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Panasonic G5 versus Panasonic G7

The Panasonic Lumix DMC-G5 and the Panasonic Lumix DMC-G7 are two digital cameras that were officially introduced, respectively, in July 2012 and May 2015. Both the G5 and the G7 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The G5 has a resolution of 15.9 megapixel, whereas the G7 provides 15.8 MP.

Body comparison

The physical size and weight of the Panasonic G5 and the Panasonic G7 are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the G5 – represents the basis for the calculations across all the size and weight measures).

Panasonic G5 vs Panasonic G7 front
G5 versus G7 top view
G5 and G7 rear side
Body view (G5 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is somewhat larger (8 percent) than the Panasonic G5. Moreover, the G7 is slightly heavier (4 percent) than the G5. In this context, it is worth noting that neither the G5 nor the G7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic G5 (⇒ rgt) 120 mm 83 mm 71 mm 396 g 320 no 2012 599discont. check
Panasonic G7 (⇒ lft) 125 mm 86 mm 77 mm 410 g 350 no 2015 649discont. check
Panasonic GX850 (⇒ lft | rgt) 107 mm 65 mm 33 mm 269 g 210 no 2017 549 latest check
Panasonic G85 (⇒ lft | rgt) 128 mm 89 mm 74 mm 505 g 330 YES 2016 899 latest check
Panasonic GF7 (⇒ lft | rgt) 107 mm 65 mm 33 mm 266 g 230 no 2015 599discont. check
Panasonic GM5 (⇒ lft | rgt) 99 mm 60 mm 36 mm 211 g 220 no 2014 749discont. check
Panasonic G6 (⇒ lft | rgt) 122 mm 85 mm 71 mm 390 g 340 no 2013 599discont. check
Panasonic GM1 (⇒ lft | rgt) 99 mm 55 mm 30 mm 204 g 230 no 2013 749discont. check
Panasonic GX7 (⇒ lft | rgt) 123 mm 71 mm 55 mm 402 g 350 no 2013 999discont. check
Panasonic G3 (⇒ lft | rgt) 115 mm 84 mm 47 mm 336 g 270 no 2011 599discont. check
Panasonic GX1 (⇒ lft | rgt) 116 mm 68 mm 39 mm 318 g 320 no 2011 949discont. check
Panasonic GH2 (⇒ lft | rgt) 124 mm 90 mm 76 mm 442 g 330 no 2010 1,499discont. check
Panasonic G2 (⇒ lft | rgt) 124 mm 84 mm 74 mm 428 g 360 no 2010 599discont. check
Panasonic G10 (⇒ lft | rgt) 124 mm 84 mm 74 mm 388 g 380 no 2010 499discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G5 was somewhat cheaper (by 8 percent) than the G7 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Panasonic G5 and Panasonic G7 sensor measures
Sensor size

While the two cameras under review share the same sensor size, the G5 offers a slightly higher resolution of 15.9 megapixel, compared with 15.8 MP of the G7. This megapixel advantage translates into a 0.3 percent gain in linear resolution. On the other hand, these sensor specs imply that the G5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 3.77μm for the G7). Moreover, it should be noted that the G7 is much more recent (by 2 years and 9 months) than the G5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels.

G5 versus G7 MP
Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Panasonic G5 (⇒ rgt) Four Thirds 15.9 4608 3456 1080/60p - - - -
Panasonic G7 (⇒ lft) Four Thirds 15.8 4592 3448 4K/30p - - - -
Panasonic GX850 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p .. .. .. ..
Panasonic G85 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.8 12.5 656 71
Panasonic GF7 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p - - - -
Panasonic GM5 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 22.1 11.7 721 66
Panasonic G6 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 21.3 11.5 639 61
Panasonic GM1 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60i 22.3 11.7 660 66
Panasonic GX7 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 22.6 12.2 718 70
Panasonic G3 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60i 21 10.6 667 56
Panasonic GX1 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 20.8 10.6 703 55
Panasonic GH2 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60i 21.2 11.3 655 60
Panasonic G2 (⇒ lft | rgt) Four Thirds 12.0 4000 3000 720/30p 21.2 10.3 493 53
Panasonic G10 (⇒ lft | rgt) Four Thirds 12.0 4000 3000 720/30p 21.2 10.1 411 52

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7 provides a better video resolution than the G5. It can shoot movie footage at 4K/30p, while the G5 is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G7 offers a substantially higher resolution than the one in the G5 (2360k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic G5 and Panasonic G7 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Panasonic G5 (⇒ rgt) 1440 no 3.0 920 swivel YES 4000 6.0 10.5 no
Panasonic G7 (⇒ lft) 2360 no 3.0 1040 swivel YES 4000 7.0 9.3 no
Panasonic GX850 (⇒ lft | rgt) no no 3.0 1040 tilting YES 500 10.0 4 no
Panasonic G85 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 4000 9.0 6.2 YES
Panasonic GF7 (⇒ lft | rgt) no no 3.0 1040 tilting YES 500 5.8 4 no
Panasonic GM5 (⇒ lft | rgt) 1166 no 3.0 921 fixed YES 500 5.8 no no
Panasonic G6 (⇒ lft | rgt) 1440 no 3.0 1036 swivel YES 4000 7.0 10.5 no
Panasonic GM1 (⇒ lft | rgt) no no 3.0 1036 fixed YES 500 5.0 4 no
Panasonic GX7 (⇒ lft | rgt) 2760 no 3.0 1040 tilting YES 8000 5.0 7 YES
Panasonic G3 (⇒ lft | rgt) 1440 no 3.0 460 swivel YES 4000 4.0 11 no
Panasonic GX1 (⇒ lft | rgt) no no 3.0 460 fixed YES 4000 4.2 7.6 no
Panasonic GH2 (⇒ lft | rgt) 1534 no 3.0 460 swivel no 4000 3.0 15.6 no
Panasonic G2 (⇒ lft | rgt) 1440 no 3.0 460 swivel YES 4000 2.6 11 no
Panasonic G10 (⇒ lft | rgt) 202 no 3.0 460 fixed no 4000 2.6 11 no

Both the G5 and the G7 have been discontinued, but can regularly be found used on ebay. The G5 was replaced by the Panasonic G6, while the G7 was followed by the Panasonic G85.

Summary

So what is the bottom line? Is there a clear favorite between the Panasonic G5 and the Panasonic G5? The listing below highlights the relative strengths of the two models.


Advantages of the Panasonic Lumix DMC-G5:

  • More heavily discounted: Has been available for much longer (launched in July 2012).

Reasons to prefer the Panasonic Lumix DMC-G7:

  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
  • Faster burst: Shoots at higher frequency (7 vs 6 flaps/sec) to capture the decisive moment.
  • More modern: Reflects 2 years and 9 months of technical progress since the G5 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the G7 is the clear winner of the contest (5 : 1 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.

G5 01:05 G7

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G5 or the G7 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic G5 (⇒ rgt) HiRec - 4.5/5 4.5/5 4.5/5 2012 599discont. check
Panasonic G7 (⇒ lft) HiRec 80/100 Silver 5/5 4.5/5 4.5/5 2015 649discont. check
Panasonic GX850 (⇒ lft | rgt) Rec 76/100 4.5/5 - 4.5/5 2017 549 latest check
Panasonic G85 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4.5/5 4.5/5 2016 899 latest check
Panasonic GF7 (⇒ lft | rgt) Rec - 4.5/5 4.5/5 4.5/5 2015 599discont. check
Panasonic GM5 (⇒ lft | rgt) Rec 77/100 Silver 5/5 5/5 4.5/5 2014 749discont. check
Panasonic G6 (⇒ lft | rgt) HiRec - 5/5 - 4.5/5 2013 599discont. check
Panasonic GM1 (⇒ lft | rgt) Rec 78/100 Gold 5/5 4.5/5 4.5/5 2013 749discont. check
Panasonic GX7 (⇒ lft | rgt) Rec 79/100 Silver 5/5 4.5/5 5/5 2013 999discont. check
Panasonic G3 (⇒ lft | rgt) 88/100 HiRec 75/100 Silver 4.5/5 4.5/5 5/5 2011 599discont. check
Panasonic GX1 (⇒ lft | rgt) 85/100 Rec 77/100 Silver 4.5/5 4.5/5 4.5/5 2011 949discont. check
Panasonic GH2 (⇒ lft | rgt) 86/100 HiRec 79/100 Silver 4.5/5 4.5/5 5/5 2010 1,499discont. check
Panasonic G2 (⇒ lft | rgt) - 72/100 Silver 4/5 4/5 4.5/5 2010 599discont. check
Panasonic G10 (⇒ lft | rgt) - 70/100 4/5 - 4/5 2010 499discont. check

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Other comparisons

In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please contact me, and I will try to locate and add the respective data to the application.

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