Olympus E-M5 II vs E-620

The Olympus OM-D E-M5 Mark II and the Olympus E-620 are two digital cameras that were officially introduced, respectively, in February 2015 and February 2009. The E-M5 II is a mirrorless interchangeable lens camera, while the E-620 is a DSLR. Both cameras are equipped with a Four Thirds sensor. The E-M5 II has a resolution of 15.9 megapixels, whereas the E-620 provides 12.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M5 II		Olympus E-620
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Four Thirds lenses
15.9 MP – Four Thirds sensor		12.2 MP – Four Thirds sensor
1080/60p Video		no Video
ISO 200-25,600		ISO 100-3,200
Electronic viewfinder (2360k dots)		Optical viewfinder
3.0" LCD – 1037k dots		2.7" LCD – 230k dots
Swivel touchscreen		Swivel screen (not touch-sensitive)
10 shutter flaps per second		4 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		not weather sealed
310 shots per battery charge		500 shots per battery charge
124 x 85 x 45 mm, 469 g		130 x 94 x 60 mm, 521 g

Check E-M5 II offers at
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Check E-620 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 Mark II and the Olympus E-620? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Olympus E-M5 II and the Olympus E-620. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the E-620 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-620 is notably larger (16 percent) than the Olympus E-M5 II. Moreover, the E-620 is markedly heavier (11 percent) than the E-M5 II. It is worth mentioning in this context that the E-M5 II is splash and dust resistant, while the E-620 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M5 II) and the Four Thirds Lens Catalog (E-620). Mirrorless cameras, such as the Olympus E-M5 II, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the E-M5 II gets 310 shots out of its Olympus BLN-1 battery, while the E-620 can take 500 images on a single charge of its Olympus BLS-1 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	US$ 1 099	ebay.com
2.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	US$ 699	ebay.com
3.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	US$ 699	ebay.com
4.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	US$ 599	ebay.com
5.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	US$ 799	ebay.com
6.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	US$ 699	ebay.com
7.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500	n	Aug 2009	US$ 449	ebay.com
8.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	US$ 1 399	ebay.com
9.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	US$ 1 999	ebay.com
10.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	US$ 1 299	ebay.com
11.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	US$ 1 199	ebay.com
12.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	US$ 699	ebay.com
13.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	US$ 649	ebay.com
14.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	US$ 999	ebay.com
15.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	US$ 1 199	ebay.com
16.		Panasonic G80	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	US$ 899	ebay.com
17.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	US$ 1 199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-620 was launched at a markedly lower price (by 36 percent) than the E-M5 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

In terms of chip-set technology, the E-M5 II uses a more advanced image processing engine (TruePic VII) than the E-620 (TruePic III+), with benefits for noise reduction, color accuracy, and processing speed.

While the two cameras under review share the same sensor size, the E-M5 II offers a higher resolution of 15.9 megapixels, compared with 12.2 MP of the E-620. This megapixels advantage translates into a 14 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M5 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.29μm for the E-620). In this context, it should be noted, however, that the E-M5 II is much more recent (by 5 years and 11 months) than the E-620, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.

The resolution advantage of the Olympus E-M5 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 II for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Olympus E-620 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

Unlike the E-620, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus OM-D E-M5 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus E-620 are ISO 100 to ISO 3200 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the E-M5 II provides substantially higher image quality than the E-620, with an overall score that is 18 points higher. This advantage is based on 1.7 bits higher color depth, 2.2 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
2.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
3.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
4.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
5.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
6.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
7.		Olympus E-600	Four Thirds	12.2	4032	3024	none	21.5	10.3	541	55
8.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
9.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
10.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
11.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
12.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
13.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
14.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
15.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
16.		Panasonic G80	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
17.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The E-M5 II indeed provides movie recording capabilities, while the E-620 does not. The highest resolution format that the E-M5 II can use is 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M5 II has an electronic viewfinder (2360k dots), while the E-620 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M5 II offers a wider field of view (100%) than the one in the E-620 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M5 II has a higher magnification (0.74x vs 0.48x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-M5 II and Olympus E-620 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
2.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
3.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
4.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
5.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
6.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
7.		Olympus E-600	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
8.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
9.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
10.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
11.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
12.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
13.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
14.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
15.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
16.		Panasonic G80	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
17.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M5 II has a touchscreen, while the E-620 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M5 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-M5 II writes its imaging data to SDXC cards, while the E-620 uses Compact Flash or xD Picture cards. The E-620 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 II only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 Mark II and Olympus E-620 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
3.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
4.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
5.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
6.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
7.		Olympus E-600	Y	- / -	-	-	-	2.0	-	-	-
8.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
10.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
12.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Panasonic G80	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
17.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-

It is notable that the E-M5 II offers wifi support, while the E-620 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Olympus E-M5 II (unlike the E-620) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-M5 II and the E-620 have been discontinued, but can regularly be found used on ebay. The E-620 was replaced by the Olympus E-600, while the E-M5 II was followed by the Olympus E-M5 III. Further information on the features and operation of the E-M5 II and E-620 can be found, respectively, in the Olympus E-M5 II Manual (free pdf) or the online Olympus E-620 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Olympus E-M5 II and the Olympus E-620? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Olympus OM-D E-M5 Mark II:

• More detail: Offers more megapixels (15.9 vs 12.2MP) with a 14% higher linear resolution.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (18 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (1.7 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (2.2 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
• Better jpgs: Has a more modern image processing engine (TruePic VII vs TruePic III+).
• Broader imaging potential: Can record not only still images but also 1080/60p movies.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.48x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (124x85mm vs 130x94mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 52g or 10 percent) and hence easier to carry around.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More modern: Reflects 5 years and 11 months of technical progress since the E-620 launch.

Advantages of the Olympus E-620:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Longer lasting: Gets more shots (500 versus 310) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in February 2009).

If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the match-up (25 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M5 II and the Olympus E-620 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-M5 II or the E-620 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	US$ 1 099	ebay.com
2.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	US$ 699	ebay.com
3.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	US$ 699	ebay.com
4.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	US$ 599	ebay.com
5.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	US$ 799	ebay.com
6.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	US$ 699	ebay.com
7.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	US$ 449	ebay.com
8.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	US$ 1 399	ebay.com
9.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 1 999	ebay.com
10.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	US$ 1 299	ebay.com
11.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	US$ 1 199	ebay.com
12.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	US$ 699	ebay.com
13.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	US$ 649	ebay.com
14.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	US$ 999	ebay.com
15.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	US$ 1 199	ebay.com
16.		Panasonic G80	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	US$ 899	ebay.com
17.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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