Panasonic G5 vs G7
The Panasonic Lumix DMC-G5 and the Panasonic Lumix DMC-G7 are two digital cameras that were revealed to the public, respectively, in July 2012 and May 2015. Both the G5 and the G7 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The G5 has a resolution of 15.9 megapixels, whereas the G7 provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G5 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic G5 and the Panasonic G7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is notably larger (8 percent) than the Panasonic G5. Moreover, the G7 is slightly heavier (4 percent) than the G5. In this context, it is worth noting that neither the G5 nor the G7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|2.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|3.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|4.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|5.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|6.||Panasonic GX800||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|7.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|8.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|9.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|10.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|11.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|12.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|13.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G5 was somewhat cheaper (by 8 percent) than the G7 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G5 offers a slightly higher resolution of 15.9 megapixels, compared with 15.8 MP of the G7. This megapixels advantage translates into a 0.3 percent gain in linear resolution. On the other hand, these sensor specs imply that the G5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 3.77μm for the G7). Moreover, it should be noted that the G7 is much more recent (by 2 years and 9 months) than the G5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels.
The Panasonic Lumix DMC-G5 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|2.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|6.||Panasonic GX800||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|7.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|8.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|9.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|10.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|11.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|12.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|13.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G7 provides a better video resolution than the G5. It can shoot movie footage at 4K/30p, while the G5 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G7 offers a substantially higher resolution than the one in the G5 (2360k vs 1440k dots). The adjacent table lists some of the other core features of the Panasonic G5 and Panasonic G7 along with similar information for a selection of comparators.
|1.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|2.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|3.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|4.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0||Y||n|
|5.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6||Y||n|
|6.||Panasonic GX800||none||n||3.0 / 1040||tilting||Y||1/500s||10.0||Y||n|
|7.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8||n||n|
|8.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|9.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|10.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0||Y||n|
|11.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|12.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|13.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G5 and the G7 write their files to SDXC cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the G5 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G5 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|4.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|6.||Panasonic GX800||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|9.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|10.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|12.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the G7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G5 does not provide wifi capability.
Both the G5 and the G7 have been discontinued, but can regularly be found used on eBay. The G5 was replaced by the Panasonic G6, while the G7 was followed by the Panasonic G85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Is there a clear favorite between the Panasonic G5 and the Panasonic G7? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-G5:
- More heavily discounted: Has been available for much longer (launched in July 2012).
Advantages of the Panasonic Lumix DMC-G7:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Faster burst: Shoots at higher frequency (7 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 9 months of technical progress since the G5 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the G7 is the clear winner of the contest (10 : 1 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G5 and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G5 or the G7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|2.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|3.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|4.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|5.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699|
|6.||Panasonic GX800||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549|
|7.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|8.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|9.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|10.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|11.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|12.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|13.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark II vs Panasonic G5
- Canon Rebel vs Panasonic G5
- Fujifilm GFX 50S vs Panasonic G7
- Fujifilm X-M1 vs Panasonic G7
- Fujifilm X-T10 vs Panasonic G7
- Kodak S-1 vs Panasonic G7
- Leica X Typ 113 vs Panasonic G5
- Olympus E-M5 vs Panasonic G5
- Panasonic G5 vs Panasonic LX15
- Panasonic G5 vs Sony RX10 IV
- Panasonic G7 vs Pentax K-1 II
- Panasonic G7 vs Sony A9
Specifications: Panasonic G5 vs Panasonic G7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G5||Panasonic G7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||July 2012||May 2015|
|Launch Price||USD 599||USD 649|
|Sensor Specs||Panasonic G5||Panasonic G7|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||15.8 Megapixels|
|Image Resolution||4608 x 3456 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.76 μm||3.77 μm|
|Pixel Density||7.08 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||160 - 12,800 ISO||160 - 25,600 ISO|
|Image Processor||Venus VII FHD||Venus|
|Screen Specs||Panasonic G5||Panasonic G7|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Panasonic G5||Panasonic G7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||6 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Panasonic G5||Panasonic G7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Panasonic G5||Panasonic G7|
|Battery Life (CIPA)||320 shots per charge||350 shots per charge|
120 x 83 x 71 mm
(4.7 x 3.3 x 2.8 in)
125 x 86 x 77 mm
(4.9 x 3.4 x 3.0 in)
|Camera Weight||396 g (14.0 oz)||410 g (14.5 oz)|
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