Fujifilm X-T1 vs Olympus E-M5 III
The Fujifilm X-T1 and the Olympus OM-D E-M5 Mark III are two enthusiast cameras that were officially introduced, respectively, in January 2014 and October 2019. Both the X-T1 and the E-M5 III are mirrorless interchangeable lens cameras that are based on an APS-C (X-T1) and a Four Thirds (E-M5 III) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T1 and the Olympus OM-D E-M5 Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm X-T1 and the Olympus E-M5 III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 III is notably smaller (8 percent) than the Fujifilm X-T1. Moreover, the E-M5 III is markedly lighter (6 percent) than the X-T1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-T1) and the Micro Four Thirds Lens Catalog (E-M5 III). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-T1 gets 350 shots out of its NP-W126 battery, while the E-M5 III can take 310 images on a single charge of its BLS-50 power pack. The power pack in the E-M5 III can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) | Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-T1 | 129 mm | 90 mm | 47 mm | 440 g | 350 | Y | Jan 2014 | 1,299 | ||
2. | Olympus E-M5 III | 125 mm | 85 mm | 50 mm | 414 g | 310 | Y | Oct 2019 | 1,199 | ||
3. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | 1,699 | ||
4. | Fujifilm X-T2 | 133 mm | 92 mm | 49 mm | 507 g | 340 | Y | Jul 2016 | 1,599 | ||
5. | Fujifilm X-A2 | 117 mm | 67 mm | 40 mm | 350 g | 410 | n | Jan 2015 | 399 | ||
6. | Fujifilm X-T10 | 118 mm | 83 mm | 41 mm | 381 g | 350 | n | May 2015 | 799 | ||
7. | Fujifilm X100T | 127 mm | 74 mm | 52 mm | 440 g | 330 | n | Sep 2014 | 1,299 | ||
8. | Fujifilm X100S | 127 mm | 74 mm | 54 mm | 445 g | 330 | n | Jan 2013 | 1,299 | ||
9. | Fujifilm X-A1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Sep 2013 | 399 | ||
10. | Fujifilm X-E2 | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Oct 2013 | 999 | ||
11. | Fujifilm X-M1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Jun 2013 | 699 | ||
12. | Fujifilm X-Pro1 | 140 mm | 82 mm | 43 mm | 450 g | 300 | n | Jan 2012 | 1,699 | ||
13. | Olympus PEN-F | 125 mm | 72 mm | 37 mm | 427 g | 330 | n | Jan 2016 | 1,199 | ||
14. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ||
15. | Olympus E-M1 | 130 mm | 94 mm | 63 mm | 497 g | 350 | Y | Sep 2013 | 1,399 | ||
16. | Olympus E-M5 | 122 mm | 89 mm | 43 mm | 425 g | 360 | Y | Feb 2012 | 1,299 | ||
17. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | 1,199 | ||
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-M5 III was somewhat cheaper (by 8 percent) than the X-T1 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-T1 features an APS-C sensor and the Olympus E-M5 III a Four Thirds sensor. The sensor area in the E-M5 III is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-T1 has a native 3:2 aspect ratio, while the one in the E-M5 III offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.

Despite having a smaller sensor, the E-M5 III offers a higher resolution of 20.2 megapixels, compared with 16 MP of the X-T1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.80μm for the X-T1). However, it should be noted that the E-M5 III is much more recent (by 5 years and 8 months) than the X-T1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Olympus E-M5 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 III for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Fujifilm X-T1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
Unlike the X-T1, the E-M5 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-T1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus OM-D E-M5 Mark III are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports | DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-T1 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | .. | .. | .. | .. | |
2. | Olympus E-M5 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | .. | .. | .. | .. | |
3. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | .. | .. | .. | .. | |
4. | Fujifilm X-T2 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | .. | .. | .. | .. | |
5. | Fujifilm X-A2 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | .. | .. | .. | .. | |
6. | Fujifilm X-T10 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | .. | .. | .. | .. | |
7. | Fujifilm X100T | APS-C | 16.0 | 4896 | 3264 | 1080/60p | .. | .. | .. | .. | |
8. | Fujifilm X100S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | .. | .. | .. | .. | |
9. | Fujifilm X-A1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | .. | .. | .. | .. | |
10. | Fujifilm X-E2 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | .. | .. | .. | .. | |
11. | Fujifilm X-M1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | .. | .. | .. | .. | |
12. | Fujifilm X-Pro1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | .. | .. | .. | .. | |
13. | Olympus PEN-F | Four Thirds | 20.2 | 5184 | 3888 | 1080/60p | 23.1 | 12.4 | 894 | 74 | |
14. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
15. | Olympus E-M1 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.7 | 757 | 73 | |
16. | Olympus E-M5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 22.8 | 12.3 | 826 | 71 | |
17. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M5 III provides a better video resolution than the X-T1. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The X-T1 and the E-M5 III are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Fujifilm X-T1 and Olympus E-M5 III in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Size (inch) |
LCD Resolution (000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Mech Shutter Speed |
Shutter Flaps (1/sec) | Built-in Flash (yes/no) | Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-T1 | 2360 | n | 3.0 | 1040 | tilting | n | 1/4000s | 8.0 | n | n | |
2. | Olympus E-M5 III | 2360 | n | 3.0 | 1040 | swivel | Y | 1/8000s | 10.0 | n | Y | |
3. | Fujifilm X-Pro2 | 2360 | n | 3.0 | 1620 | fixed | n | 1/8000s | 8.0 | n | n | |
4. | Fujifilm X-T2 | 2360 | n | 3.0 | 1040 | tilting | n | 1/8000s | 8.0 | n | n | |
5. | Fujifilm X-A2 | none | n | 3.0 | 920 | tilting | n | 1/4000s | 5.6 | Y | n | |
6. | Fujifilm X-T10 | 2360 | n | 3.0 | 920 | tilting | n | 1/4000s | 8.0 | Y | n | |
7. | Fujifilm X100T | 2360 | n | 3.0 | 1040 | fixed | n | 1/4000s | 6.0 | Y | n | |
8. | Fujifilm X100S | 2360 | n | 2.8 | 460 | fixed | n | 1/4000s | 6.0 | Y | n | |
9. | Fujifilm X-A1 | none | n | 3.0 | 920 | tilting | n | 1/4000s | 5.6 | Y | n | |
10. | Fujifilm X-E2 | 2360 | n | 3.0 | 1040 | fixed | n | 1/4000s | 7.0 | Y | n | |
11. | Fujifilm X-M1 | none | n | 3.0 | 920 | tilting | n | 1/4000s | 5.6 | Y | n | |
12. | Fujifilm X-Pro1 | 1440 | n | 3.0 | 1230 | fixed | n | 1/4000s | 6.0 | n | n | |
13. | Olympus PEN-F | 2360 | n | 3.0 | 1037 | swivel | Y | 1/8000s | 10.0 | n | Y | |
14. | Olympus E-M5 II | 2360 | n | 3.0 | 1037 | swivel | Y | 1/8000s | 10.0 | n | Y | |
15. | Olympus E-M1 | 2360 | n | 3.0 | 1037 | tilting | Y | 1/8000s | 10.0 | n | Y | |
16. | Olympus E-M5 | 1440 | n | 3.0 | 610 | tilting | Y | 1/4000s | 9.0 | n | Y | |
17. | Panasonic GX8 | 2360 | n | 3.0 | 1040 | swivel | Y | 1/8000s | 10.0 | n | Y |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M5 III has a touchscreen, while the X-T1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The E-M5 III has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-T1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T1 and the Olympus E-M5 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-T1 and the E-M5 III write their files to SDXC cards. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T1 and Olympus OM-D E-M5 Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Microphone |
Internal Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support | NFC Support | Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-T1 | Y | stereo | mono | Y | - | mini | 2.0 | Y | - | - | |
2. | Olympus E-M5 III | Y | stereo | mono | Y | - | micro | 2.0 | Y | - | Y | |
3. | Fujifilm X-Pro2 | Y | stereo | mono | Y | - | micro | 2.0 | Y | - | - | |
4. | Fujifilm X-T2 | Y | stereo | mono | Y | - | micro | 3.0 | Y | - | - | |
5. | Fujifilm X-A2 | Y | stereo | mono | - | - | mini | 2.0 | Y | - | - | |
6. | Fujifilm X-T10 | Y | stereo | mono | Y | - | micro | 2.0 | Y | - | - | |
7. | Fujifilm X100T | Y | stereo | mono | Y | - | micro | 2.0 | Y | - | - | |
8. | Fujifilm X100S | Y | stereo | mono | - | - | micro | 2.0 | - | - | - | |
9. | Fujifilm X-A1 | Y | stereo | mono | - | - | mini | 2.0 | Y | - | - | |
10. | Fujifilm X-E2 | Y | stereo | mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Fujifilm X-M1 | Y | stereo | mono | - | - | mini | 2.0 | Y | - | - | |
12. | Fujifilm X-Pro1 | Y | stereo | mono | - | - | mini | 2.0 | - | - | - | |
13. | Olympus PEN-F | Y | stereo | mono | - | - | micro | 2.0 | Y | - | - | |
14. | Olympus E-M5 II | Y | stereo | mono | Y | - | micro | 2.0 | Y | - | - | |
15. | Olympus E-M1 | Y | stereo | mono | Y | - | micro | 2.0 | Y | - | - | |
16. | Olympus E-M5 | Y | stereo | mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic GX8 | Y | stereo | mono | Y | - | micro | 2.0 | Y | Y | - |
Studio photographers will appreciate that the Fujifilm X-T1 (unlike the E-M5 III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The E-M5 III is a recent model that features in the current product line-up of Olympus. In contrast, the X-T1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-T1 was succeeded by the Fujifilm X-T2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
Review summary
So what conclusions can be drawn? Is the Fujifilm X-T1 better than the Olympus E-M5 III or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Fujifilm X-T1:
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.68x).
- Longer lasting: Can take more shots (350 versus 310) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in January 2014).

Reasons to prefer the Olympus OM-D E-M5 Mark III:
- More detail: Has more megapixels (20.2 vs 16MP), which boosts linear resolution by 10%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 5 years and 8 months of technical progress since the X-T1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 III is the clear winner of the contest (12 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T1 and the Olympus E-M5 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the X-T1 or the E-M5 III perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-T1 | 5/5 | + + | 84/100 | 5/5 | 5/5 | Jan 2014 | 1,299 | ||
2. | Olympus E-M5 III | 5/5 | + | 82/100 | 4.5/5 | 4.5/5 | Oct 2019 | 1,199 | ||
3. | Fujifilm X-Pro2 | .. | + | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | 1,699 | ||
4. | Fujifilm X-T2 | 5/5 | + + | 86/100 | 4.5/5 | 5/5 | Jul 2016 | 1,599 | ||
5. | Fujifilm X-A2 | 4/5 | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | 399 | ||
6. | Fujifilm X-T10 | 4.5/5 | + + | 80/100 | 5/5 | 5/5 | May 2015 | 799 | ||
7. | Fujifilm X100T | 5/5 | + | 81/100 | 4.5/5 | 5/5 | Sep 2014 | 1,299 | ||
8. | Fujifilm X100S | 5/5 | + + | 81/100 | 4.5/5 | 5/5 | Jan 2013 | 1,299 | ||
9. | Fujifilm X-A1 | .. | .. | .. | 4.5/5 | 4.5/5 | Sep 2013 | 399 | ||
10. | Fujifilm X-E2 | 4/5 | .. | 80/100 | 4.5/5 | 5/5 | Oct 2013 | 999 | ||
11. | Fujifilm X-M1 | 3/5 | + | 77/100 | 4.5/5 | 4.5/5 | Jun 2013 | 699 | ||
12. | Fujifilm X-Pro1 | 5/5 | + + | 79/100 | 4.5/5 | 4.5/5 | Jan 2012 | 1,699 | ||
13. | Olympus PEN-F | .. | .. | 82/100 | 4.5/5 | 5/5 | Jan 2016 | 1,199 | ||
14. | Olympus E-M5 II | 5/5 | + + | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ||
15. | Olympus E-M1 | 5/5 | + + | 84/100 | 4.5/5 | 4.5/5 | Sep 2013 | 1,399 | ||
16. | Olympus E-M5 | 4/5 | + + | 80/100 | 4.5/5 | 5/5 | Feb 2012 | 1,299 | ||
17. | Panasonic GX8 | 5/5 | + | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | 1,199 | ||
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Check Ebay offers Olympus E-M5 III:
Check Amazon price
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Fujifilm X-T1 vs Olympus E-M5 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm X-T1 | Olympus E-M5 III |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Fujifilm X mount lenses | Micro Four Thirds lenses |
Launch Date | January 2014 | October 2019 |
Launch Price | USD 1,299 | USD 1,199 |
Sensor Specs | Fujifilm X-T1 | Olympus E-M5 III |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Four Thirds Sensor |
Sensor Size | 23.6 x 15.6 mm | 17.3 x 13.0 mm |
Sensor Area | 368.16 mm2 | 224.9 mm2 |
Sensor Diagonal | 28.3 mm | 21.6 mm |
Crop Factor | 1.5x | 2.0x |
Sensor Resolution | 16 Megapixels | 20.2 Megapixels |
Image Resolution | 4896 x 3264 pixels | 5184 x 3888 pixels |
Pixel Pitch | 4.80 μm | 3.34 μm |
Pixel Density | 4.34 MP/cm2 | 8.96 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 1080/60p Video | 4K/30p Video |
ISO Setting | 200 - 6,400 ISO | 200 - 25,600 ISO |
ISO Boost | 100 - 51,200 ISO | 64 - 25,600 ISO |
Image Processor | EXR Processor II | TruePic VIII |
Screen Specs | Fujifilm X-T1 | Olympus E-M5 III |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.77x | 0.68x |
Viewfinder Resolution | 2360k dots | 2360k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1040k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Fujifilm X-T1 | Olympus E-M5 III |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 8 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | YES | up to 1/32000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Second Storage Option | Single card slot | Single card slot |
UHS card support | UHS-II | UHS-II |
Connectivity Specs | Fujifilm X-T1 | Olympus E-M5 III |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Fujifilm X-T1 | Olympus E-M5 III |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | NP-W126 | BLS-50 |
Battery Life (CIPA) | 350 shots per charge | 310 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
129 x 90 x 47 mm (5.1 x 3.5 x 1.9 in) |
125 x 85 x 50 mm (4.9 x 3.3 x 2.0 in) |
Camera Weight | 440 g (15.5 oz) | 414 g (14.6 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.