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Fujifilm X-Pro2 versus Panasonic G9

The Fujifilm X-Pro2 and the Panasonic Lumix DC-G9 are two enthusiast cameras that were officially introduced, respectively, in January 2016 and November 2017. Both the X-Pro2 and the G9 are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro2) and a Four Thirds (G9) sensor. The Fujifilm has a resolution of 24 megapixel, whereas the Panasonic provides 20.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Fujifilm X-Pro2 vs Panasonic G9

The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro2 and the Panasonic G9. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X-Pro2 – represents 100 percent across all the size and weight measures).

Compare Fujifilm X-Pro2 vs Panasonic G9
Compare X-Pro2 versus G9 top
Compare X-Pro2 and G9 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 is notably larger (14 percent) than the Fujifilm X-Pro2. Moreover, the G9 is markedly heavier (33 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Micro Four Thirds Lens Catalog (G9). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the X-Pro2 gets 350 shots out of its NP-W126 battery, while the G9 can take 400 images on a single charge of its DMW-BLF19 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Fujifilm X-Pro2» 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
Panasonic G9« 5.4 in 3.8 in 3.6 in 23.2 oz 400 Y Nov 2017 1,699 i i Panasonic G9
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Fujifilm X-T3« » 5.2 in 3.7 in 2.3 in 19.0 oz 390 Y Sep 2018 1,499 i i Fujifilm X-T3
Fujifilm X-H1« » 5.5 in 3.8 in 3.4 in 23.7 oz 310 Y Feb 2018 1,899 i i Fujifilm X-H1
Fujifilm X-T100« » 4.8 in 3.3 in 1.9 in 15.8 oz 430 n May 2018 599 i i Fujifilm X-T100
Fujifilm X-A3« » 4.6 in 2.6 in 1.6 in 12.0 oz 410 n Aug 2016 399 i i Fujifilm X-A3
Fujifilm X-T2« » 5.2 in 3.6 in 1.9 in 17.9 oz 340 Y Jul 2016 1,599- i Fujifilm X-T2
Fujifilm X-T1« » 5.1 in 3.5 in 1.9 in 15.5 oz 350 Y Jan 2014 1,699- i Fujifilm X-T1
Fujifilm X-Pro1« » 5.5 in 3.2 in 1.7 in 15.9 oz 300 n Jan 2012 1,699- i Fujifilm X-Pro1
Nikon D500« » 5.8 in 4.5 in 3.2 in 30.3 oz 1240 Y Jan 2016 1,999 i i Nikon D500
Olympus E-M1 II« » 5.3 in 3.6 in 2.6 in 20.2 oz 440 Y Sep 2016 1,999 i i Olympus E-M1 II
Panasonic GH5« » 5.5 in 3.9 in 3.4 in 25.6 oz 410 Y Jan 2017 1,999 i i Panasonic GH5
Panasonic G85« » 5.0 in 3.5 in 2.9 in 17.8 oz 330 Y Sep 2016 899 i i Panasonic G85
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Panasonic GH4« » 5.2 in 3.7 in 3.3 in 19.8 oz 500 Y Feb 2014 1,499- i Panasonic GH4
Sony A6500« » 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Fujifilm X-Pro2 vs Panasonic G9

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-Pro2 has a native 3:2 aspect ratio, while the one in the G9 offers a 4:3 aspect.

Fujifilm X-Pro2 and Panasonic G9 sensor measures

With 24MP, the X-Pro2 offers a higher resolution than the G9 (20.2MP), but the X-Pro2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the G9) due to its larger sensor. However, the G9 is a somewhat more recent model (by 1 year and 9 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

Unlike the X-Pro2, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

X-Pro2 versus G9 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Fujifilm X-Pro2» APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
Panasonic G9« Four Thirds 20.2 5184 38884K/60p----Panasonic G9
Canon 6D Mark II« » Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Fujifilm X-T3« » APS-C 26.0 6240 41604K/60p----Fujifilm X-T3
Fujifilm X-H1« » APS-C 24.0 6000 40004K/30p----Fujifilm X-H1
Fujifilm X-T100« » APS-C 24.0 6000 40004K/15p----Fujifilm X-T100
Fujifilm X-A3« » APS-C 24.0 6000 40001080/60p----Fujifilm X-A3
Fujifilm X-T2« » APS-C 24.0 6000 40004K/30p----Fujifilm X-T2
Fujifilm X-T1« » APS-C 16.0 4896 32641080/60p----Fujifilm X-T1
Fujifilm X-Pro1« » APS-C 16.0 4896 32641080/24p----Fujifilm X-Pro1
Nikon D500« » APS-C 20.7 5568 37124K/30p24.014.0132483Nikon D500
Olympus E-M1 II« » Four Thirds 20.2 5184 38884K/30p23.712.8131280Olympus E-M1 II
Panasonic GH5« » Four Thirds 20.2 5184 38884K/60p23.913.080777Panasonic GH5
Panasonic G85« » Four Thirds 15.8 4592 34484K/30p22.812.565671Panasonic G85
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Panasonic GH4« » Four Thirds 15.9 4608 34564K/30p23.212.879174Panasonic GH4
Sony A6500« » APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G9 provides a better video resolution than the X-Pro2. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 1080/60p.

 

Feature comparison: Fujifilm X-Pro2 vs Panasonic G9

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G9 offers a substantially higher resolution than the one in the X-Pro2 (3680k vs 2360k dots). The adjacent table lists some of the other core features of the Fujifilm X-Pro2 and Panasonic G9 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Fujifilm X-Pro2»2360 n 3.0 1620 fixed n 8000 8.0 n n Fujifilm X-Pro2
Panasonic G9«3680 Y 3.0 1040 swivel Y 8000 20.0 n Y Panasonic G9
Canon 6D Mark II« »optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Fujifilm X-T3« »3690 n 3.2 1040 tilting Y 8000 11.0 n n Fujifilm X-T3
Fujifilm X-H1« »3690 Y 3.0 1040 full-flex Y 8000 14.0 n Y Fujifilm X-H1
Fujifilm X-T100« »2360 n 3.0 1040 full-flex Y 4000 6.0 Y n Fujifilm X-T100
Fujifilm X-A3« »- n 3.0 1040 tilting Y 4000 6.0 Y n Fujifilm X-A3
Fujifilm X-T2« »2360 n 3.0 1040 tilting n 8000 14.0 n n Fujifilm X-T2
Fujifilm X-T1« »2360 n 3.0 1040 tilting n 4000 8.0 n n Fujifilm X-T1
Fujifilm X-Pro1« »1440 n 3.0 1230 fixed n 4000 6.0 n n Fujifilm X-Pro1
Nikon D500« »optical Y 3.2 2359 tilting Y 8000 10.0 n n Nikon D500
Olympus E-M1 II« »2360 n 3.0 1037 swivel Y 8000 18.0 n Y Olympus E-M1 II
Panasonic GH5« »3680 n 3.2 1620 swivel Y 8000 12.0 n Y Panasonic GH5
Panasonic G85« »2360 n 3.0 1040 swivel Y 4000 9.0 Y Y Panasonic G85
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Panasonic GH4« »2359 n 3.0 1036 swivel Y 8000 12.0 Y n Panasonic GH4
Sony A6500« »2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G9 has a touchscreen, while the X-Pro2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the G9 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

Both the X-Pro2 and the G9 write their imaging data to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Fujifilm X-Pro2»YstereomonoY-micro2.0Y--Fujifilm X-Pro2
Panasonic G9«YstereomonoYYfull3.0Y-YPanasonic G9
Canon 6D Mark II« »YstereomonoY-mini2.0YYYCanon 6D Mark II
Fujifilm X-T3« »YstereomonoYYmicro3.1Y-YFujifilm X-T3
Fujifilm X-H1« »YstereomonoY-micro3.0Y--Fujifilm X-H1
Fujifilm X-T100« »YstereomonoY-micro2.0Y-YFujifilm X-T100
Fujifilm X-A3« »Ystereomono--micro2.0Y--Fujifilm X-A3
Fujifilm X-T2« »YstereomonoY-micro3.0Y--Fujifilm X-T2
Fujifilm X-T1« »YstereomonoY-mini2.0Y--Fujifilm X-T1
Fujifilm X-Pro1« »Ystereomono--mini2.0---Fujifilm X-Pro1
Nikon D500« »YstereomonoYYmini3.0YYYNikon D500
Olympus E-M1 II« »YstereomonoYYmicro3.0Y--Olympus E-M1 II
Panasonic GH5« »YstereomonoYYfull3.1Y-YPanasonic GH5
Panasonic G85« »YstereomonoY-micro2.0Y--Panasonic G85
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
Panasonic GH4« »YstereomonoYYmicro2.0YY-Panasonic GH4
Sony A6500« »YstereomonoY-micro2.0YY-Sony A6500

Both the X-Pro2 and the G9 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the G9 followed on from the Panasonic G85.

Review summary: Fujifilm X-Pro2 vs Panasonic G9

So how do things add up? Is there a clear favorite between the Fujifilm X-Pro2 and the Panasonic G9? A synthesis of the relative strong points of each of the models is listed below.

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Advantages of the Fujifilm X-Pro2:

  • More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
  • Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
  • More compact: Is smaller (141x83mm vs 137x97mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 163g or 25 percent) and hence easier to carry around.
  • More heavily discounted: Has been on the market for longer (launched in January 2016).

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Arguments in favor of the Panasonic Lumix DC-G9:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2360k dots).
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster burst: Shoots at higher frequency (20 vs 8 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Longer lasting: Gets more shots (400 versus 350) out of a single battery charge.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More modern: Was introduced somewhat (1 year and 9 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the G9 is the clear winner of the contest (15 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

X-Pro2 06:15 G9

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the X-Pro2 and the G9 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Fujifilm X-Pro2»Rec83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
Panasonic G9«HiRec85/1005/5-5/5 Nov 2017 1,699 i i Panasonic G9
Canon 6D Mark II« »Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Fujifilm X-T3« »----5/5 Sep 2018 1,499 i i Fujifilm X-T3
Fujifilm X-H1« »Rec86/1004.5/5-4.5/5 Feb 2018 1,899 i i Fujifilm X-H1
Fujifilm X-T100« »Rec79/1004/5-4.5/5 May 2018 599 i i Fujifilm X-T100
Fujifilm X-A3« »-74/1004.5/5-4/5 Aug 2016 399 i i Fujifilm X-A3
Fujifilm X-T2« »HiRec86/1004.5/55/55/5 Jul 2016 1,599- i Fujifilm X-T2
Fujifilm X-T1« »HiRec84/1005/54/55/5 Jan 2014 1,699- i Fujifilm X-T1
Fujifilm X-Pro1« »HiRec79/1004.5/54/54.5/5 Jan 2012 1,699- i Fujifilm X-Pro1
Nikon D500« »HiRec91/1004.5/55/55/5 Jan 2016 1,999 i i Nikon D500
Olympus E-M1 II« »HiRec85/1004.5/55/54.5/5 Sep 2016 1,999 i i Olympus E-M1 II
Panasonic GH5« »HiRec85/1004.5/55/55/5 Jan 2017 1,999 i i Panasonic GH5
Panasonic G85« »HiRec84/1005/54.5/54.5/5 Sep 2016 899 i i Panasonic G85
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Panasonic GH4« »HiRec85/1005/55/55/5 Feb 2014 1,499- i Panasonic GH4
Sony A6500« »HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please contact me, and I will try to add information on that model to the database.

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