Fujifilm X-T10 versus Sony A6300
The Fujifilm X-T10 and the Sony Alpha A6300 are two digital cameras that were officially introduced, respectively, in May 2015 and February 2016. Both the X-T10 and the A6300 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Fujifilm has a resolution of 16 megapixel, whereas the Sony provides 24 MP.
The physical size and weight of the Fujifilm X-T10 and the Sony A6300 are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X-T10 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is notably smaller (18 percent) than the Fujifilm X-T10. However, the A6300 is slightly heavier (6 percent) than the X-T10. It is noteworthy in this context that the A6300 is splash and dust-proof, while the X-T10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-T10) and the Sony E-Mount Lens Catalog (A6300). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Fujifilm X-T10 (⇒ rgt)||118 mm||83 mm||41 mm||381 g||350||no||2015||799||discont.||check|
|Sony A6300 (⇒ lft)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||118 mm||83 mm||41 mm||383 g||350||no||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||129 mm||75 mm||37 mm||350 g||350||no||2016||699||discont.||check|
|Fujifilm X-A10 (⇒ lft | rgt)||117 mm||67 mm||40 mm||331 g||410||no||2016||399||latest||check|
|Fujifilm X-A2 (⇒ lft | rgt)||117 mm||67 mm||40 mm||350 g||410||no||2015||399||discont.||check|
|Fujifilm X-T1 (⇒ lft | rgt)||129 mm||90 mm||47 mm||440 g||350||YES||2014||1,699||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||117 mm||67 mm||39 mm||330 g||350||no||2013||699||latest||check|
|Fujifilm X-A1 (⇒ lft | rgt)||117 mm||67 mm||39 mm||330 g||350||no||2013||399||discont.||check|
|Fujifilm X-Pro1 (⇒ lft | rgt)||140 mm||82 mm||43 mm||450 g||300||no||2012||1,699||discont.||check|
|Fujifilm X-E1 (⇒ lft | rgt)||129 mm||75 mm||38 mm||350 g||350||no||2012||999||discont.||check|
|Nikon D5500 (⇒ lft | rgt)||124 mm||97 mm||70 mm||420 g||820||no||2015||899||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony A6000 (⇒ lft | rgt)||120 mm||67 mm||45 mm||344 g||360||no||2014||599||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-T10 was launched at a somewhat lower price (by 20 percent) than the A6300, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A6300 offers a higher resolution of 24 megapixel, compared with 16 MP of the X-T10. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.80μm for the X-T10). However, it should be noted that the A6300 is a somewhat more recent model (by 8 months) than the X-T10, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the X-T10 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm X-T10 (⇒ rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Sony A6300 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Fujifilm X-T20 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X70 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-E2S (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-A2 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-T1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-M1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-A1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-Pro1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Fujifilm X-E1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Nikon D5500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A6000 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6300 provides a better video resolution than the X-T10. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-T10 offers a slightly higher resolution than the one in the A6300 (2360k vs 2300k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-T10, the Sony A6300, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Fujifilm X-T10 (⇒ rgt)||2360||no||3.0||920||tilting||no||4000||8.0||5||no|
|Sony A6300 (⇒ lft)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Fujifilm X-T20 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Fujifilm X70 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Fujifilm X-E2S (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Fujifilm X-A10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||no||4000||6.0||5||no|
|Fujifilm X-A2 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-T1 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||4000||8.0||no||no|
|Fujifilm X-M1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-A1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-Pro1 (⇒ lft | rgt)||1440||no||3.0||1230||fixed||no||4000||6.0||no||no|
|Fujifilm X-E1 (⇒ lft | rgt)||2360||no||2.8||460||fixed||no||4000||6.0||YES||no|
|Nikon D5500 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony A6000 (⇒ lft | rgt)||1440||no||3.0||922||tilting||no||4000||11.0||6||no|
Both the X-T10 and the A6300 have been discontinued, but can regularly be found used on ebay. The X-T10 was replaced by the Fujifilm X-T20, while the A6300 was followed by the Sony A6500.
So what is the bottom line? Is there a clear favorite between the Fujifilm X-T10 and the Fujifilm X-T10? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X-T10:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More affordable: Was introduced into a lower priced segment (20 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in May 2015).
Arguments in favor of the Sony Alpha A6300:
- More detail: Has more megapixels (24 vs 16MP), which boosts linear resolution by 23%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 118x83mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (400 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More modern: Was introduced somewhat (8 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the A6300 is the clear winner of the contest (8 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the X-T10 or the A6300. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Fujifilm X-T10 (⇒ rgt)||HiRec||80/100 Silver||5/5||4/5||5/5||2015||799||discont.||check|
|Sony A6300 (⇒ lft)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||-||77/100||4.5/5||-||4.5/5||2016||699||discont.||check|
|Fujifilm X-A10 (⇒ lft | rgt)||-||-||4/5||-||4/5||2016||399||latest||check|
|Fujifilm X-A2 (⇒ lft | rgt)||-||-||4.5/5||4/5||4.5/5||2015||399||discont.||check|
|Fujifilm X-T1 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4/5||5/5||2014||1,699||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||Rec||77/100 Gold||4.5/5||-||4.5/5||2013||699||latest||check|
|Fujifilm X-A1 (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2013||399||discont.||check|
|Fujifilm X-Pro1 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4/5||4.5/5||2012||1,699||discont.||check|
|Fujifilm X-E1 (⇒ lft | rgt)||HiRec||79/100 Gold||4.5/5||4.5/5||4.5/5||2012||999||discont.||check|
|Nikon D5500 (⇒ lft | rgt)||Rec||79/100 Silver||4.5/5||5/5||4.5/5||2015||899||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony A6000 (⇒ lft | rgt)||Rec||80/100 Gold||4.5/5||5/5||5/5||2014||599||discont.||check|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, kindly get in touch, and I will try to update the database with the necessary infos.
- Canon 200D vs Canon M10
- Fujifilm X-T2 vs Sony A6500
- Fujifilm X100S vs Fujifilm X-T10
- Kodak S-1 vs Olympus E-M10 II
- Leica CL vs Fujifilm X100F
- Leica D-LUX Typ 109 vs Canon G5 X
- Olympus E-M10 II vs Canon M10
- Olympus PEN-F vs Olympus E-M1 II
- Panasonic GH5s vs Nikon D7500
- Panasonic LX100 vs Leica M10
- Sony A7 II vs Canon G5 X
- Sony A7S vs Sony A7R III