Olympus E-M5 II vs Canon T6

The Olympus OM-D E-M5 Mark II and the Canon EOS Rebel T6 (labelled Canon 1300D in some countries) are two digital cameras that were announced, respectively, in February 2015 and March 2016. The E-M5 II is a mirrorless interchangeable lens camera, while the T6 is a DSLR. The cameras are based on a Four Thirds (E-M5 II) and an APS-C (T6) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Canon provides 17.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M5 II		Canon T6
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Canon EF mount lenses
15.9 MP – Four Thirds sensor		17.9 MP – APS-C sensor
1080/60p Video		1080/30p Video
ISO 200-25,600		ISO 100-6,400 (100 - 12,800)
Electronic viewfinder (2360k dots)		Optical viewfinder
3.0" LCD – 1037k dots		3.0" LCD – 920k dots
Swivel touchscreen		Fixed screen (not touch-sensitive)
10 shutter flaps per second		3 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
310 shots per battery charge		500 shots per battery charge
124 x 85 x 45 mm, 469 g		129 x 101 x 78 mm, 485 g

Check E-M5 II offers at
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Check T6 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 Mark II and the Canon EOS Rebel T6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Olympus E-M5 II and the Canon T6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the T6 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T6 is notably larger (24 percent) than the Olympus E-M5 II. Moreover, the T6 is slightly heavier (3 percent) than the E-M5 II. It is worth mentioning in this context that the E-M5 II is splash and dust resistant, while the T6 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M5 II) and the Canon EF Lens Catalog (T6). Mirrorless cameras, such as the Olympus E-M5 II, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the E-M5 II gets 310 shots out of its Olympus BLN-1 battery, while the T6 can take 500 images on a single charge of its Canon LP-E10 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	US$ 1 099	ebay.com
2.		Canon T6	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	US$ 449	ebay.com
3.		Canon 77D	131 mm	100 mm	76 mm	540 g	600	n	Feb 2017	US$ 899	ebay.com
4.		Canon M10	108 mm	67 mm	35 mm	301 g	255	n	Oct 2015	US$ 499	ebay.com
5.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	US$ 549	ebay.com
6.		Canon T5	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	US$ 449	ebay.com
7.		Canon T6i	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	US$ 749	ebay.com
8.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	US$ 1 399	ebay.com
9.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	US$ 1 299	ebay.com
10.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	US$ 1 199	ebay.com
11.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	US$ 699	ebay.com
12.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	US$ 649	ebay.com
13.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	US$ 999	ebay.com
14.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	US$ 1 199	ebay.com
15.		Panasonic G85	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	US$ 899	ebay.com
16.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	US$ 1 199	ebay.com
17.		Panasonic GX85	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	US$ 799	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T6 was launched at a markedly lower price (by 59 percent) than the E-M5 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Olympus E-M5 II features a Four Thirds sensor and the Canon T6 an APS-C sensor. The sensor area in the T6 is 48 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.6. The sensor in the E-M5 II has a native 4:3 aspect ratio, while the one in the T6 offers a 3:2 aspect.

With 17.9MP, the T6 offers a higher resolution than the E-M5 II (15.9MP), but the T6 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.76μm for the E-M5 II) due to its larger sensor. Moreover, the T6 is a somewhat more recent model (by 1 year and 1 month) than the E-M5 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Canon T6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

Unlike the T6, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus OM-D E-M5 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Canon EOS Rebel T6 are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 100-12800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the E-M5 II has a notably higher overall DXO score than the T6 (overall score 7 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1 bits higher color depth, 0.8 EV in additional dynamic range, and 0.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
2.		Canon T6	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
3.		Canon 77D	APS-C	24.0	6000	4000	1080/60p	23.6	13.3	971	78
4.		Canon M10	APS-C	17.9	5184	3456	1080/30p	22.2	11.4	753	65
5.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
6.		Canon T5	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
7.		Canon T6i	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
8.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
9.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
10.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
11.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
12.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
13.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
14.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
15.		Panasonic G85	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
16.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
17.		Panasonic GX85	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M5 II provides a higher frame rate than the T6. It can shoot video footage at 1080/60p, while the Canon is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M5 II has an electronic viewfinder (2360k dots), while the T6 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M5 II offers a wider field of view (100%) than the one in the T6 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M5 II has a higher magnification (0.74x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-M5 II and Canon T6 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
2.		Canon T6	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
3.		Canon 77D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
4.		Canon M10	none	n	3.0 / 1040	tilting	Y	1/4000s	4.6/s	Y	n
5.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
6.		Canon T5	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
7.		Canon T6i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
8.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
9.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
10.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
11.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
12.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
13.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
14.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
15.		Panasonic G85	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
16.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
17.		Panasonic GX85	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the E-M5 II and the T6 is in-body image stabilization (IBIS). The E-M5 II reduces the risk of handshake-induced blur with all attached lenses, while the T6 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M5 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the E-M5 II and the T6 write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the T6 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 Mark II and Canon EOS Rebel T6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Canon T6	Y	mono / mono	-	-	mini	2.0	Y	Y	-
3.		Canon 77D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon M10	-	stereo / mono	-	-	mini	2.0	Y	Y	-
5.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
6.		Canon T5	Y	mono / mono	-	-	mini	2.0	-	-	-
7.		Canon T6i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
8.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
11.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Panasonic G85	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
16.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Panasonic GX85	Y	stereo / mono	-	-	micro	2.0	Y	-	-

It is notable that the E-M5 II has a microphone port, which is missing on the T6. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Olympus E-M5 II (unlike the T6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-M5 II and the T6 have been discontinued, but can regularly be found used on ebay. The E-M5 II was replaced by the Olympus E-M5 III, while the T6 was followed by the Canon T7. Further information on the features and operation of the E-M5 II and T6 can be found, respectively, in the Olympus E-M5 II Manual (free pdf) or the online Canon T6 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Olympus E-M5 II or the Canon T6 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Olympus OM-D E-M5 Mark II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores markedly higher (7 points) in the DXO overall assessment.
• More dynamic range: Captures a larger spectrum of light and dark details (0.8 EV of extra DR).
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.50x).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (124x85mm vs 129x101mm) and thus needs less room in the bag.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
• More heavily discounted: Has been on the market for longer (launched in February 2015).

Advantages of the Canon EOS Rebel T6:

• More detail: Has more megapixels (17.9 vs 15.9MP), which boosts linear resolution by 8%.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Longer lasting: Gets more shots (500 versus 310) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (59 percent cheaper at launch).
• More modern: Was introduced somewhat (1 year and 1 month) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the match-up (23 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M5 II and the Canon T6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M5 II or the T6. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	US$ 1 099	ebay.com
2.		Canon T6	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	US$ 449	ebay.com
3.		Canon 77D	4.5/5	..	4/5	82/100	4.5/5	4/5	Feb 2017	US$ 899	ebay.com
4.		Canon M10	..	..	..	..	..	4/5	Oct 2015	US$ 499	ebay.com
5.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	US$ 549	ebay.com
6.		Canon T5	3/5	+	..	..	4/5	4.5/5	Feb 2014	US$ 449	ebay.com
7.		Canon T6i	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	US$ 749	ebay.com
8.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	US$ 1 399	ebay.com
9.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	US$ 1 299	ebay.com
10.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	US$ 1 199	ebay.com
11.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	US$ 699	ebay.com
12.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	US$ 649	ebay.com
13.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	US$ 999	ebay.com
14.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	US$ 1 199	ebay.com
15.		Panasonic G85	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	US$ 899	ebay.com
16.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
17.		Panasonic GX85	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	US$ 799	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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