Leica Digilux 3 versus Canon SL2
The Leica Digilux 3 and the Canon EOS Rebel SL2 (labelled Canon 200D in some countries) are two digital cameras that were officially introduced, respectively, in September 2006 and June 2017. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a Four Thirds (Digilux 3) and an APS-C sensor. The Leica has a resolution of 7.4 megapixel, whereas the Canon provides 24 MP.
The side-by-side display below illustrates the physical size and weight of the Leica Digilux 3 and the Canon SL2. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the Digilux 3 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon SL2 is notably smaller (11 percent) than the Leica Digilux 3. Moreover, the SL2 is markedly lighter (25 percent) than the Digilux 3. In this context, it is worth noting that neither the Digilux 3 nor the SL2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Four Thirds Lens Catalog (Digilux 3) and the Canon EF Lens Catalog (SL2).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Leica Digilux 3 (⇒ rgt)||146 mm||87 mm||77 mm||606 g||750||no||2006||1,499||discont.||check|
|Canon SL2 (⇒ lft)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon T7 (⇒ lft | rgt)||129 mm||101 mm||78 mm||475 g||500||no||2018||449||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon T7i (⇒ lft | rgt)||131 mm||100 mm||76 mm||532 g||600||no||2017||749||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon 30D (⇒ lft | rgt)||144 mm||106 mm||74 mm||785 g||750||no||2006||1,399||discont.||check|
|Canon XT (⇒ lft | rgt)||127 mm||94 mm||64 mm||540 g||400||no||2005||899||discont.||check|
|Leica M8 (⇒ lft | rgt)||139 mm||80 mm||37 mm||591 g||..||no||2006||5,499||discont.||check|
|Nikon D3400 (⇒ lft | rgt)||124 mm||98 mm||76 mm||445 g||1200||no||2016||499||latest||check|
|Olympus E-330 (⇒ lft | rgt)||140 mm||87 mm||72 mm||637 g||750||no||2006||999||discont.||check|
|Olympus E-400 (⇒ lft | rgt)||130 mm||91 mm||53 mm||435 g||500||no||2006||699||discont.||check|
|Olympus E-500 (⇒ lft | rgt)||130 mm||95 mm||66 mm||479 g||750||no||2005||599||discont.||check|
|Olympus E-300 (⇒ lft | rgt)||147 mm||85 mm||64 mm||624 g||750||no||2004||799||discont.||check|
|Olympus E-1 (⇒ lft | rgt)||141 mm||104 mm||81 mm||738 g||750||YES||2003||1,699||discont.||check|
|Panasonic L10 (⇒ lft | rgt)||135 mm||96 mm||78 mm||556 g||450||no||2007||599||discont.||check|
|Panasonic L1 (⇒ lft | rgt)||146 mm||87 mm||64 mm||606 g||750||no||2006||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SL2 was launched at a markedly lower price (by 63 percent) than the Digilux 3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica Digilux 3 features a Four Thirds sensor and the Canon SL2 an APS-C sensor. The sensor area in the SL2 is 48 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.6. The sensor in the Digilux 3 has a native 4:3 aspect ratio, while the one in the SL2 offers a 3:2 aspect.
With 24MP, the SL2 offers a higher resolution than the Digilux 3 (7.4MP), but the SL2 has smaller individual pixels (pixel pitch of 3.72μm versus 5.51μm for the Digilux 3). Yet, the SL2 is a much more recent model (by 10 years and 9 months) than the Digilux 3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica Digilux 3 (⇒ rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
|Canon SL2 (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon T7 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||..||..||..||..|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon T7i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon 30D (⇒ lft | rgt)||APS-C||8.2||3504||2336||no||21.5||10.8||736||59|
|Canon XT (⇒ lft | rgt)||APS-C||8.0||3456||2304||no||21.8||10.8||637||60|
|Leica M8 (⇒ lft | rgt)||APS-H||10.4||3936||2630||no||21.1||11.3||663||59|
|Nikon D3400 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86|
|Olympus E-330 (⇒ lft | rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
|Olympus E-400 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||-||-||-||-|
|Olympus E-500 (⇒ lft | rgt)||Four Thirds||8.0||3264||2448||no||-||-||-||-|
|Olympus E-300 (⇒ lft | rgt)||Four Thirds||8.0||3264||2448||no||-||-||-||-|
|Olympus E-1 (⇒ lft | rgt)||Four Thirds||4.9||2560||1920||no||-||-||-||-|
|Panasonic L10 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.3||10.8||429||55|
|Panasonic L1 (⇒ lft | rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The SL2 indeed provides for movie recording, while the Digilux 3 does not. The highest resolution format that the SL2 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The Digilux 3 and the SL2 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Leica Digilux 3, the Canon SL2, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Leica Digilux 3 (⇒ rgt)||optical||no||2.5||207||fixed||no||4000||3.0||13||no|
|Canon SL2 (⇒ lft)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon T7 (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.0||9.2||no|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon T7i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon 30D (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||5.0||13||no|
|Canon XT (⇒ lft | rgt)||optical||no||1.8||115||fixed||no||4000||3.0||13||no|
|Leica M8 (⇒ lft | rgt)||optical||no||2.5||230||fixed||no||8000||2.0||no||no|
|Nikon D3400 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||5.0||7||no|
|Olympus E-330 (⇒ lft | rgt)||optical||no||2.5||215||tilting||no||4000||3.0||13||no|
|Olympus E-400 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||10||no|
|Olympus E-500 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||2.5||13||no|
|Olympus E-300 (⇒ lft | rgt)||optical||no||1.8||134||fixed||no||4000||2.5||11||no|
|Olympus E-1 (⇒ lft | rgt)||optical||YES||1.8||134||fixed||no||4000||3.0||no||no|
|Panasonic L10 (⇒ lft | rgt)||optical||no||2.5||207||swivel||no||4000||3.0||11||no|
|Panasonic L1 (⇒ lft | rgt)||optical||no||2.5||207||fixed||no||4000||3.0||13||no|
The SL2 is a current model that online retailers, such as amazon, will have in stock. In contrast, the Digilux 3 has been discontinued (but it can be found pre-owned on ebay). There has not been a direct replacement model for the Digilux 3 from Leica.
So what conclusions can be drawn? Which of the two cameras – the Leica Digilux 3 or the Canon SL2 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica Digilux 3:
- Longer lasting: Can take more shots (750 versus 650) on a single battery charge.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2006).
Arguments in favor of the Canon EOS Rebel SL2:
- More detail: Has more megapixels (24 vs 7.4MP), which boosts linear resolution by 84%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 207k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x93mm vs 146x87mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 153g or 25 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More modern: Reflects 10 years and 9 months of technical progress since the Digilux 3 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the SL2 is the clear winner of the contest (12 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the Digilux 3 or the SL2. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Leica Digilux 3 (⇒ rgt)||-||-||-||-||-||2006||1,499||discont.||check|
|Canon SL2 (⇒ lft)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon T7 (⇒ lft | rgt)||..||..||..||..||..||2018||449||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon T7i (⇒ lft | rgt)||..||80/100 Gold||4.5/5||..||4/5||2017||749||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon 30D (⇒ lft | rgt)||87/100 HiRec||HiRec||reviewed||reviewed||-||2006||1,399||discont.||check|
|Canon XT (⇒ lft | rgt)||80/100||HiRec||reviewed||reviewed||-||2005||899||discont.||check|
|Leica M8 (⇒ lft | rgt)||-||HiRec||-||-||-||2006||5,499||discont.||check|
|Nikon D3400 (⇒ lft | rgt)||Rec||76/100||4/5||4.5/5||4.5/5||2016||499||latest||check|
|Olympus E-330 (⇒ lft | rgt)||-||Rec||reviewed||3.5/5||-||2006||999||discont.||check|
|Olympus E-400 (⇒ lft | rgt)||85/100||-||4/5||-||4/5||2006||699||discont.||check|
|Olympus E-500 (⇒ lft | rgt)||76/100||HiRec||-||-||-||2005||599||discont.||check|
|Olympus E-300 (⇒ lft | rgt)||-||Rec||reviewed||reviewed||4.5/5||2004||799||discont.||check|
|Olympus E-1 (⇒ lft | rgt)||-||Rec||reviewed||reviewed||-||2003||1,699||discont.||check|
|Panasonic L10 (⇒ lft | rgt)||85/100||Rec||3.5/5||reviewed||4/5||2007||599||discont.||check|
|Panasonic L1 (⇒ lft | rgt)||85/100||Rec||-||reviewed||3.5/5||2006||999||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, kindly get in touch, and I will try to locate and add the respective data to the application.
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