Nikon D7200 vs Olympus E-M5 III
The Nikon D7200 and the Olympus OM-D E-M5 Mark III are two enthusiast cameras that were announced, respectively, in March 2015 and October 2019. The D7200 is a DSLR, while the E-M5 III is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D7200) and a Four Thirds (E-M5 III) sensor. The Nikon has a resolution of 24 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D7200 and the Olympus OM-D E-M5 Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D7200 and the Olympus E-M5 III. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-M5 III can be obtained in two different colors (black, silver), while the D7200 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 III is notably smaller (27 percent) than the Nikon D7200. Moreover, the E-M5 III is substantially lighter (46 percent) than the D7200. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D7200) and the Micro Four Thirds Lens Catalog (E-M5 III). Mirrorless cameras, such as the E-M5 III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D7200 gets 1110 shots out of its EN-EL15 battery, while the E-M5 III can take 310 images on a single charge of its BLS-50 power pack. The power pack in the E-M5 III can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||ebay.com|
|2.||Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199||amazon.com|
|3.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|4.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||amazon.com|
|5.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||amazon.com|
|6.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299||ebay.com|
|7.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499||ebay.com|
|8.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199||ebay.com|
|9.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499||ebay.com|
|10.||Nikon D90||132 mm||103 mm||77 mm||703 g||850||n||Aug 2008||1,299||ebay.com|
|11.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||ebay.com|
|12.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||ebay.com|
|13.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||ebay.com|
|14.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299||ebay.com|
|15.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||ebay.com|
|16.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||ebay.com|
|17.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D7200 features an APS-C sensor and the Olympus E-M5 III a Four Thirds sensor. The sensor area in the E-M5 III is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D7200 has a native 3:2 aspect ratio, while the one in the E-M5 III offers a 4:3 aspect.
With 24MP, the D7200 offers a higher resolution than the E-M5 III (20.2MP), but the D7200 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the E-M5 III) due to its larger sensor. However, the E-M5 III is a much more recent model (by 4 years and 7 months) than the D7200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon D7200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D7200 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-M5 III are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The E-M5 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the D7200, the E-M5 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon D7200 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-102400. The corresponding ISO settings for the Olympus OM-D E-M5 Mark III are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Olympus E-M5 III||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.1||1324||76|
|6.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|11.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|12.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|13.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|14.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|15.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|16.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M5 III provides a better video resolution than the D7200. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M5 III has an electronic viewfinder (2360k dots), while the D7200 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M5 III has a higher magnification than the one of the D7200 (0.68x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D7200 and Olympus E-M5 III in connection with corresponding information for a sample of similar cameras.
|1.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|2.||Olympus E-M5 III||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|3.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|4.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0/s||Y||n|
|5.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|6.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|7.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|8.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|9.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0/s||Y||n|
|10.||Nikon D90||optical||Y||3.0 / 920||fixed||n||1/4000s||4.5/s||Y||n|
|11.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|12.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|13.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|14.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0/s||n||Y|
|15.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|16.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||n||Y|
|17.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The D7200 has one, while the E-M5 III does not. While the built-in flash of the D7200 is not very powerful, it can at times be useful as a fill-in light.The E-M5 III has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D7200 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D7200 and the Olympus E-M5 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D7200 and the E-M5 III write their files to SDXC cards. The D7200 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 III only has one slot. The E-M5 III supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D7200 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D7200 and Olympus OM-D E-M5 Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|2.||Olympus E-M5 III||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|3.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|5.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|6.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|7.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|9.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Nikon D90||Y||mono / mono||-||-||mini||2.0||-||-||-|
|11.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|17.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the D7200 has a headphone jack, which is not present on the E-M5 III This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
The E-M5 III is a recent model that features in the current product line-up of Olympus. In contrast, the D7200 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D7200 was succeeded by the Nikon D7500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So what is the bottom line? Is there a clear favorite between the Nikon D7200 and the Olympus E-M5 III? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon D7200:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Longer lasting: Can take more shots (1110 versus 310) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in March 2015).
Reasons to prefer the Olympus OM-D E-M5 Mark III:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.68x vs 0.63x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (125x85mm vs 136x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 351g or 46 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years and 7 months of technical progress since the D7200 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the E-M5 III is the clear winner of the contest (18 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D7200 and the Olympus E-M5 III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D7200 or the E-M5 III perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199||ebay.com|
|2.||Olympus E-M5 III||5/5||+||5/5||82/100||4.5/5||4.5/5||Oct 2019||1,199||amazon.com|
|3.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|4.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299||amazon.com|
|5.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999||amazon.com|
|6.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299||ebay.com|
|7.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499||ebay.com|
|8.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199||ebay.com|
|9.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499||ebay.com|
|10.||Nikon D90||..||+ +||..||+ +||4/5||4.5/5||Aug 2008||1,299||ebay.com|
|11.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199||ebay.com|
|12.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099||ebay.com|
|13.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399||ebay.com|
|14.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299||ebay.com|
|15.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199||ebay.com|
|16.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099||ebay.com|
|17.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon D60 vs Nikon D7200
- Fujifilm X-T10 vs Olympus E-M5 III
- Leica C-LUX vs Nikon D7200
- Nikon 1 V2 vs Olympus E-M5 III
- Nikon D300 vs Nikon D7200
- Nikon D7200 vs Olympus E-330
- Nikon D7200 vs Panasonic FZ2500
- Nikon D7200 vs Panasonic FZ330
- Olympus E-M5 III vs Panasonic FZ2500
- Olympus E-M5 III vs Panasonic GF7
- Olympus E-M5 III vs Panasonic TS7
- Olympus E-M5 III vs Panasonic TZ90
Specifications: Nikon D7200 vs Olympus E-M5 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D7200||Olympus E-M5 III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2015||October 2019|
|Launch Price||USD 1,199||USD 1,199|
|Sensor Specs||Nikon D7200||Olympus E-M5 III|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.91 μm||3.34 μm|
|Pixel Density||6.55 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 102,400 ISO||64 - 25,600 ISO|
|Image Processor||EXPEED 4||TruePic VIII|
|DXO Sensor Quality (score)||87||..|
|DXO Color Depth (bits)||24.5||..|
|DXO Dynamic Range (EV)||14.6||..|
|DXO Low Light (ISO)||1333||..|
|Screen Specs||Nikon D7200||Olympus E-M5 III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1229k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D7200||Olympus E-M5 III|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||6 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Nikon D7200||Olympus E-M5 III|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon D7200||Olympus E-M5 III|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1110 shots per charge||310 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
136 x 107 x 76 mm
(5.4 x 4.2 x 3.0 in)
125 x 85 x 50 mm
(4.9 x 3.3 x 2.0 in)
|Camera Weight||765 g (27.0 oz)||414 g (14.6 oz)|
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