Leica D-LUX 7 vs Olympus E-P7
The Leica D-LUX 7 and the Olympus PEN E-P7 are two enthusiast cameras that were revealed to the public, respectively, in November 2018 and June 2021. The D-LUX 7 is a fixed lens compact, while the E-P7 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Leica has a resolution of 16.8 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 7 and the Olympus PEN E-P7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica D-LUX 7 and the Olympus E-P7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The E-P7 can be obtained in three different colors (black, silver, white), while the D-LUX 7 is only available in silver.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P7 is notably larger (7 percent) than the Leica D-LUX 7. In this context, it is worth noting that neither the D-LUX 7 nor the E-P7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the E-P7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-P7 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the D-LUX 7 gets 300 shots out of its BP-DC15 battery, while the E-P7 can take 360 images on a single charge of its BLS-50 power pack. The power pack in the D-LUX 7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Leica D-LUX 7||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195||amazon.com|
|2.||Olympus E-P7||118 mm||69 mm||38 mm||337 g||360||n||Jun 2021||799||amazon.com|
|3.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||ebay.com|
|4.||Fujifilm X100T||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299||ebay.com|
|5.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299||ebay.com|
|6.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||amazon.com|
|7.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049||amazon.com|
|8.||Leica D-LUX Typ 109||118 mm||66 mm||55 mm||405 g||300||n||Sep 2014||1,195||ebay.com|
|9.||Leica V-LUX Typ 114||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349||ebay.com|
|10.||Olympus E-M10 IV||122 mm||84 mm||49 mm||383 g||360||n||Aug 2020||699||amazon.com|
|11.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|12.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|13.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799||ebay.com|
|14.||Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799||ebay.com|
|15.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||amazon.com|
|16.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||ebay.com|
|17.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor, but their sensors differ slightly in size. The sensor area in the E-P7 is 22 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 2.2 (D-LUX 7) and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 20.2MP, the E-P7 offers a higher resolution than the D-LUX 7 (16.8MP), but the E-P7 nevertheless has marginally larger individual pixels (pixel pitch of 3.34μm versus 3.32μm for the D-LUX 7) due to its larger sensor. Moreover, the E-P7 is a much more recent model (by 2 years and 6 months) than the D-LUX 7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the D-LUX 7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus E-P7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-P7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Leica D-LUX 7 are 23.7 x 17.8 inches or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inches or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inches or 40.1 x 30.1 cm for excellent quality prints.
The Leica D-LUX 7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The Olympus PEN E-P7 offers exactly the same ISO settings.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||22.9||12.8||1002||72|
|2.||Olympus E-P7||Four Thirds||20.2||5184||3888||4K/30p||23.4||13.3||1494||77|
|6.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|8.||Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||22.4||12.1||607||67|
|9.||Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||21.6||11.7||127||60|
|10.||Olympus E-M10 IV||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.2||1402||76|
|11.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|12.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|13.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|14.||Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|15.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|17.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the D-LUX 7 has an electronic viewfinder (2764k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P7 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Leica D-LUX 7 and Olympus E-P7 along with similar information for a selection of comparators.
|1.||Leica D-LUX 7||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|2.||Olympus E-P7||none||n||3.0 / 1040||tilting||Y||1/4000s||8.7/s||Y||Y|
|3.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|4.||Fujifilm X100T||2360||n||3.0 / 1040||fixed||n||1/4000s||6.0/s||Y||n|
|5.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0/s||Y||n|
|6.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|7.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|8.||Leica D-LUX Typ 109||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|9.||Leica V-LUX Typ 114||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|10.||Olympus E-M10 IV||2360||n||3.0 / 1040||tilting||Y||1/4000s||15.0/s||Y||Y|
|11.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|12.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|13.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0/s||Y||Y|
|14.||Olympus E-P2||optional||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|15.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|16.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|17.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The E-P7 has one, while the D-LUX 7 does not. While the built-in flash of the E-P7 is not very powerful, it can at times be useful as a fill-in light.The E-P7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D-LUX 7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 7 and the Olympus E-P7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D-LUX 7 and the E-P7 write their files to SDXC cards. The E-P7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D-LUX 7 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 7 and Olympus PEN E-P7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica D-LUX 7||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Olympus E-P7||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|4.||Fujifilm X100T||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|6.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Leica D-LUX Typ 109||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|9.||Leica V-LUX Typ 114||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|10.||Olympus E-M10 IV||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|11.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Olympus E-P2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|15.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|16.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
Both the D-LUX 7 and the E-P7 are recent models that are part of the current product line-up. The D-LUX 7 replaced the earlier Leica D-LUX Typ 109, while the E-P7 followed on from the Olympus E-P5. Further information on the features and operation of the D-LUX 7 and E-P7 can be found, respectively, in the Leica D-LUX 7 Manual (free pdf) or the online Olympus E-P7 Manual.
So how do things add up? Which of the two cameras – the Leica D-LUX 7 or the Olympus E-P7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Leica D-LUX 7:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Faster burst: Shoots at higher frequency (11 vs 8.7 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the E-P7 requires a separate lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in November 2018).
Arguments in favor of the Olympus PEN E-P7:
- More detail: Has more megapixels (20.2 vs 16.8MP), which boosts linear resolution by 9%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (360 versus 300) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 6 months of technical progress since the D-LUX 7 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the E-P7 is the clear winner of the contest (13 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 7 and the Olympus E-P7 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D-LUX 7 or the E-P7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica D-LUX 7||..||..||..||..||..||4.5/5||Nov 2018||1,195||amazon.com|
|2.||Olympus E-P7||4/5||..||4.5/5||..||..||4.5/5||Jun 2021||799||amazon.com|
|3.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299||ebay.com|
|4.||Fujifilm X100T||5/5||+||..||81/100||4.5/5||5/5||Sep 2014||1,299||ebay.com|
|5.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299||ebay.com|
|6.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249||amazon.com|
|7.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049||amazon.com|
|8.||Leica D-LUX Typ 109||..||..||..||..||4.5/5||4.5/5||Sep 2014||1,195||ebay.com|
|9.||Leica V-LUX Typ 114||..||..||..||..||..||5/5||Sep 2014||1,349||ebay.com|
|10.||Olympus E-M10 IV||4.5/5||..||5/5||81/100||4.5/5||4.5/5||Aug 2020||699||amazon.com|
|11.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|12.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|13.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799||ebay.com|
|14.||Olympus E-P2||3/5||+||..||69/100||4/5||4.5/5||Nov 2009||799||ebay.com|
|15.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999||amazon.com|
|16.||Panasonic TZ90||..||+ +||..||4/5||4/5||4/5||Apr 2017||449||ebay.com|
|17.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 700D vs Leica D-LUX 7
- Canon XC10 vs Leica D-LUX 7
- Fujifilm X-H2S vs Olympus E-P7
- Fujifilm X-T5 vs Leica D-LUX 7
- Leica D-LUX 7 vs Olympus E-PL9
- Leica D-LUX 7 vs Panasonic G9
- Leica D-LUX 7 vs Pentax K-1 II
- Leica V-LUX 5 vs Olympus E-P7
- Nikon B600 vs Olympus E-P7
- Olympus E-M1 III vs Olympus E-P7
- Olympus E-P7 vs Panasonic GH1
- Olympus E-P7 vs Panasonic ZS80
Specifications: Leica D-LUX 7 vs Olympus E-P7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 7||Olympus E-P7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-75mm f/1.7-2.8||Micro Four Thirds lenses|
|Launch Date||November 2018||June 2021|
|Launch Price||USD 1,195||USD 799|
|Sensor Specs||Leica D-LUX 7||Olympus E-P7|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||15.7 x 11.8 mm||17.4 x 13.0 mm|
|Sensor Area||185.26 mm2||226.2 mm2|
|Sensor Diagonal||19.6 mm||21.7 mm|
|Sensor Resolution||16.8 Megapixels||20.2 Megapixels|
|Image Resolution||4736 x 3552 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.32 μm||3.34 μm|
|Pixel Density||9.08 MP/cm2||8.91 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|Screen Specs||Leica D-LUX 7||Olympus E-P7|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2764k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1240k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica D-LUX 7||Olympus E-P7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||11 shutter flaps/s||8.7 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Leica D-LUX 7||Olympus E-P7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Leica D-LUX 7||Olympus E-P7|
|Battery Life (CIPA)||300 shots per charge||360 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
115 x 66 x 65 mm
(4.5 x 2.6 x 2.6 in)
118 x 69 x 38 mm
(4.6 x 2.7 x 1.5 in)
|Camera Weight||392 g (13.8 oz)||337 g (11.9 oz)|
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