Fujifilm X-T20 vs Panasonic L1
The Fujifilm X-T20 and the Panasonic Lumix DMC-L1 are two digital cameras that were officially introduced, respectively, in January 2017 and February 2006. The X-T20 is a mirrorless interchangeable lens camera, while the L1 is a DSLR. The cameras are based on an APS-C (X-T20) and a Four Thirds (L1) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T20 and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-T20 and the Panasonic L1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-T20 can be obtained in two different colors (black, silver), while the L1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is notably larger (30 percent) than the Fujifilm X-T20. Moreover, the L1 is substantially heavier (58 percent) than the X-T20. In this context, it is worth noting that neither the X-T20 nor the L1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-T20) and the Four Thirds Lens Catalog (L1). Mirrorless cameras, such as the Fujifilm X-T20, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The power pack in the X-T20 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|2.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999|
|3.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|4.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|5.||Canon 350D||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|6.||Fujifilm X-E4||121 mm||73 mm||33 mm||364 g||380||n||Jan 2021||849|
|7.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|8.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|9.||Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599|
|10.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|11.||Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799|
|12.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|13.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|14.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499|
|15.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|16.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|17.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-T20 was somewhat cheaper (by 10 percent) than the L1 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-T20 features an APS-C sensor and the Panasonic L1 a Four Thirds sensor. The sensor area in the L1 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-T20 has a native 3:2 aspect ratio, while the one in the L1 offers a 4:3 aspect.
With 24MP, the X-T20 offers a higher resolution than the L1 (7.4MP), but the X-T20 has smaller individual pixels (pixel pitch of 3.92μm versus 5.51μm for the L1). However, the X-T20 is a much more recent model (by 10 years and 10 months) than the L1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-T20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-T20 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-T20 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The X-T20 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-T20 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|14.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|15.||Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|16.||Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|17.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The X-T20 indeed provides movie recording capabilities, while the L1 does not. The highest resolution format that the X-T20 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-T20 has an electronic viewfinder (2360k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-T20 offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the X-T20 has a higher magnification (0.62x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm X-T20, the Panasonic L1, and comparable cameras.
|1.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|2.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0||Y||n|
|3.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0||Y||n|
|4.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|5.||Canon 350D||optical||n||1.8 / 115||fixed||n||1/4000s||3.0||Y||n|
|6.||Fujifilm X-E4||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0||n||n|
|7.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|8.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|9.||Fujifilm X-T100||2360||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|10.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0||n||n|
|11.||Fujifilm X70||optional||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|12.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|13.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0||Y||n|
|14.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0||Y||n|
|15.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0||Y||n|
|16.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5||Y||n|
|17.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-T20 has a touchscreen, while the L1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-T20 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T20 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-T20 writes its imaging data to SDXC cards, while the L1 uses SDHC cards. The X-T20 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T20 and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 350D||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Fujifilm X-E4||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|7.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|8.||Fujifilm X-A5||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|9.||Fujifilm X-T100||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|10.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|11.||Fujifilm X70||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|15.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
It is notable that the X-T20 offers wifi support, while the L1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the X-T20 and the L1 have been discontinued, but can regularly be found used on eBay. The L1 was replaced by the Panasonic L10, while the X-T20 was followed by the Fujifilm X-T100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Fujifilm X-T20 and the Panasonic L1? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm X-T20:
- More detail: Offers more megapixels (24 vs 7.4MP) with a 84% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.62x vs 0.47x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 207k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (118x83mm vs 146x87mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 223g or 37 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 10 years and 10 months of technical progress since the L1 launch.
Reasons to prefer the Panasonic Lumix DMC-L1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (750 versus 350) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in February 2006).
If the number of relative strengths (bullet points above) is taken as a guide, the X-T20 is the clear winner of the match-up (25 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T20 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-T20 or the L1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|2.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999|
|3.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779|
|4.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|5.||Canon 350D||..||80/100||..||+ +||o||..||Feb 2005||899|
|6.||Fujifilm X-E4||4/5||..||4/5||..||4.5/5||4/5||Jan 2021||849|
|7.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899|
|8.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399|
|9.||Fujifilm X-T100||4/5||+||4.5/5||79/100||4/5||4.5/5||May 2018||599|
|10.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|11.||Fujifilm X70||4.5/5||..||..||76/100||4.5/5||4.5/5||Jan 2016||799|
|12.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|13.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|14.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499|
|15.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999|
|16.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799|
|17.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D vs Panasonic L1
- Canon 6D Mark II vs Panasonic L1
- Fujifilm X-A10 vs Fujifilm X-T20
- Fujifilm X-T100 vs Fujifilm X-T20
- Fujifilm X-T20 vs Nikon D3100
- Fujifilm X-T20 vs Panasonic G7
- Fujifilm X-T20 vs Sony A900
- Fujifilm X-T20 vs Sony RX100 VI
- Leica S-E Typ 006 vs Panasonic L1
- Panasonic L1 vs Pentax Q
- Panasonic L1 vs Ricoh WG-6
- Panasonic L1 vs Sony RX10 IV
Specifications: Fujifilm X-T20 vs Panasonic L1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-T20||Panasonic L1|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Four Thirds lenses|
|Launch Date||January 2017||February 2006|
|Launch Price||USD 899||USD 999|
|Sensor Specs||Fujifilm X-T20||Panasonic L1|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||7.4 Megapixels|
|Image Resolution||6000 x 4000 pixels||3136 x 2352 pixels|
|Pixel Pitch||3.92 μm||5.51 μm|
|Pixel Density||6.52 MP/cm2||3.28 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||200 - 12,800 ISO||100 - 1,600 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||X-Processor Pro2||Venus|
|Screen Specs||Fujifilm X-T20||Panasonic L1|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||1040k dots||207k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm X-T20||Panasonic L1|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Fujifilm X-T20||Panasonic L1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-T20||Panasonic L1|
|Battery Life (CIPA)||350 shots per charge||750 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
118 x 83 x 41 mm
(4.6 x 3.3 x 1.6 in)
146 x 87 x 64 mm
(5.7 x 3.4 x 2.5 in)
|Camera Weight||383 g (13.5 oz)||606 g (21.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.