Fujifilm X-T20 versus Panasonic G9
The Fujifilm X-T20 and the Panasonic Lumix DC-G9 are two digital cameras that were revealed to the public, respectively, in January 2017 and November 2017. Both the X-T20 and the G9 are mirrorless interchangeable lens cameras that are based on an APS-C (X-T20) and a Four Thirds (G9) sensor. The Fujifilm has a resolution of 24 megapixel, whereas the Panasonic provides 20.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Fujifilm X-T20 vs Panasonic G9
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-T20 and the Panasonic G9. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X-T20 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 is notably larger (36 percent) than the Fujifilm X-T20. Moreover, the G9 is substantially heavier (72 percent) than the X-T20. It is noteworthy in this context that the G9 is splash and dust-proof, while the X-T20 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-T20) and the Micro Four Thirds Lens Catalog (G9). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Fujifilm X-T20»||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899|
|Panasonic G9«||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599|
|Fujifilm X-A5« »||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899|
|Fujifilm X70« »||4.4 in||2.5 in||1.7 in||12.0 oz||330||n||Jan 2016||799|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999|
|Panasonic GH5s« »||5.5 in||3.9 in||3.4 in||23.3 oz||440||Y||Jan 2018||2,499|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-T20 was launched at a markedly lower price (by 47 percent) than the G9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Fujifilm X-T20 vs Panasonic G9
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-T20 features an APS-C sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-T20 has a native 3:2 aspect ratio, while the one in the G9 offers a 4:3 aspect.
With 24MP, the X-T20 offers a higher resolution than the G9 (20.2MP), but the X-T20 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the G9) due to its larger sensor. However, the G9 is a somewhat more recent model (by 9 months) than the X-T20, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Unlike the X-T20, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic G9«||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-|
|Fujifilm X-A5« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X70« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Panasonic GH5s« »||Four Thirds||9.9||3680||2700||4K/60p||-||-||-||-|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G9 provides a faster frame rate than the X-T20. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 4K/30p.
Feature comparison: Fujifilm X-T20 vs Panasonic G9
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G9 offers a substantially higher resolution than the one in the X-T20 (3680k vs 2360k dots). The adjacent table lists some of the other core features of the Fujifilm X-T20 and Panasonic G9 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon M6« »||-||n||3.0||1040||tilting||Y||4000||9.0||Y||n|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||4000||9.0||Y||n|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||4000||6.0||Y||n|
|Fujifilm X-A5« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||8000||14.0||n||Y|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||4000||8.0||n||n|
|Fujifilm X70« »||-||n||3.0||1040||tilting||Y||4000||8.0||Y||n|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||4000||8.0||Y||n|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y|
|Panasonic GH5s« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||n|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||4000||9.0||Y||Y|
Both the X-T20 and the G9 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-T20 replaced the earlier Fujifilm X-T10, while the G9 followed on from the Panasonic G85.
Review summary: Fujifilm X-T20 vs Panasonic G9
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-T20 and the Panasonic G9? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm X-T20:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- More compact: Is smaller (118x83mm vs 137x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 275g or 42 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2017).
Advantages of the Panasonic Lumix DC-G9:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2360k dots).
- Easier setting verification: Has a control panel on top to check shooting parameters.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 8 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (400 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (9 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the G9 is the clear winner of the contest (11 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the X-T20 and the G9 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Fujifilm X-T20»||HiRec||82/100||5/5||-||4.5/5||Jan 2017||899|
|Panasonic G9«||HiRec||85/100||5/5||-||5/5||Nov 2017||1,699|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779|
|Canon M5« »||Rec||82/100||4/5||4.5/5||4/5||Sep 2016||979|
|Fujifilm X-T100« »||-||-||-||-||-||May 2018||599|
|Fujifilm X-A5« »||-||-||-||-||3.5/5||Jan 2018||399|
|Fujifilm X-H1« »||Rec||86/100||4.5/5||-||4.5/5||Feb 2018||1,899|
|Fujifilm X-E3« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899|
|Fujifilm X70« »||-||76/100||4.5/5||4/5||4.5/5||Jan 2016||799|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-|
|Fujifilm X-T10« »||HiRec||80/100||5/5||4/5||5/5||May 2015||799||-|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Panasonic GH5s« »||-||84/100||4.5/5||-||4.5/5||Jan 2018||2,499|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic G85« »||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to locate and add the respective data to the application.
- Canon 80D vs Canon 1100D
- Canon G16 vs Sony A7R III
- Fujifilm X-A5 vs Fujifilm X-E3
- Fujifilm X-T10 vs Panasonic GX7
- Leica M10 vs Sony A7R II
- Leica M9 vs Canon 7D II
- Nikon D100 vs Nikon D5500
- Nikon D50 vs Nikon D810
- Nikon D7000 vs Leica X-U Typ 113
- Nikon D90 vs Nikon D5600
- Panasonic G1 vs Pentax K-1
- Panasonic GX7 vs Olympus E-P5