Nikon B500 vs Panasonic G7
The Nikon Coolpix B500 and the Panasonic Lumix DMC-G7 are two digital cameras that were revealed to the public, respectively, in January 2016 and May 2015. The B500 is a fixed lens compact, while the G7 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (B500) and a Four Thirds (G7) sensor. The Nikon has a resolution of 15.9 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon B500||Panasonic G7|
|Fixed lens compact camera||Mirrorless system camera|
|22.5-900mm f/3-6.5||Micro Four Thirds lenses|
|15.9 MP, 1/2.3" Sensor||15.8 MP, Four Thirds Sensor|
|1080/60i Video||4K/30p Video|
|ISO 80-6400||ISO 160-25600|
|No viewfinder, LCD framing||Electronic viewfinder (2360k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 1040k dots|
|Tilting screen (no touchscreen)||Swivel touchscreen|
|7.4 shutter flaps per second||7 shutter flaps per second|
|600 shots per battery charge||350 shots per battery charge|
|114 x 78 x 95 mm, 541 g||125 x 86 x 77 mm, 410 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Coolpix B500 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon B500 and the Panasonic G7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The B500 can be obtained in two different colors (black, red), while the G7 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is notably larger (21 percent) than the Nikon B500. In this context, it is worth noting that neither the B500 nor the G7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the B500 has a lens built in, whereas the G7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G7 and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon B500»||4.5 in||3.1 in||3.7 in||19.1 oz||600||n||Jan 2016||299||-||Nikon B500|
|Panasonic G7«||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-||Panasonic G7|
|Nikon B600« »||4.8 in||3.2 in||3.9 in||17.6 oz||280||n||Jan 2019||349||Nikon B600|
|Nikon A1000« »||4.5 in||2.8 in||1.6 in||11.6 oz||250||n||Jan 2019||429||Nikon A1000|
|Nikon P1000« »||5.7 in||4.7 in||7.1 in||49.9 oz||250||n||Jul 2018||999||Nikon P1000|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Nikon B700« »||4.9 in||3.3 in||4.2 in||19.9 oz||350||n||Feb 2016||499||Nikon B700|
|Nikon P900« »||5.5 in||4.1 in||5.4 in||31.7 oz||360||n||Mar 2015||599||-||Nikon P900|
|Nikon L840« »||4.4 in||3.1 in||3.8 in||19.0 oz||590||n||Feb 2015||299||-||Nikon L840|
|Panasonic FZ80« »||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399||Panasonic FZ80|
|Panasonic GM5« »||3.9 in||2.4 in||1.4 in||7.4 oz||220||n||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||-||Panasonic GM1|
|Panasonic G5« »||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||-||Panasonic G5|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899||-||Panasonic GH2|
|Sony HX80« »||4.0 in||2.3 in||1.4 in||8.6 oz||390||n||Mar 2016||349||Sony HX80|
|Sony H200« »||4.8 in||3.3 in||3.4 in||18.7 oz||240||n||Jan 2013||249||Sony H200|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The B500 was launched at a lower price than the G7, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon B500 features a 1/2.3-inch sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Nikon B500 offers a higher resolution of 15.9 megapixels, compared with 15.8 MP of the Panasonic G7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 3.77μm for the G7). However, it should be noted that the B500 is a somewhat more recent model (by 8 months) than the G7, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the B500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Nikon Coolpix B500 has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon B500»||1/2.3||15.9||4608||3456||1080/60i||-||-||-||-||Nikon B500|
|Panasonic G7«||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-||Panasonic G7|
|Nikon B600« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Nikon B600|
|Nikon A1000« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon A1000|
|Nikon P1000« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon P1000|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Nikon B700« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Nikon B700|
|Nikon P900« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Nikon P900|
|Nikon L840« »||1/2.3||15.9||4608||3456||1080/60i||-||-||-||-||Nikon L840|
|Panasonic FZ80« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Panasonic FZ80|
|Panasonic GM5« »||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GM1« »||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
|Panasonic G5« »||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-||Panasonic G5|
|Panasonic GH2« »||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Sony HX80« »||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX80|
|Sony H200« »||1/2.3||15.2||5184||2930||720/30p||-||-||-||-||Sony H200|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G7 provides a better video resolution than the B500. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G7 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the B500 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Nikon B500 and Panasonic G7 along with similar information for a selection of comparators.
|Nikon B500»||-||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon B500|
|Panasonic G7«||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Nikon B600« »||-||n||3.0||921||fixed||n||1/4000s||7.4||Y||Y||Nikon B600|
|Nikon A1000« »||1166||n||3.0||1036||tilting||Y||1/4000s||7.0||Y||Y||Nikon A1000|
|Nikon P1000« »||2359||n||3.2||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P1000|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Nikon B700« »||921||n||3.0||921||swivel||n||1/4000s||5.0||Y||Y||Nikon B700|
|Nikon P900« »||921||n||3.0||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P900|
|Nikon L840« »||-||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon L840|
|Panasonic FZ80« »||1166||n||3.0||1040||fixed||Y||1/2000s||10||Y||Y||Panasonic FZ80|
|Panasonic GM5« »||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GM1« »||-||n||3.0||1036||fixed||Y||1/500s||5.0||Y||n||Panasonic GM1|
|Panasonic G5« »||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Panasonic GH2« »||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
|Sony HX80« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX80|
|Sony H200« »||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H200|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7 has a touchscreen, while the B500 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the B500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the B500 and the G7 write their files to SDXC cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the B500 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Coolpix B500 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon B500»||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Nikon B500|
|Panasonic G7«||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Nikon B600« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon B600|
|Nikon A1000« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon A1000|
|Nikon P1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Nikon P1000|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Nikon B700« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Nikon B700|
|Nikon P900« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon P900|
|Nikon L840« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon L840|
|Panasonic FZ80« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ80|
|Panasonic GM5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GM1« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
|Panasonic G5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic GH2« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Sony HX80« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX80|
|Sony H200« »||-||mono||mono||-||-||-||2.0||-||-||-||Sony H200|
It is notable that the G7 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The B500 does not feature such a mic input.
Both the B500 and the G7 have been discontinued, but can regularly be found used on eBay. The G7 was replaced by the Panasonic G85, while the B500 was followed by the Nikon B600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So how do things add up? Which of the two cameras – the Nikon B500 or the Panasonic G7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon Coolpix B500:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has a lens built-in, whereas the G7 requires a separate lens.
- More compact: Is smaller (114x78mm vs 125x86mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (600 versus 350) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 8 months after the G7).
Arguments in favor of the Panasonic Lumix DMC-G7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More heavily discounted: Has been on the market for longer (launched in May 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the G7 is the clear winner of the contest (18 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon B500 and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the B500 or the G7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon B500»||+||-||4/5||-||3.5/5||Jan 2016||299||-||Nikon B500|
|Panasonic G7«||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649||-||Panasonic G7|
|Nikon B600« »||+||-||3.5/5||-||3/5||Jan 2019||349||Nikon B600|
|Nikon A1000« »||-||-||3.5/5||-||3/5||Jan 2019||429||Nikon A1000|
|Nikon P1000« »||+||73/100||3.5/5||4.5/5||3.5/5||Jul 2018||999||Nikon P1000|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Nikon B700« »||+||-||4/5||-||4/5||Feb 2016||499||Nikon B700|
|Nikon P900« »||-||77/100||4/5||4.5/5||4/5||Mar 2015||599||-||Nikon P900|
|Nikon L840« »||+ +||-||3.5/5||-||4/5||Feb 2015||299||-||Nikon L840|
|Panasonic FZ80« »||+ +||-||4.5/5||-||4.5/5||Jan 2017||399||Panasonic FZ80|
|Panasonic GM5« »||+||77/100||5/5||5/5||4.5/5||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||+||78/100||5/5||4.5/5||4.5/5||Oct 2013||749||-||Panasonic GM1|
|Panasonic G5« »||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic G5|
|Panasonic GH2« »||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899||-||Panasonic GH2|
|Sony HX80« »||-||-||-||-||-||Mar 2016||349||Sony HX80|
|Sony H200« »||-||-||3.5/5||-||3.5/5||Jan 2013||249||Sony H200|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 6D vs Nikon B500
- Canon G9 X vs Panasonic G7
- Canon SX510 vs Panasonic G7
- Canon SX620 vs Nikon B500
- Fujifilm X-T3 vs Nikon B500
- Leica S3 vs Panasonic G7
- Leica T vs Panasonic G7
- Leica X-U Typ 113 vs Nikon B500
- Panasonic FZ200 vs Panasonic G7
- Panasonic G7 vs Sony A58
- Panasonic G7 vs Sony RX10 II
- Panasonic G7 vs Sony RX100 V
Specifications: Nikon B500 vs Panasonic G7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon B500||Panasonic G7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||22.5-900mm f/3-6.5||Micro Four Thirds lenses|
|Launch Date||January 2016||May 2015|
|Launch Price||USD 299||USD 649|
|Sensor Specs||Nikon B500||Panasonic G7|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||15.8 Megapixels|
|Image Resolution||4608 x 3456 pixels||4592 x 3448 pixels|
|Pixel Pitch||1.33 μm||3.77 μm|
|Pixel Density||56.73 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||80-6400 ISO||160-25600 ISO|
|Screen Specs||Nikon B500||Panasonic G7|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||1040k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon B500||Panasonic G7|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||7.4 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-II|
|Connectivity Specs||Nikon B500||Panasonic G7|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon B500||Panasonic G7|
|Battery Life (CIPA)||600 shots per charge||350 shots per charge|
114 x 78 x 95 mm
(4.5 x 3.1 x 3.7 in)
125 x 86 x 77 mm
(4.9 x 3.4 x 3.0 in)
|Camera Weight||541 g (19.1 oz)||410 g (14.5 oz)|
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