Leica D-LUX Typ 109 vs Olympus E-M5 II
The Leica D-LUX (Typ 109) and the Olympus OM-D E-M5 Mark II are two enthusiast cameras that were announced, respectively, in September 2014 and February 2015. The D-LUX Typ 109 is a fixed lens compact, while the E-M5 II is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Leica has a resolution of 12.7 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica D-LUX Typ 109||Olympus E-M5 II|
|Fixed lens compact camera||Mirrorless system camera|
|24-75mm f/1.7-2.8||Micro Four Thirds lenses|
|12.7 MP, Four Thirds Sensor||15.9 MP, Four Thirds Sensor|
|4K/30p Video||1080/60p Video|
|ISO 200-12,500 (100 - 25,600)||ISO 200-25,600|
|Electronic viewfinder (2764k dots)||Electronic viewfinder (2360k dots)|
|3.0 LCD, 921k dots||3.0 LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|11 shutter flaps per second||10 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|300 shots per battery charge||310 shots per battery charge|
|118 x 66 x 55 mm, 405 g||124 x 85 x 45 mm, 469 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX (Typ 109) and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX Typ 109 and the Olympus E-M5 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The D-LUX Typ 109 can be obtained in two different colors (black, grey), while the E-M5 II is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably larger (35 percent) than the Leica D-LUX Typ 109. It is noteworthy in this context that the E-M5 II is splash and dust-proof, while the D-LUX Typ 109 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX Typ 109 has a lens built in, whereas the E-M5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 II and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica D-LUX Typ 109||4.6 in||2.6 in||2.2 in||14.3 oz||300||n||Sep 2014||1,195|
|Olympus E-M5 II||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Canon G16||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549|
|Fujifilm X30||4.7 in||2.8 in||2.4 in||14.9 oz||470||n||Aug 2014||599|
|Fujifilm X100T||5.0 in||2.9 in||2.0 in||15.5 oz||330||n||Sep 2014||1,299|
|Fujifilm X20||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599|
|Fujifilm X100S||5.0 in||2.9 in||2.1 in||15.7 oz||330||n||Jan 2013||1,299|
|Leica D-LUX 7||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195|
|Leica V-LUX Typ 114||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Sep 2014||1,349|
|Leica X Typ 113||5.2 in||2.9 in||3.1 in||17.1 oz||350||n||Sep 2014||2,295|
|Leica D-LUX 6||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699|
|Olympus E-M5 III||4.9 in||3.3 in||2.0 in||14.6 oz||310||Y||Oct 2019||1,199|
|Olympus E-M10 II||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649|
|Olympus E-M10||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699|
|Olympus E-M1||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399|
|Olympus E-M5||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299|
|Panasonic LX100||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX Typ 109 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
While the two cameras under review share the same sensor size, the E-M5 II offers a higher resolution of 15.9 megapixels, compared with 12.7 MP of the D-LUX Typ 109. This megapixels advantage translates into a 12 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M5 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.21μm for the D-LUX Typ 109). However, it should be noted that the E-M5 II is a somewhat more recent model (by 4 months) than the D-LUX Typ 109, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The resolution advantage of the Olympus E-M5 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 II for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Leica D-LUX Typ 109 are 20.6 x 15.4 inches or 52.2 x 39.2 cm for good quality, 16.4 x 12.4 inches or 41.8 x 31.4 cm for very good quality, and 13.7 x 10.3 inches or 34.8 x 26.1 cm for excellent quality prints.
Unlike the D-LUX Typ 109, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica D-LUX (Typ 109) has a native sensitivity range from ISO 200 to ISO 12500, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||..||..||..||..|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Leica X Typ 113||APS-C||16.1||4928||3264||1080/30p||..||..||..||..|
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D-LUX Typ 109 provides a higher video resolution than the E-M5 II. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the D-LUX Typ 109 offers a higher resolution than the one in the E-M5 II (2764k vs 2360k dots). The adjacent table lists some of the other core features of the Leica D-LUX Typ 109 and Olympus E-M5 II along with similar information for a selection of comparators.
|Leica D-LUX Typ 109||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
|Leica D-LUX 7||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
|Leica V-LUX Typ 114||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y|
|Leica X Typ 113||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n|
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y|
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M5 II has a touchscreen, while the D-LUX Typ 109 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The E-M5 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D-LUX Typ 109 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX Typ 109 and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D-LUX Typ 109 and the E-M5 II write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D-LUX Typ 109 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX (Typ 109) and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica D-LUX Typ 109||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
|Leica D-LUX 7||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Leica V-LUX Typ 114||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-|
|Leica X Typ 113||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
It is notable that the E-M5 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The D-LUX Typ 109 does not feature such a mic input.
Studio photographers will appreciate that the Olympus E-M5 II (unlike the D-LUX Typ 109) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D-LUX Typ 109 and the E-M5 II have been discontinued, but can regularly be found used on eBay. The D-LUX Typ 109 was replaced by the Leica D-LUX 7, while the E-M5 II was followed by the Olympus E-M5 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Olympus websites.
So how do things add up? Which of the two cameras – the Leica D-LUX Typ 109 or the Olympus E-M5 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica D-LUX (Typ 109):
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 2360k dots).
- Ready to shoot: Has a lens built-in, whereas the E-M5 II requires a separate lens.
- More compact: Is smaller (118x66mm vs 124x85mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-M5 II).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been on the market for longer (launched in September 2014).
Advantages of the Olympus OM-D E-M5 Mark II:
- More detail: Has more megapixels (15.9 vs 12.7MP), which boosts linear resolution by 12%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (4 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the contest (14 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX Typ 109 and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D-LUX Typ 109 and the E-M5 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica D-LUX Typ 109||..||..||4.5/5||..||4.5/5||Sep 2014||1,195|
|Olympus E-M5 II||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Canon G16||+||..||4.5/5||4.5/5||4.5/5||Aug 2013||549|
|Fujifilm X30||..||76/100||4.5/5||4/5||4.5/5||Aug 2014||599|
|Fujifilm X100T||+||81/100||4.5/5||4.5/5||5/5||Sep 2014||1,299|
|Fujifilm X20||+ +||77/100||4.5/5||..||5/5||Jan 2013||599|
|Fujifilm X100S||+ +||81/100||4.5/5||4/5||5/5||Jan 2013||1,299|
|Leica D-LUX 7||..||..||..||..||4.5/5||Nov 2018||1,195|
|Leica V-LUX Typ 114||..||..||..||..||5/5||Sep 2014||1,349|
|Leica X Typ 113||..||..||3.5/5||..||4/5||Sep 2014||2,295|
|Leica D-LUX 6||..||..||4/5||..||4/5||Sep 2012||699|
|Olympus E-M5 III||+||82/100||4.5/5||5/5||4.5/5||Oct 2019||1,199|
|Olympus E-M10 II||+ +||80/100||5/5||5/5||5/5||Aug 2015||649|
|Olympus E-M10||..||80/100||5/5||4.5/5||5/5||Jan 2014||699|
|Olympus E-M1||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399|
|Olympus E-M5||+ +||80/100||4.5/5||5/5||5/5||Feb 2012||1,299|
|Panasonic LX100||+ +||85/100||5/5||4/5||5/5||Sep 2014||899|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X vs Olympus E-M5 II
- Canon G5 X Mark II vs Leica D-LUX Typ 109
- Fujifilm X-Pro2 vs Olympus E-M5 II
- Leica D-LUX Typ 109 vs Nikon D1
- Leica D-LUX Typ 109 vs Nikon D2Xs
- Leica D-LUX Typ 109 vs Panasonic FZ2000
- Leica D-LUX Typ 109 vs Panasonic G100
- Leica D-LUX Typ 109 vs Samsung NX500
- Leica D-LUX Typ 109 vs Sony A5000
- Leica D-LUX Typ 109 vs Sony A99
- Leica D-LUX Typ 109 vs Sony HX90V
- Olympus E-M5 II vs Sony A7R II
Specifications: Leica D-LUX Typ 109 vs Olympus E-M5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX Typ 109||Olympus E-M5 II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-75mm f/1.7-2.8||Micro Four Thirds lenses|
|Launch Date||September 2014||February 2015|
|Launch Price||USD 1,195||USD 1,099|
|Sensor Specs||Leica D-LUX Typ 109||Olympus E-M5 II|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||12.7 Megapixels||15.9 Megapixels|
|Image Resolution||4112 x 3088 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.21 μm||3.76 μm|
|Pixel Density||5.65 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200 - 12,500 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||..||73|
|DXO Color Depth (bits)||..||23.0|
|DXO Dynamic Range (EV)||..||12.5|
|DXO Low Light (ISO)||..||842|
|Screen Specs||Leica D-LUX Typ 109||Olympus E-M5 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2764k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica D-LUX Typ 109||Olympus E-M5 II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||11 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Leica D-LUX Typ 109||Olympus E-M5 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Leica D-LUX Typ 109||Olympus E-M5 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||310 shots per charge|
118 x 66 x 55 mm
(4.6 x 2.6 x 2.2 in)
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||405 g (14.3 oz)||469 g (16.5 oz)|
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