Canon 6D Mark II vs Olympus E-M5 II
The Canon EOS 6D Mark II and the Olympus OM-D E-M5 Mark II are two enthusiast cameras that were revealed to the public, respectively, in June 2017 and February 2015. The 6D Mark II is a DSLR, while the E-M5 II is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and a Four Thirds (E-M5 II) sensor. The Canon has a resolution of 26 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 6D Mark II and the Olympus E-M5 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The E-M5 II can be obtained in two different colors (black, silver), while the 6D Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is considerably smaller (34 percent) than the Canon 6D Mark II. Moreover, the E-M5 II is substantially lighter (39 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Micro Four Thirds Lens Catalog (E-M5 II). Mirrorless cameras, such as the E-M5 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|2.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|3.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|4.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|5.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|6.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|7.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|8.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|9.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|10.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|11.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|12.||Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199|
|13.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|14.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|15.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|16.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299|
|17.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M5 II was launched at a markedly lower price (by 45 percent) than the 6D Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 6D Mark II has a native 3:2 aspect ratio, while the one in the E-M5 II offers a 4:3 aspect.
With 26MP, the 6D Mark II offers a higher resolution than the E-M5 II (15.9MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 3.76μm for the E-M5 II) due to its larger sensor. Moreover, the 6D Mark II is a much more recent model (by 2 years and 4 months) than the E-M5 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 6D Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 6D Mark II for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the 6D Mark II, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 6D Mark II provides substantially higher image quality than the E-M5 II, with an overall score that is 12 points higher. This advantage is based on 1.4 bits higher color depth, 0.6 EV of lower dynamic range, and 1.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|2.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|3.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|4.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|6.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|7.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|8.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|9.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|10.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|11.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|12.||Olympus E-M5 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|13.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|14.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|15.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|16.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|17.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M5 II has an electronic viewfinder (2360k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M5 II offers a wider field of view (100%) than the one in the 6D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M5 II has a higher magnification (0.74x vs 0.72x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 6D Mark II, the Olympus E-M5 II, and comparable cameras.
|1.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|2.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|3.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0||n||n|
|4.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|5.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|6.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0||n||n|
|7.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|8.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9||n||n|
|9.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0||Y||n|
|10.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0||Y||n|
|11.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5||Y||n|
|12.||Olympus E-M5 III||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|13.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|14.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|15.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|16.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0||n||Y|
|17.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0||n||Y|
One feature that is present on the 6D Mark II, but is missing on the E-M5 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 6D Mark II and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 6D Mark II and the E-M5 II write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 6D Mark II can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|5.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|7.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|8.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|10.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|11.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|12.||Olympus E-M5 III||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|13.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|16.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
Studio photographers will appreciate that the Olympus E-M5 II (unlike the 6D Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 6D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the E-M5 II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-M5 II was succeeded by the Olympus E-M5 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is the Canon 6D Mark II better than the Olympus E-M5 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 6D Mark II:
- More detail: Offers more megapixels (26 vs 15.9MP) with a 30% higher linear resolution.
- Better image quality: Scores substantially higher (12 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.8 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (1200 versus 310) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 2 years and 4 months of technical progress since the E-M5 II launch.
Arguments in favor of the Olympus OM-D E-M5 Mark II:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.72x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 6.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (124x85mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 296g or 39 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (45 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the contest (16 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D Mark II and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 6D Mark II or the E-M5 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|2.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|3.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|4.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|5.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|6.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|7.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|8.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|9.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|10.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|11.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099|
|12.||Olympus E-M5 III||5/5||+||5/5||82/100||4.5/5||4.5/5||Oct 2019||1,199|
|13.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|14.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|15.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|16.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299|
|17.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 250D vs Olympus E-M5 II
- Canon 6D Mark II vs Leica V-LUX Typ 114
- Canon 6D Mark II vs Leica X Typ 113
- Canon 6D Mark II vs Nikon D3200
- Canon 6D Mark II vs Olympus E-M1 III
- Canon 6D Mark II vs Samsung NX30
- Canon 6D Mark II vs Sony HX99
- Canon M vs Olympus E-M5 II
- Fujifilm GFX 50R vs Olympus E-M5 II
- Olympus E-M5 II vs Panasonic GF1
- Olympus E-M5 II vs Pentax KP
- Olympus E-M5 II vs Sony RX1
Specifications: Canon 6D Mark II vs Olympus E-M5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D Mark II||Olympus E-M5 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2017||February 2015|
|Launch Price||USD 1,999||USD 1,099|
|Sensor Specs||Canon 6D Mark II||Olympus E-M5 II|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||35.9 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||861.6 mm2||224.9 mm2|
|Sensor Diagonal||43.2 mm||21.6 mm|
|Sensor Resolution||26 Megapixels||15.9 Megapixels|
|Image Resolution||6240 x 4160 pixels||4608 x 3456 pixels|
|Pixel Pitch||5.76 μm||3.76 μm|
|Pixel Density||3.01 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 40,000 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 7||TruePic VII|
|DXO Sensor Quality (score)||85||73|
|DXO Color Depth (bits)||24.4||23.0|
|DXO Dynamic Range (EV)||11.9||12.5|
|DXO Low Light (ISO)||2862||842|
|Screen Specs||Canon 6D Mark II||Olympus E-M5 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon 6D Mark II||Olympus E-M5 II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||6.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Canon 6D Mark II||Olympus E-M5 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 6D Mark II||Olympus E-M5 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1200 shots per charge||310 shots per charge|
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||765 g (27.0 oz)||469 g (16.5 oz)|
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