Olympus E-620 vs Panasonic G5
The Olympus E-620 and the Panasonic Lumix DMC-G5 are two digital cameras that were officially introduced, respectively, in February 2009 and July 2012. The E-620 is a DSLR, while the G5 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-620||Panasonic G5|
|Digital single lens reflex||Mirrorless system camera|
|Four Thirds lenses||Micro Four Thirds lenses|
|12.2 MP, Four Thirds Sensor||15.9 MP, Four Thirds Sensor|
|no Video||1080/60p Video|
|ISO 100-3200||ISO 160-12800|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|2.7" LCD, 230k dots||3.0" LCD, 920k dots|
|Swivel screen (not touch-sensitive)||Swivel touchscreen|
|4 shutter flaps per second||6 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|500 shots per battery charge||320 shots per battery charge|
|130 x 94 x 60 mm, 521 g||120 x 83 x 71 mm, 396 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-620 and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Olympus E-620 vs Panasonic G5
The side-by-side display below illustrates the physical size and weight of the Olympus E-620 and the Panasonic G5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The G5 can be obtained in two different colors (black, silver), while the E-620 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is notably smaller (18 percent) than the Olympus E-620. Moreover, the G5 is markedly lighter (24 percent) than the E-620. In this context, it is worth noting that neither the E-620 nor the G5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-620) and the Micro Four Thirds Lens Catalog (G5). Mirrorless cameras, such as the G5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-620»||5.1 in||3.7 in||2.4 in||18.4 oz||500||n||Feb 2009||699||-||Olympus E-620|
|Panasonic G5«||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||-||Panasonic G5|
|Olympus E-PL1« »||4.5 in||2.8 in||1.7 in||11.8 oz||290||n||Feb 2010||599||-||Olympus E-PL1|
|Olympus E-450« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2009||499||-||Olympus E-450|
|Olympus E-600« »||5.1 in||3.7 in||2.4 in||18.9 oz||500||n||Aug 2009||449||-||Olympus E-600|
|Olympus E-P1« »||4.8 in||2.8 in||1.4 in||12.5 oz||300||n||Jun 2009||799||-||Olympus E-P1|
|Olympus E-P2« »||4.8 in||2.8 in||1.4 in||12.5 oz||300||n||Nov 2009||799||-||Olympus E-P2|
|Olympus E-30« »||5.6 in||4.3 in||3.0 in||24.7 oz||750||n||Nov 2008||1,299||-||Olympus E-30|
|Olympus E-420« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799||-||Olympus E-510|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-||Panasonic G7|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699||-||Panasonic GX1|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G5 was launched at a somewhat lower price (by 14 percent) than the E-620, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Olympus E-620 vs Panasonic G5
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
While the two cameras under review share the same sensor size, the G5 offers a higher resolution of 15.9 megapixels, compared with 12.2 MP of the E-620. This megapixels advantage translates into a 14 percent gain in linear resolution. On the other hand, these sensor specs imply that the G5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.29μm for the E-620). However, it should be noted that the G5 is much more recent (by 3 years and 4 months) than the E-620, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Panasonic G5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Olympus E-620 are 20.2 x 15.1 inch or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inch or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inch or 34.1 x 25.6 cm for excellent quality prints.
The Olympus E-620 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-620»||Four Thirds||12.2||4032||3024||-||21.3||10.3||536||55||Olympus E-620|
|Panasonic G5«||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-||Panasonic G5|
|Olympus E-PL1« »||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54||Olympus E-PL1|
|Olympus E-450« »||Four Thirds||10.0||3648||2736||-||21.5||10.5||512||56||Olympus E-450|
|Olympus E-600« »||Four Thirds||12.2||4032||3024||-||21.5||10.3||541||55||Olympus E-600|
|Olympus E-P1« »||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55||Olympus E-P1|
|Olympus E-P2« »||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56||Olympus E-P2|
|Olympus E-30« »||Four Thirds||12.2||4032||3024||-||21.3||10.4||530||55||Olympus E-30|
|Olympus E-420« »||Four Thirds||10.0||3648||2736||-||21.5||10.4||527||56||Olympus E-420|
|Olympus E-520« »||Four Thirds||10.0||3648||2736||-||21.4||10.4||548||55||Olympus E-520|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51||Olympus E-410|
|Olympus E-510« »||Four Thirds||10.0||3648||2736||-||21.2||10.0||442||52||Olympus E-510|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-||Panasonic G7|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
Many modern cameras cannot only take still pictures, but also record videos. The G5 indeed provides for movie recording, while the E-620 does not. The highest resolution format that the G5 can use is 1080/60p.
Feature comparison: Olympus E-620 vs Panasonic G5
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G5 has an electronic viewfinder (1440k dots), while the E-620 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G5 offers a wider field of view (100%) than the one in the E-620 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G5 has a higher magnification (0.70x vs 0.48x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-620 and Panasonic G5 in connection with corresponding information for a sample of similar cameras.
|Olympus E-620»||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Panasonic G5«||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Olympus E-PL1« »||-||n||2.7||230||fixed||n||1/2000s||3.0||Y||Y||Olympus E-PL1|
|Olympus E-450« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-450|
|Olympus E-600« »||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-600|
|Olympus E-P1« »||-||n||3.0||230||fixed||n||1/4000s||3.0||n||Y||Olympus E-P1|
|Olympus E-P2« »||-||n||3.0||230||fixed||n||1/4000s||3.0||n||Y||Olympus E-P2|
|Olympus E-30« »||optical||Y||2.7||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-30|
|Olympus E-420« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Olympus E-520« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Olympus E-510« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
One feature that differentiates the E-620 and the G5 is in-body image stabilization (IBIS). The E-620 reduces the risk of handshake-induced blur with all attached lenses, while the G5 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The E-620 writes its imaging data to Compact Flash or xD Picture cards, while the G5 uses SDXC cards. The E-620 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G5 only has one slot.
Connectivity comparison: Olympus E-620 vs Panasonic G5
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-620 and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-620»||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-620|
|Panasonic G5«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Olympus E-PL1« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL1|
|Olympus E-450« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-450|
|Olympus E-600« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-600|
|Olympus E-P1« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-P1|
|Olympus E-P2« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-P2|
|Olympus E-30« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-30|
|Olympus E-420« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-420|
|Olympus E-520« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-520|
|Olympus E-410« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-410|
|Olympus E-510« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-510|
|Panasonic G7« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GX1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
Both the E-620 and the G5 have been discontinued, but can regularly be found used on eBay. The E-620 was replaced by the Olympus E-600, while the G5 was followed by the Panasonic G6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
Review summary: Olympus E-620 vs Panasonic G5
So what conclusions can be drawn? Is the Olympus E-620 better than the Panasonic G5 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus E-620:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (500 versus 320) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in February 2009).
Reasons to prefer the Panasonic Lumix DMC-G5:
- More detail: Has more megapixels (15.9 vs 12.2MP), which boosts linear resolution by 14%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.48x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (6 vs 4 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x83mm vs 130x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 125g or 24 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was released into a lower priced segment (14 percent cheaper at launch).
- More modern: Reflects 3 years and 4 months of technical progress since the E-620 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the G5 is the clear winner of the contest (14 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-620 and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the E-620 or the G5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Olympus E-620 vs Panasonic G5
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-620»||88/100||72/100||4.5/5||o||5/5||Feb 2009||699||-||Olympus E-620|
|Panasonic G5«||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic G5|
|Olympus E-PL1« »||86/100||69/100||4/5||4.5/5||4.5/5||Feb 2010||599||-||Olympus E-PL1|
|Olympus E-450« »||-||-||4/5||-||4/5||Mar 2009||499||-||Olympus E-450|
|Olympus E-600« »||-||-||-||-||4.5/5||Aug 2009||449||-||Olympus E-600|
|Olympus E-P1« »||+||66/100||4/5||4/5||4.5/5||Jun 2009||799||-||Olympus E-P1|
|Olympus E-P2« »||+||69/100||4/5||4.5/5||4.5/5||Nov 2009||799||-||Olympus E-P2|
|Olympus E-30« »||-||71/100||4.5/5||-||4/5||Nov 2008||1,299||-||Olympus E-30|
|Olympus E-420« »||85/100||+ +||4/5||o||4.5/5||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||86/100||+ +||4/5||o||4.5/5||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799||-||Olympus E-510|
|Panasonic G7« »||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649||-||Panasonic G7|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic GX1« »||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699||-||Panasonic GX1|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 500D vs Olympus E-620
- Canon 650D vs Panasonic G5
- Canon T5i vs Panasonic G5
- Nikon D2H vs Olympus E-620
- Nikon D3X vs Olympus E-620
- Nikon D7200 vs Olympus E-620
- Olympus E-300 vs Olympus E-620
- Olympus E-420 vs Olympus E-620
- Olympus E-450 vs Olympus E-620
- Panasonic G5 vs Olympus E-M10 III
- Panasonic G5 vs Sony A6000
- Panasonic G5 vs Sony RX100 IV
Specifications: Olympus E-620 vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-620||Panasonic G5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||February 2009||July 2012|
|Launch Price||USD 699||USD 599|
|Sensor Specs||Olympus E-620||Panasonic G5|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||12.2 Megapixels||15.9 Megapixels|
|Image Resolution||4032 x 3024 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.29 μm||3.76 μm|
|Pixel Density||5.42 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100-3200 ISO||160-12800 ISO|
|Image Processor||TruePic III+||Venus VII FHD|
|DXO Sensor Quality (score)||55||..|
|DXO Color Depth (bits)||21.3||..|
|DXO Dynamic Range (EV)||10.3||..|
|DXO Low Light (ISO)||536||..|
|Screen Specs||Olympus E-620||Panasonic G5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7 inch||3.0 inch|
|LCD Resolution||230k dots||920k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-620||Panasonic G5|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||6 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-620||Panasonic G5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-620||Panasonic G5|
|Battery Type||BLS-1 power pack||DMW-BLC12 power pack|
|Battery Life (CIPA)||500 shots per charge||320 shots per charge|
130 x 94 x 60 mm
(5.1 x 3.7 x 2.4 in)
120 x 83 x 71 mm
(4.7 x 3.3 x 2.8 in)
|Camera Weight||521 g (18.4 oz)||396 g (14.0 oz)|
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