer lasting: Gets more shots (880 versus 330) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2008).
If the count of relative strengths (bullet points above) is taken as a measure, the PEN-F is the clear winner of the match-up (17 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus PEN-F and the Sony A900 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the PEN-F and the A900 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus PEN-F||..||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Sony A900||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999|
|Olympus E-M10 III||+||80/100||4.5/5||4/5||4.5/5||Aug 2017||649|
|Olympus E-PL8||..||..||4.5/5||..||4/5||Sep 2016||549|
|Olympus E-M5 II||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Olympus E-M10 II||+ +||80/100||5/5||5/5||5/5||Aug 2015||649|
|Olympus E-PL7||+||..||5/5||4.5/5||4/5||Aug 2014||599|
|Olympus E-M1||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399|
|Olympus E-P5||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999|
|Olympus E-M5||+ +||80/100||4.5/5||5/5||5/5||Feb 2012||1,299|
|Panasonic GX8||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199|
|Panasonic GX7||+||79/100||5/5||4.5/5||5/5||Aug 2013||999|
|Sony A9||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony A99 II||..||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony A7S II||+||..||4.5/5||5/5||5/5||Sep 2015||2,999|
|Sony A99||..||84/100||4.5/5||o||4.5/5||Sep 2012||2,799|
|Sony A850||..||75/100||..||4/5||4.5/5||Aug 2009||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G9 X vs Sony A900
- Canon XS vs Olympus PEN-F
- Fujifilm X-T3 vs Sony A900
- Fujifilm X70 vs Sony A900
- Leica S Typ 007 vs Olympus PEN-F
- Nikon D100 vs Olympus PEN-F
- Olympus PEN-F vs Olympus XZ-2
- Olympus PEN-F vs Panasonic GX85
- Olympus PEN-F vs Pentax K-70
- Olympus PEN-F vs Sony HX95
- Olympus PEN-F vs Sony RX0
- Pentax 645D vs Sony A900
Specifications: Olympus PEN-F vs Sony A900
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus PEN-F||Sony A900|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Sony A mount lenses|
|Launch Date||January 2016||September 2008|
|Launch Price||USD 1,199||USD 2,999|
|Sensor Specs||Olympus PEN-F||Sony A900|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||20.2 Megapixels||24.4 Megapixels|
|Image Resolution||5184 x 3888 pixels||6048 x 4032 pixels|
|Pixel Pitch||3.34 μm||5.94 μm|
|Pixel Density||8.96 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||80 - 25,600 ISO||200 - 3,200 ISO|
|ISO Boost||no Enhancement||100 - 6,400 ISO|
|Image Processor||TruePic VII||BIONZ|
|DXO Sensor Quality (score)||74||79|
|DXO Color Depth (bits)||23.1||23.7|
|DXO Dynamic Range (EV)||12.4||12.3|
|DXO Low Light (ISO)||894||1431|
|Screen Specs||Olympus PEN-F||Sony A900|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||922k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus PEN-F||Sony A900|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or MS cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Olympus PEN-F||Sony A900|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Olympus PEN-F||Sony A900|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||880 shots per charge|
125 x 72 x 37 mm
(4.9 x 2.8 x 1.5 in)
156 x 117 x 82 mm
(6.1 x 4.6 x 3.2 in)
|Camera Weight||427 g (15.1 oz)||895 g (31.6 oz)|
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