Olympus E-420 versus Olympus E-M5 II
The Olympus E-420 and the Olympus OM-D E-M5 Mark II are two digital cameras that were officially introduced, respectively, in March 2008 and February 2015. The E-420 is a DSLR, while the E-M5 II is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-420 has a resolution of 10 megapixel, whereas the E-M5 II provides 15.9 MP.
The physical size and weight of the Olympus E-420 and the Olympus E-M5 II are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the E-420 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably smaller (11 percent) than the Olympus E-420. However, the E-M5 II is slightly heavier (7 percent) than the E-420. It is noteworthy in this context that the E-M5 II is splash and dust-proof, while the E-420 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Four Thirds Lens Catalog (E-420) and the Micro Four Thirds Lens Catalog (E-M5 II). Mirrorless cameras, such as the E-M5 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Olympus E-420 (⇒ rgt)||130 mm||91 mm||53 mm||440 g||500||no||2008||599||discont.||check|
|Olympus E-M5 II (⇒ lft)||124 mm||85 mm||45 mm||469 g||310||YES||2015||1,099||latest||check|
|Nikon D3000 (⇒ lft | rgt)||126 mm||97 mm||64 mm||536 g||500||no||2009||599||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||120 mm||83 mm||47 mm||390 g||320||no||2015||799||discont.||check|
|Olympus E-M10 (⇒ lft | rgt)||119 mm||82 mm||46 mm||396 g||320||no||2014||699||discont.||check|
|Olympus E-M1 (⇒ lft | rgt)||130 mm||94 mm||63 mm||497 g||350||YES||2013||1,399||discont.||check|
|Olympus E-M5 (⇒ lft | rgt)||122 mm||89 mm||43 mm||425 g||..||YES||2012||1,299||discont.||check|
|Olympus E-620 (⇒ lft | rgt)||130 mm||94 mm||60 mm||521 g||500||no||2009||699||discont.||check|
|Olympus E-450 (⇒ lft | rgt)||130 mm||91 mm||53 mm||440 g||500||no||2009||499||discont.||check|
|Olympus E-600 (⇒ lft | rgt)||130 mm||94 mm||60 mm||535 g||500||no||2009||449||discont.||check|
|Olympus E-520 (⇒ lft | rgt)||136 mm||92 mm||68 mm||535 g||750||no||2008||699||discont.||check|
|Olympus E-30 (⇒ lft | rgt)||142 mm||108 mm||75 mm||701 g||750||no||2008||1,299||discont.||check|
|Olympus E-410 (⇒ lft | rgt)||130 mm||91 mm||53 mm||435 g||500||no||2007||699||discont.||check|
|Olympus E-510 (⇒ lft | rgt)||136 mm||92 mm||68 mm||538 g||750||no||2007||799||discont.||check|
|Olympus E-400 (⇒ lft | rgt)||130 mm||91 mm||53 mm||435 g||500||no||2006||699||discont.||check|
|Panasonic L10 (⇒ lft | rgt)||135 mm||96 mm||78 mm||556 g||450||no||2007||599||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-420 was launched at a markedly lower price (by 45 percent) than the E-M5 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the E-M5 II offers a higher resolution of 15.9 megapixel, compared with 10 MP of the E-420. This megapixel advantage translates into a 26 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M5 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.74μm for the E-420). However, it should be noted that the E-M5 II is much more recent (by 6 years and 11 months) than the E-420, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
Unlike the E-420, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the E-M5 II offers substantially better image quality than the E-420 (overall score 17 points higher). The advantage is based on 1.5 bits higher color depth, 2.1 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-420 (⇒ rgt)||Four Thirds||10.0||3648||2736||no||21.5||10.4||527||56|
|Olympus E-M5 II (⇒ lft)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Nikon D3000 (⇒ lft | rgt)||APS-C||10.0||3872||2592||no||22.3||11.1||563||62|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M10 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-M1 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-M5 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|Olympus E-620 (⇒ lft | rgt)||Four Thirds||12.2||4032||3024||no||21.3||10.3||536||55|
|Olympus E-450 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.5||10.5||512||56|
|Olympus E-600 (⇒ lft | rgt)||Four Thirds||12.2||4032||3024||no||21.5||10.3||541||55|
|Olympus E-520 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.4||10.4||548||55|
|Olympus E-30 (⇒ lft | rgt)||Four Thirds||12.2||4032||3024||no||21.3||10.4||530||55|
|Olympus E-410 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.1||10.0||494||51|
|Olympus E-510 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.2||10.0||442||52|
|Olympus E-400 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||-||-||-||-|
|Panasonic L10 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.3||10.8||429||55|
Many modern cameras cannot only take still pictures, but also record videos. The E-M5 II indeed provides for movie recording, while the E-420 does not. The highest resolution format that the E-M5 II can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M5 II has an electronic viewfinder (2360k dots), while the E-420 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Olympus E-420, the Olympus E-M5 II, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Olympus E-420 (⇒ rgt)||optical||no||2.7||215||fixed||no||4000||3.5||12||no|
|Olympus E-M5 II (⇒ lft)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Nikon D3000 (⇒ lft | rgt)||optical||no||3.0||230||fixed||no||4000||3.0||12||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M10 (⇒ lft | rgt)||1440||no||3.0||1037||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M1 (⇒ lft | rgt)||2360||no||3.0||1037||tilting||YES||8000||10.0||no||YES|
|Olympus E-M5 (⇒ lft | rgt)||1440||no||3.0||610||tilting||YES||4000||9.0||no||YES|
|Olympus E-620 (⇒ lft | rgt)||optical||no||2.7||230||swivel||no||4000||4.0||12||YES|
|Olympus E-450 (⇒ lft | rgt)||optical||no||2.7||215||fixed||no||4000||3.5||12||no|
|Olympus E-600 (⇒ lft | rgt)||optical||no||2.7||230||swivel||no||4000||4.0||12||YES|
|Olympus E-520 (⇒ lft | rgt)||optical||no||2.7||215||fixed||no||4000||3.5||12||YES|
|Olympus E-30 (⇒ lft | rgt)||optical||YES||2.7||230||swivel||no||8000||5.0||13||YES|
|Olympus E-410 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||10||no|
|Olympus E-510 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||12||YES|
|Olympus E-400 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||10||no|
|Panasonic L10 (⇒ lft | rgt)||optical||no||2.5||207||swivel||no||4000||3.0||11||no|
The E-M5 II is a current model that online retailers, such as amazon, will have in stock. In contrast, the E-420 has been discontinued (but it can be found pre-owned on ebay). There has not been a direct replacement model for the E-420 from Olympus.
So how do things add up? Which of the two cameras – the Olympus E-420 or the Olympus E-M5 II – has the upper hand? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Olympus E-420:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (500 versus 310) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (45 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2008).
Arguments in favor of the Olympus OM-D E-M5 Mark II:
- More detail: Has more megapixels (15.9 vs 10MP), which boosts linear resolution by 26%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 215k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (124x85mm vs 130x91mm) and will fit more readily into a bag.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Reflects 6 years and 11 months of technical progress since the E-420 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the E-M5 II is the clear winner of the contest (19 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the E-420 and the E-M5 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Olympus E-420 (⇒ rgt)||85/100||HiRec||4/5||reviewed||4.5/5||2008||599||discont.||check|
|Olympus E-M5 II (⇒ lft)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Nikon D3000 (⇒ lft | rgt)||80/100 Rec||72/100 HiRec||4/5||3.5/5||4.5/5||2009||599||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-M10 (⇒ lft | rgt)||-||80/100 Gold||5/5||4.5/5||5/5||2014||699||discont.||check|
|Olympus E-M1 (⇒ lft | rgt)||HiRec||84/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,399||discont.||check|
|Olympus E-M5 (⇒ lft | rgt)||HiRec||80/100 Gold||4.5/5||5/5||5/5||2012||1,299||discont.||check|
|Olympus E-620 (⇒ lft | rgt)||88/100||72/100 HiRec||4.5/5||reviewed||5/5||2009||699||discont.||check|
|Olympus E-450 (⇒ lft | rgt)||-||-||4/5||-||4/5||2009||499||discont.||check|
|Olympus E-600 (⇒ lft | rgt)||-||-||-||-||4.5/5||2009||449||discont.||check|
|Olympus E-520 (⇒ lft | rgt)||87/100||HiRec||4.5/5||4/5||4.5/5||2008||699||discont.||check|
|Olympus E-30 (⇒ lft | rgt)||-||71/100 HiRec||4.5/5||-||4/5||2008||1,299||discont.||check|
|Olympus E-410 (⇒ lft | rgt)||86/100||HiRec||4/5||reviewed||4.5/5||2007||699||discont.||check|
|Olympus E-510 (⇒ lft | rgt)||89/100||HiRec||3.5/5||reviewed||4.5/5||2007||799||discont.||check|
|Olympus E-400 (⇒ lft | rgt)||85/100||-||4/5||-||4/5||2006||699||discont.||check|
|Panasonic L10 (⇒ lft | rgt)||85/100||Rec||3.5/5||reviewed||4/5||2007||599||discont.||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, kindly get in touch, and I will try to update the database with the necessary infos.
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