Canon SL2 vs Sony NEX-7
The Canon EOS Rebel SL2 (called Canon 200D in some regions) and the Sony Alpha NEX-7 are two digital cameras that were officially introduced, respectively, in June 2017 and August 2011. The SL2 is a DSLR, while the NEX-7 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
As their names suggest, both the Canon EOS Rebel SL2 and the Sony Alpha NEX-7 belong to Canon's Rebel line of DSLR cameras. This range of APS-C cameras, which started out with the Canon EOS Digital Rebel in 2003, has been a big commercial success and the backbone of Canon's dominance in the digital camera market. The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon SL2 and Sony NEX-7. Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SL2||Sony NEX-7|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|24 MP, APS-C Sensor||24 MP, APS-C Sensor|
|1080/60p Video||1080/60i Video|
|ISO 100-25600 (100-51200)||ISO 100-16000|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 921k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|5 shutter flaps per second||10 shutter flaps per second|
|650 shots per battery charge||430 shots per battery charge|
|122 x 93 x 70 mm, 453 g||120 x 67 x 43 mm, 400 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL2 and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SL2 and the Sony NEX-7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The SL2 can be obtained in two different colors (black, white), while the NEX-7 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is notably smaller (29 percent) than the Canon SL2. Moreover, the NEX-7 is markedly lighter (12 percent) than the SL2. In this context, it is worth noting that neither the SL2 nor the NEX-7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (SL2) and the Sony E-Mount Lens Catalog (NEX-7). Mirrorless cameras, such as the NEX-7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon SL2»||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||-||Canon SL2|
|Sony NEX-7«||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Canon SL3« »||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599||Canon SL3|
|Canon T7« »||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||Canon T7|
|Canon 77D« »||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||Canon 77D|
|Canon G9 X Mark II« »||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon M6« »||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779||-||Canon M6|
|Canon M100« »||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||Canon M100|
|Canon T7i« »||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749||Canon T7i|
|Canon M5« »||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||Canon M5|
|Canon T6s« »||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||-||Canon T6s|
|Canon SL1« »||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||-||Canon SL1|
|Sony A6400« »||120 mm||67 mm||50 mm||403 g||410||n||Jan 2019||899||Sony A6400|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329||-||Sony A3000|
|Sony NEX-6« »||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999||-||Sony NEX-6|
|Sony RX1« »||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799||-||Sony RX1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SL2 was launched at a markedly lower price (by 59 percent) than the NEX-7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-7 is 10 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (SL2) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
Even though the NEX-7 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the NEX-7 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.90μm versus 3.72μm for the SL2), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the SL2 is much more recent (by 5 years and 10 months) than the NEX-7, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The SL2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL2 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon SL2»||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Sony NEX-7«||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
|Canon SL3« »||APS-C||24.0||6000||4000||4K/25p||-||-||-||-||Canon SL3|
|Canon T7« »||APS-C||24.0||6000||4000||1080/30p||-||-||-||-||Canon T7|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon M6|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Sony A6400« »||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony NEX-6« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Sony RX1« »||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SL2 provides a higher frame rate than the NEX-7. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the NEX-7 has an electronic viewfinder (2359k dots), while the SL2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the NEX-7 offers a wider field of view (100%) than the one in the SL2 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the NEX-7 has a higher magnification (0.73x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon SL2, the Sony NEX-7, and comparable cameras.
|Canon SL2»||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Sony NEX-7«||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
|Canon SL3« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Canon T7« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon M6« »||-||n||3.0||1040||tilting||Y||1/4000s||9.0||Y||n||Canon M6|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Sony A6400« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony NEX-6« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
|Sony RX1« »||-||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The SL2 has a touchscreen, while the NEX-7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The SL2 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the NEX-7 does not have a selfie-screen.
The Canon SL2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The SL2 writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards. The SL2 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL2 and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SL2»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Sony NEX-7«||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
|Canon SL3« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Canon T7« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon M6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Sony A6400« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony NEX-6« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Sony RX1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
It is notable that the SL2 offers wifi support, while the NEX-7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the SL2 and the NEX-7 have been discontinued, but can regularly be found used on eBay. The SL2 was replaced by the Canon SL2, while the NEX-7 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Which of the two cameras – the Canon SL2 or the Sony NEX-7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS Rebel SL2:
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (650 versus 430) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (59 percent cheaper at launch).
- More modern: Reflects 5 years and 10 months of technical progress since the NEX-7 launch.
Arguments in favor of the Sony Alpha NEX-7:
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.54x).
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 122x93mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 53g or 12 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the SL2 is the clear winner of the match-up (15 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL2 and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the SL2 and the NEX-7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SL2»||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon SL2|
|Sony NEX-7«||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Canon SL3« »||o||79/100||4/5||-||4/5||Apr 2019||599||Canon SL3|
|Canon T7« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon T7|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779||-||Canon M6|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon T6s« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Sony A6400« »||+||85/100||4.5/5||-||4/5||Jan 2019||899||Sony A6400|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony NEX-6« »||+ +||78/100||4.5/5||5/5||4.5/5||Sep 2012||999||-||Sony NEX-6|
|Sony RX1« »||-||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799||-||Sony RX1|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 250D vs Sony NEX-7
- Canon SL2 vs Leica X Typ 113
- Canon SL2 vs Nikon D50
- Canon SL2 vs Nikon P900
- Canon SL2 vs Pentax K-1 II
- Canon SL2 vs Sony A5000
- Panasonic GF2 vs Sony NEX-7
- Panasonic TS7 vs Sony NEX-7
- Sony A99 II vs Sony NEX-7
- Sony NEX-5N vs Sony NEX-7
- Sony NEX-5R vs Sony NEX-7
- Sony NEX-7 vs Sony RX10 IV
Specifications: Canon SL2 vs Sony NEX-7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SL2||Sony NEX-7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||June 2017||August 2011|
|Launch Price||USD 549||USD 1349|
|Sensor Specs||Canon SL2||Sony NEX-7|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.4 x 15.6 mm|
|Sensor Area||332.27 mm2||365.04 mm2|
|Sensor Diagonal||26.8 mm||28.1 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.90 μm|
|Pixel Density||7.22 MP/cm2||6.57 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||100-25600 ISO||100-16000 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Image Processor||DIGIC 7||BIONZ|
|DXO Sensor Quality (score)||79||81|
|DXO Color Depth (bits)||23.6||24.1|
|DXO Dynamic Range (EV)||13.4||13.4|
|DXO Low Light (ISO)||1041||1016|
|Screen Specs||Canon SL2||Sony NEX-7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon SL2||Sony NEX-7|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon SL2||Sony NEX-7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon SL2||Sony NEX-7|
|Battery Life (CIPA)||650 shots per charge||430 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||453 g (16.0 oz)||400 g (14.1 oz)|
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