Leica D-LUX 6 vs Fujifilm X-T1

The Leica D-LUX 6 and the Fujifilm X-T1 are two enthusiast cameras that were announced, respectively, in September 2012 and January 2014. The D-LUX 6 is a fixed lens compact, while the X-T1 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (D-LUX 6) and an APS-C (X-T1) sensor. The Leica has a resolution of 10 megapixels, whereas the Fujifilm provides 16 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica D-LUX 6		Fujifilm X-T1
Fixed lens compact camera		Mirrorless system camera
24-90mm f/1.4-2.3		Fujifilm X mount lenses
10 MP – 1/1.7" sensor		16 MP – APS-C sensor
1080/60p Video		1080/60p Video
ISO 80-6,400 (80 - 12,800)		ISO 200-6,400 (100 - 51,200)
Viewfinder optional		Electronic viewfinder (2360k dots)
3.0" LCD – 920k dots		3.0" LCD – 1040k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
11 shutter flaps per second		8 shutter flaps per second
not weather sealed		Weathersealed body
330 shots per battery charge		350 shots per battery charge
111 x 68 x 46 mm, 298 g		129 x 90 x 47 mm, 440 g

Check D-LUX 6 offers at
ebay.com
Check X-T1 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 6 and the Fujifilm X-T1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Leica D-LUX 6 and the Fujifilm X-T1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The D-LUX 6 can be obtained in three different colors (black, silver, white), while the X-T1 is available in two color-versions (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T1 is considerably larger (54 percent) than the Leica D-LUX 6. It is noteworthy in this context that the X-T1 is splash and dust-proof, while the D-LUX 6 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 6 has a lens built in, whereas the X-T1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-T1 and their specifications in the Fujinon X Lens Catalog.

Concerning battery life, the D-LUX 6 gets 330 shots out of its Leica BP-DC10 battery, while the X-T1 can take 350 images on a single charge of its Fujifilm NP-W126 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Leica D-LUX 6	111 mm	68 mm	46 mm	298 g	330	n	Sep 2012	699	ebay.com
2.		Fujifilm X-T1	129 mm	90 mm	47 mm	440 g	350	Y	Jan 2014	1,299	ebay.com
3.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
4.		Fujifilm X-E2	129 mm	75 mm	37 mm	350 g	350	n	Oct 2013	999	ebay.com
5.		Fujifilm X-M1	117 mm	67 mm	39 mm	330 g	350	n	Jun 2013	699	ebay.com
6.		Fujifilm X-T2	133 mm	92 mm	49 mm	507 g	340	Y	Jul 2016	1,599	ebay.com
7.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
8.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270	n	Jan 2013	599	ebay.com
9.		Fujifilm X100S	127 mm	74 mm	54 mm	445 g	330	n	Jan 2013	1,299	ebay.com
10.		Fujifilm X100T	127 mm	74 mm	52 mm	440 g	330	n	Sep 2014	1,299	ebay.com
11.		Leica D-LUX Typ 109	118 mm	66 mm	55 mm	405 g	300	n	Sep 2014	1,195	ebay.com
12.		Leica D-LUX 5	110 mm	65 mm	43 mm	271 g	400	n	Sep 2010	699	ebay.com
13.		Leica X2	124 mm	69 mm	52 mm	345 g	450	n	May 2012	1,995	ebay.com
14.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
15.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
16.		Ricoh GR	117 mm	61 mm	35 mm	245 g	290	n	Apr 2013	799	ebay.com
17.		Sony RX100 II	102 mm	58 mm	38 mm	281 g	350	n	Jun 2013	749	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D-LUX 6 was launched at a lower price than the X-T1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Leica D-LUX 6 features a 1/1.7-inch sensor and the Fujifilm X-T1 an APS-C sensor. The sensor area in the X-T1 is 776 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 1.5. The sensor in the D-LUX 6 has a native 4:3 aspect ratio, while the one in the X-T1 offers a 3:2 aspect. The D-LUX 6 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 16MP, the X-T1 offers a higher resolution than the D-LUX 6 (10MP), but the X-T1 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 2.05μm for the D-LUX 6) due to its larger sensor. Moreover, the X-T1 is a somewhat more recent model (by 1 year and 4 months) than the D-LUX 6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-T1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X-T1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-T1 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inches or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inches or 41.5 x 27.6 cm. The corresponding values for the Leica D-LUX 6 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The X-T1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Leica D-LUX 6 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Fujifilm X-T1 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the D-LUX 6 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-T1 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica D-LUX 6	1/1.7	10.0	3648	2736	1080/60p	19.8	10.8	-303	43
2.		Fujifilm X-T1	APS-C	16.0	4896	3264	1080/60p	23.5	12.7	1426	77
3.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
4.		Fujifilm X-E2	APS-C	16.0	4896	3264	1080/60p	23.4	12.6	1400	77
5.		Fujifilm X-M1	APS-C	16.0	4896	3264	1080/30p	23.4	12.6	1371	76
6.		Fujifilm X-T2	APS-C	24.0	6000	4000	4K/30p	23.8	13.1	1653	81
7.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
8.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
9.		Fujifilm X100S	APS-C	16.0	4896	3264	1080/60p	23.3	12.5	1329	75
10.		Fujifilm X100T	APS-C	16.0	4896	3264	1080/60p	23.6	12.8	1483	78
11.		Leica D-LUX Typ 109	Four Thirds	12.7	4112	3088	4K/30p	22.4	12.1	607	67
12.		Leica D-LUX 5	1/1.7	10.0	3648	2736	720/60p	19.5	10.4	-583	39
13.		Leica X2	APS-C	16.1	4928	3264	none	23.2	12.4	1275	74
14.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
15.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
16.		Ricoh GR	APS-C	16.1	4928	3264	1080/30p	23.6	13.5	972	78
17.		Sony RX100 II	1-inch	20.0	5472	3648	1080/60p	22.5	12.4	483	67
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-T1 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 6 relies on live view and the rear LCD for framing. That said, the D-LUX 6 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The following table reports on some other key feature differences and similarities of the Leica D-LUX 6, the Fujifilm X-T1, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica D-LUX 6	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
2.		Fujifilm X-T1	2360	n	3.0 / 1040	tilting	n	1/4000s	8.0/s	n	n
3.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
4.		Fujifilm X-E2	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
5.		Fujifilm X-M1	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
6.		Fujifilm X-T2	2360	n	3.0 / 1040	full-flex	n	1/8000s	8.0/s	n	n
7.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
8.		Fujifilm X20	optical	n	2.8 / 460	fixed	n	1/4000s	12.0/s	Y	Y
9.		Fujifilm X100S	2360	n	2.8 / 460	fixed	n	1/4000s	6.0/s	Y	n
10.		Fujifilm X100T	2360	n	3.0 / 1040	fixed	n	1/4000s	6.0/s	Y	n
11.		Leica D-LUX Typ 109	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
12.		Leica D-LUX 5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
13.		Leica X2	optional	n	2.7 / 230	fixed	n	1/2000s	5.0/s	Y	n
14.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
15.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
16.		Ricoh GR	optional	n	3.0 / 1230	fixed	n	1/4000s	4.0/s	Y	n
17.		Sony RX100 II	optional	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The D-LUX 6 has one, while the X-T1 does not. While the built-in flash of the D-LUX 6 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-T1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Leica D-LUX 6 and the Fujifilm X-T1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the D-LUX 6 and the X-T1 write their files to SDXC cards. The X-T1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D-LUX 6 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 6 and Fujifilm X-T1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica D-LUX 6	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Fujifilm X-T1	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
3.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
4.		Fujifilm X-E2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Fujifilm X-M1	Y	stereo / mono	-	-	mini	2.0	Y	-	-
6.		Fujifilm X-T2	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
7.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Fujifilm X20	Y	stereo / mono	-	-	micro	2.0	-	-	-
9.		Fujifilm X100S	Y	stereo / mono	-	-	micro	2.0	-	-	-
10.		Fujifilm X100T	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Leica D-LUX Typ 109	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
12.		Leica D-LUX 5	Y	mono / mono	-	-	mini	2.0	-	-	-
13.		Leica X2	Y	- / -	-	-	mini	2.0	-	-	-
14.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Ricoh GR	Y	mono / mono	-	-	micro	2.0	-	-	-
17.		Sony RX100 II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the X-T1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D-LUX 6 does not provide wifi capability.

Studio photographers will appreciate that the Fujifilm X-T1 (unlike the D-LUX 6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the D-LUX 6 and the X-T1 have been discontinued, but can regularly be found used on ebay. The D-LUX 6 was replaced by the Leica D-LUX Typ 109, while the X-T1 was followed by the Fujifilm X-T2. Further information on the features and operation of the D-LUX 6 and X-T1 can be found, respectively, in the Leica D-LUX 6 Manual (free pdf) or the online Fujifilm X-T1 Manual.

Review summary

So how do things add up? Which of the two cameras – the Leica D-LUX 6 or the Fujifilm X-T1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Leica D-LUX 6:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has a lens built-in, whereas the X-T1 requires a separate lens.
• More compact: Is smaller (111x68mm vs 129x90mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-T1).
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been on the market for longer (launched in September 2012).

Reasons to prefer the Fujifilm X-T1:

• More detail: Has more megapixels (16 vs 10MP), which boosts linear resolution by 29%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
• More modern: Was introduced somewhat (1 year and 4 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the X-T1 is the clear winner of the contest (18 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica D-LUX 6 and the Fujifilm X-T1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D-LUX 6 or the X-T1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Leica D-LUX 6	..	..	..	..	4/5	4/5	Sep 2012	699	ebay.com
2.		Fujifilm X-T1	5/5	+ +	..	84/100	5/5	5/5	Jan 2014	1,299	ebay.com
3.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
4.		Fujifilm X-E2	4/5	..	..	80/100	4.5/5	5/5	Oct 2013	999	ebay.com
5.		Fujifilm X-M1	3/5	+	..	77/100	4.5/5	4.5/5	Jun 2013	699	ebay.com
6.		Fujifilm X-T2	5/5	+ +	..	86/100	4.5/5	5/5	Jul 2016	1,599	ebay.com
7.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
8.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	599	ebay.com
9.		Fujifilm X100S	5/5	+ +	..	81/100	4.5/5	5/5	Jan 2013	1,299	ebay.com
10.		Fujifilm X100T	5/5	+	..	81/100	4.5/5	5/5	Sep 2014	1,299	ebay.com
11.		Leica D-LUX Typ 109	..	..	..	..	4.5/5	4.5/5	Sep 2014	1,195	ebay.com
12.		Leica D-LUX 5	..	..	..	..	4.5/5	4/5	Sep 2010	699	ebay.com
13.		Leica X2	3/5	..	..	..	3/5	4/5	May 2012	1,995	ebay.com
14.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
15.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
16.		Ricoh GR	5/5	..	..	79/100	4.5/5	4.5/5	Apr 2013	799	ebay.com
17.		Sony RX100 II	5/5	+ +	..	79/100	4.5/5	4.5/5	Jun 2013	749	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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