Nikon D3300 vs Panasonic G7
The Nikon D3300 and the Panasonic Lumix DMC-G7 are two digital cameras that were revealed to the public, respectively, in January 2014 and May 2015. The D3300 is a DSLR, while the G7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D3300) and a Four Thirds (G7) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D3300||Panasonic G7|
|Digital single lens reflex||Mirrorless system camera|
|Nikon F mount lenses||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||15.8 MP, Four Thirds Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-12800 (100-25600)||ISO 160-25600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|5 shutter flaps per second||7 shutter flaps per second|
|700 shots per battery charge||350 shots per battery charge|
|124 x 98 x 76 mm, 430 g||125 x 86 x 77 mm, 410 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D3300 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon D3300 and the Panasonic G7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The D3300 can be obtained in three different colors (black, grey, red), while the G7 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is notably smaller (12 percent) than the Nikon D3300. Moreover, the G7 is markedly lighter (5 percent) than the D3300. In this context, it is worth noting that neither the D3300 nor the G7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D3300) and the Micro Four Thirds Lens Catalog (G7). Mirrorless cameras, such as the G7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D3300»||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499||-||Nikon D3300|
|Panasonic G7«||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||-||Panasonic G7|
|Canon 200D« »||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||-||Canon 200D|
|Canon M3« »||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679||-||Canon M3|
|Fujifilm X-E2S« »||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699||-||Fujifilm X-E2S|
|Nikon D3500« »||124 mm||97 mm||70 mm||365 g||1550||n||Aug 2018||429||Nikon D3500|
|Nikon D5600« »||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699||Nikon D5600|
|Nikon D3400« »||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499||-||Nikon D3400|
|Nikon D5500« »||124 mm||97 mm||70 mm||420 g||820||n||Jan 2015||899||-||Nikon D5500|
|Nikon D7200« »||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Nikon D5300« »||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799||-||Nikon D5300|
|Nikon D3200« »||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599||-||Nikon D3200|
|Panasonic GM5« »||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic G5« »||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||-||Panasonic G5|
|Panasonic G3« »||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||-||Panasonic G3|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||-||Sony A6000|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D3300 was launched at a somewhat lower price (by 23 percent) than the G7, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D3300 features an APS-C sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D3300 has a native 3:2 aspect ratio, while the one in the G7 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the D3300 offers a higher resolution than the G7 (15.8MP), but the D3300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the G7) due to its larger sensor. However, the G7 is a somewhat more recent model (by 1 year and 4 months) than the D3300, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D3300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D3300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D3300 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inch or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inch or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inch or 38.9 x 29.2 cm for excellent quality prints.
The Nikon D3300 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon D3300»||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Panasonic G7«||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-||Panasonic G7|
|Canon 200D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2S|
|Nikon D3500« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Nikon D3500|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Nikon D3200« »||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81||Nikon D3200|
|Panasonic GM5« »||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic G5« »||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-||Panasonic G5|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7 provides a better video resolution than the D3300. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G7 has an electronic viewfinder (2360k dots), while the D3300 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G7 offers a wider field of view (100%) than the one in the D3300 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G7 has a higher magnification (0.70x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D3300, the Panasonic G7, and comparable cameras.
|Nikon D3300»||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3300|
|Panasonic G7«||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Canon 200D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Canon M3« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Nikon D3500« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3500|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5600|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Nikon D3200« »||optical||n||3.0||921||fixed||n||1/4000s||4.0||Y||n||Nikon D3200|
|Panasonic GM5« »||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic G5« »||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7 has a touchscreen, while the D3300 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D3300 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D3300 and the G7 write their files to SDXC cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D3300 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D3300 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D3300»||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Panasonic G7«||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Canon 200D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon M3« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Fujifilm X-E2S« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Nikon D3500« »||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3500|
|Nikon D5600« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
|Nikon D5500« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Nikon D3200« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3200|
|Panasonic GM5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic G5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
It is notable that the G7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D3300 does not offer wifi capability.
Both the D3300 and the G7 have been discontinued, but can regularly be found used on eBay. The D3300 was replaced by the Nikon D3400, while the G7 was followed by the Panasonic G85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D3300 and the Panasonic G7? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon D3300:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (700 versus 350) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (23 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2014).
Arguments in favor of the Panasonic Lumix DMC-G7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.57x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (125x86mm vs 124x98mm) and will fit more readily into a bag.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (1 year and 4 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the G7 is the clear winner of the contest (17 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D3300 and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D3300 or the G7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D3300»||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-||Nikon D3300|
|Panasonic G7«||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649||-||Panasonic G7|
|Canon 200D« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon 200D|
|Canon M3« »||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-||Canon M3|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-||Fujifilm X-E2S|
|Nikon D3500« »||-||-||4/5||4.5/5||4.5/5||Aug 2018||429||Nikon D3500|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D3400« »||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Nikon D5500« »||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-||Nikon D5500|
|Nikon D7200« »||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Nikon D5300« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Nikon D3200« »||+ +||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599||-||Nikon D3200|
|Panasonic GM5« »||+||77/100||5/5||5/5||4.5/5||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic G5« »||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic G5|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1300D vs Nikon D3300
- Canon 1Ds vs Panasonic G7
- Canon 77D vs Panasonic G7
- Canon G5 X Mark II vs Nikon D3300
- Canon G9 X vs Nikon D3300
- Fujifilm X-Pro1 vs Nikon D3300
- Leica CL vs Nikon D3300
- Nikon D3300 vs Nikon Z7
- Nikon D3300 vs Panasonic FZ200
- Nikon D70s vs Panasonic G7
- Olympus E-PL2 vs Panasonic G7
- Panasonic G7 vs Sony A7R
Specifications: Nikon D3300 vs Panasonic G7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D3300||Panasonic G7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||January 2014||May 2015|
|Launch Price||USD 499||USD 649|
|Sensor Specs||Nikon D3300||Panasonic G7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.91 μm||3.77 μm|
|Pixel Density||6.55 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-12800 ISO||160-25600 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|Image Processor||EXPEED 4||Venus|
|DXO Sensor Quality (score)||82||..|
|DXO Color Depth (bits)||24.3||..|
|DXO Dynamic Range (EV)||12.8||..|
|DXO Low Light (ISO)||1385||..|
|Screen Specs||Nikon D3300||Panasonic G7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D3300||Panasonic G7|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Nikon D3300||Panasonic G7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D3300||Panasonic G7|
|Battery Life (CIPA)||700 shots per charge||350 shots per charge|
124 x 98 x 76 mm
(4.9 x 3.9 x 3.0 in)
125 x 86 x 77 mm
(4.9 x 3.4 x 3.0 in)
|Camera Weight||430 g (15.2 oz)||410 g (14.5 oz)|
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