Olympus E-M1 II vs Panasonic GH4
The Olympus OM-D E-M1 Mark II and the Panasonic Lumix DMC-GH4 are two enthusiast cameras that were announced, respectively, in September 2016 and February 2014. Both the E-M1 II and the GH4 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M1 Mark II and the Panasonic Lumix DMC-GH4? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-M1 II and the Panasonic GH4 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH4 is somewhat larger (1 percent) than the Olympus E-M1 II. However, the GH4 is slightly lighter (2 percent) than the E-M1 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|2.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|3.||Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|4.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|5.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|6.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|7.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|8.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|9.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|10.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|11.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|12.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|13.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|14.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GH4 was launched at a somewhat lower price (by 25 percent) than the E-M1 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the E-M1 II offers a higher resolution of 20.2 megapixels, compared with 15.9 MP of the GH4. This megapixels advantage translates into a 13 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M1 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 3.76μm for the GH4). In this context, it should be noted, however, that the E-M1 II is much more recent (by 2 years and 7 months) than the GH4, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus E-M1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1 II for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Panasonic GH4 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the GH4, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus OM-D E-M1 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 64-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GH4 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the E-M1 II has a notably higher overall DXO score than the GH4 (overall score 6 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.5 bits higher color depth, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|2.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|3.||Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|4.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|5.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|6.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|7.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|8.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|9.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|10.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|11.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|12.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|13.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|14.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the E-M1 II offers a slightly higher resolution than the one in the GH4 (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Olympus E-M1 II, the Panasonic GH4, and comparable cameras.
|1.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|2.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0||Y||n|
|3.||Olympus E-M1 III||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|4.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|5.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|6.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|7.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0||n||Y|
|8.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|9.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|10.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|11.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|12.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0||Y||n|
|13.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0||n||Y|
|14.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
One feature that differentiates the E-M1 II and the GH4 is in-body image stabilization (IBIS). The E-M1 II reduces the risk of handshake-induced blur with all attached lenses, while the GH4 offers no blur reduction with lenses that themselves do not provide optical image stabilization.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1 II and the Panasonic GH4 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the E-M1 II and the GH4 write their files to SDXC cards. The E-M1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the GH4 only has one slot. The E-M1 II supports UHS-II cards (on its first slot), while the GH4 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M1 Mark II and Panasonic Lumix DMC-GH4 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|2.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Olympus E-M1 III||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|4.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|8.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|9.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|11.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|12.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|13.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|14.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The E-M1 II is a recent model that features in the current product line-up of Olympus. In contrast, the GH4 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the GH4 was succeeded by the Panasonic GH5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Olympus E-M1 II and the Panasonic GH4? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Olympus OM-D E-M1 Mark II:
- More detail: Offers more megapixels (20.2 vs 15.9MP) with a 13% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores markedly higher (6 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.67x).
- Faster burst: Shoots at higher frequency (18 vs 12 flaps/sec) to capture the decisive moment.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 7 months of technical progress since the GH4 launch.
Arguments in favor of the Panasonic Lumix DMC-GH4:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Longer lasting: Gets more shots (500 versus 440) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the E-M1 II is the clear winner of the match-up (13 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M1 II and the Panasonic GH4 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M1 II or the GH4. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|2.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|3.||Olympus E-M1 III||5/5||..||5/5||83/100||4.5/5||4/5||Feb 2020||1,799|
|4.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|5.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|6.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|7.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|8.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|9.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|10.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|11.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|12.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|13.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499|
|14.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 7D II vs Olympus E-M1 II
- Canon M5 vs Olympus E-M1 II
- Canon SX420 vs Olympus E-M1 II
- Fujifilm X100 vs Olympus E-M1 II
- Nikon D3100 vs Panasonic GH4
- Nikon W300 vs Panasonic GH4
- Olympus E-1 vs Olympus E-M1 II
- Olympus E-M1 II vs Panasonic LX5
- Olympus E-M5 II vs Panasonic GH4
- Panasonic GH4 vs Panasonic GX8
- Panasonic GH4 vs Sony A3000
- Panasonic GH4 vs Sony A7R
Specifications: Olympus E-M1 II vs Panasonic GH4
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M1 II||Panasonic GH4|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||September 2016||February 2014|
|Launch Price||USD 1,999||USD 1,499|
|Sensor Specs||Olympus E-M1 II||Panasonic GH4|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||20.2 Megapixels||15.9 Megapixels|
|Image Resolution||5184 x 3888 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.34 μm||3.76 μm|
|Pixel Density||8.96 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||64 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||TruePic VIII||Venus IX|
|DXO Sensor Quality (score)||80||74|
|DXO Color Depth (bits)||23.7||23.2|
|DXO Dynamic Range (EV)||12.8||12.8|
|DXO Low Light (ISO)||1312||791|
|Screen Specs||Olympus E-M1 II||Panasonic GH4|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||1036k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Olympus E-M1 II||Panasonic GH4|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||18 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||200 000 actuations|
|Electronic Shutter||up to 1/32000s||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||UHS-I|
|Connectivity Specs||Olympus E-M1 II||Panasonic GH4|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-M1 II||Panasonic GH4|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||500 shots per charge|
134 x 91 x 67 mm
(5.3 x 3.6 x 2.6 in)
133 x 93 x 84 mm
(5.2 x 3.7 x 3.3 in)
|Camera Weight||574 g (20.2 oz)||560 g (19.8 oz)|
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