Nikon D5500 vs Panasonic G85
The Nikon D5500 and the Panasonic Lumix DMC-G85 (labelled Panasonic G80 in some countries) are two digital cameras that were officially introduced, respectively, in January 2015 and September 2016. The D5500 is a DSLR, while the G85 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5500) and a Four Thirds (G85) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5500 and the Panasonic Lumix DMC-G85? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon D5500 and the Panasonic G85 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The D5500 can be obtained in two different colors (black, red), while the G85 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G85 is notably smaller (5 percent) than the Nikon D5500. However, the G85 is markedly heavier (7 percent) than the D5500. It is noteworthy in this context that the G85 is splash and dust-proof, while the D5500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5500) and the Micro Four Thirds Lens Catalog (G85). Mirrorless cameras, such as the G85, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899||ebay.com|
|2.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899||ebay.com|
|3.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||ebay.com|
|4.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699||amazon.com|
|5.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||amazon.com|
|6.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499||ebay.com|
|7.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499||ebay.com|
|8.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799||ebay.com|
|9.||Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599||ebay.com|
|10.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749||ebay.com|
|11.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749||ebay.com|
|12.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||ebay.com|
|13.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||ebay.com|
|14.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|15.||Panasonic G95||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999||amazon.com|
|16.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799||amazon.com|
|17.||Samsung NX30||127 mm||96 mm||58 mm||375 g||360||n||Jan 2014||999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Panasonic G85 a Four Thirds sensor. The sensor area in the G85 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D5500 has a native 3:2 aspect ratio, while the one in the G85 offers a 4:3 aspect.
With 24MP, the D5500 offers a higher resolution than the G85 (15.8MP), but the D5500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the G85) due to its larger sensor. However, the G85 is a somewhat more recent model (by 1 year and 8 months) than the D5500, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon D5500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G85 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-G85 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D5500 provides substantially higher image quality than the G85, with an overall score that is 13 points higher. This advantage is based on 1.3 bits higher color depth, 1.5 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|12.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|13.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|14.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|15.||Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1273||75|
|16.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G85 provides a better video resolution than the D5500. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G85 has an electronic viewfinder (2360k dots), while the D5500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G85 offers a wider field of view (100%) than the one in the D5500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G85 has a higher magnification (0.74x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D5500, the Panasonic G85, and comparable cameras.
|1.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|2.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0/s||Y||Y|
|3.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0/s||Y||n|
|4.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|6.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|7.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|8.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|9.||Nikon D3200||optical||n||3.0 / 921||fixed||n||1/4000s||4.0/s||Y||n|
|10.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0/s||Y||n|
|11.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0/s||Y||n|
|12.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|13.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|14.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|15.||Panasonic G95||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0/s||Y||Y|
|16.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|17.||Samsung NX30||2359||n||3.0 / 1036||swivel||Y||1/8000s||9.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the G85 and the D5500 is in-body image stabilization (IBIS). The G85 reduces the risk of handshake-induced blur with all attached lenses, while the D5500 offers no blur reduction with lenses that themselves do not provide optical image stabilization.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G85 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D5500 and the Panasonic G85 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D5500 and the G85 write their files to SDXC cards. The G85 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D5500 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Panasonic Lumix DMC-G85 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|2.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|6.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|7.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Nikon D3200||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|13.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic G95||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|16.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Samsung NX30||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
Both the D5500 and the G85 have been discontinued, but can regularly be found used on ebay. The D5500 was replaced by the Nikon D5600, while the G85 was followed by the Panasonic G95. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what is the bottom line? Is the Nikon D5500 better than the Panasonic G85 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon D5500:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Better image quality: Scores substantially higher (13 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.1 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Can take more shots (820 versus 330) on a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in January 2015).
Reasons to prefer the Panasonic Lumix DMC-G85:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.57x).
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (1 year and 8 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the G85 emerges as the winner of the match-up (11 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5500 and the Panasonic G85 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D5500 and the G85 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899||ebay.com|
|2.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899||ebay.com|
|3.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979||ebay.com|
|4.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699||amazon.com|
|5.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999||amazon.com|
|6.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499||ebay.com|
|7.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499||ebay.com|
|8.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799||ebay.com|
|9.||Nikon D3200||5/5||+ +||..||73/100||4.5/5||4.5/5||Apr 2012||599||ebay.com|
|10.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749||ebay.com|
|11.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749||ebay.com|
|12.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999||ebay.com|
|13.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099||ebay.com|
|14.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|15.||Panasonic G95||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999||amazon.com|
|16.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799||amazon.com|
|17.||Samsung NX30||3/5||..||..||77/100||4.5/5||4.5/5||Jan 2014||999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon 5D Mark III vs Panasonic G85
- Canon G9 X vs Nikon D5500
- Canon SX510 vs Panasonic G85
- Canon SX70 vs Nikon D5500
- Canon XC10 vs Panasonic G85
- Fujifilm X-E3 vs Panasonic G85
- Leica M8 vs Panasonic G85
- Nikon D5500 vs Nikon W150
- Nikon D5500 vs Nikon Z7
- Nikon D5500 vs Panasonic GX9
- Panasonic G85 vs Sony HX350
Specifications: Nikon D5500 vs Panasonic G85
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5500||Panasonic G85|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||January 2015||September 2016|
|Launch Price||USD 899||USD 899|
|Sensor Specs||Nikon D5500||Panasonic G85|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.91 μm||3.77 μm|
|Pixel Density||6.55 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||EXPEED 4||Venus|
|DXO Sensor Quality (score)||84||71|
|DXO Color Depth (bits)||24.1||22.8|
|DXO Dynamic Range (EV)||14.0||12.5|
|DXO Low Light (ISO)||1438||656|
|Screen Specs||Nikon D5500||Panasonic G85|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1037k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Nikon D5500||Panasonic G85|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Nikon D5500||Panasonic G85|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Nikon D5500||Panasonic G85|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||820 shots per charge||330 shots per charge|
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
128 x 89 x 74 mm
(5.0 x 3.5 x 2.9 in)
|Camera Weight||470 g (16.6 oz)||505 g (17.8 oz)|
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