Panasonic G9 vs Sony NEX-5R
The Panasonic Lumix DC-G9 and the Sony Alpha NEX-5R are two digital cameras that were announced, respectively, in November 2017 and August 2012. Both the G9 and the NEX-5R are mirrorless interchangeable lens cameras that are based on a Four Thirds (G9) and an APS-C (NEX-5R) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic G9||Sony NEX-5R|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Sony E mount lenses|
|20.2 MP, Four Thirds Sensor||16 MP, APS-C Sensor|
|4K/60p Video||1080/60i Video|
|ISO 200-25600||ISO 100-25600|
|Electronic viewfinder (3680k dots)||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Swivel touchscreen||Tilting touchscreen|
|20 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Not weather sealed|
|400 shots per battery charge||330 shots per battery charge|
|137 x 97 x 92 mm, 658 g||111 x 59 x 39 mm, 276 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-G9 and the Sony Alpha NEX-5R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic G9 and the Sony NEX-5R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The NEX-5R can be obtained in two different colors (black, silver), while the G9 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5R is considerably smaller (51 percent) than the Panasonic G9. Moreover, the NEX-5R is substantially lighter (58 percent) than the G9. It is worth mentioning in this context that the G9 is splash and dust resistant, while the NEX-5R does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G9) and the Sony E-Mount Lens Catalog (NEX-5R). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the G9 gets 400 shots out of its DMW-BLF19 battery, while the NEX-5R can take 330 images on a single charge of its NP-FW50 power pack. The power pack in the G9 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic G9»||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Sony NEX-5R«||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic GH5s« »||5.5 in||3.9 in||3.4 in||23.3 oz||440||Y||Jan 2018||2,499||Panasonic GH5s|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||-||Panasonic G85|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Ricoh GR« »||4.6 in||2.4 in||1.4 in||8.6 oz||290||n||Apr 2013||799||-||Ricoh GR|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||4.4 in||2.3 in||1.5 in||97.9 oz||330||n||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-5N« »||4.4 in||2.3 in||1.5 in||9.5 oz||460||n||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The NEX-5R was launched at a markedly lower price (by 56 percent) than the G9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G9 features a Four Thirds sensor and the Sony NEX-5R an APS-C sensor. The sensor area in the NEX-5R is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G9 has a native 4:3 aspect ratio, while the one in the NEX-5R offers a 3:2 aspect.
Despite having a smaller sensor, the Panasonic G9 offers a higher resolution of 20.2 megapixels, compared with 16 MP of the Sony NEX-5R. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.78μm for the NEX-5R). However, it should be noted that the G9 is much more recent (by 5 years and 2 months) than the NEX-5R, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic G9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G9 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Sony NEX-5R are 24.6 x 16.3 inch or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inch or 41.6 x 27.6 cm for excellent quality prints.
Unlike the NEX-5R, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-G9 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha NEX-5R are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic G9»||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Sony NEX-5R«||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic GH5s« »||Four Thirds||9.9||3680||2700||4K/60p||-||-||-||-||Panasonic GH5s|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Ricoh GR« »||APS-C||16.1||4928||3264||1080/30p||23.6||13.5||972||78||Ricoh GR|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-5T« »||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Sony NEX-5N« »||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-3« »||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G9 provides a higher video resolution than the NEX-5R. It can shoot video footage at 4K/60p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G9 has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5R relies on live view and the rear LCD for framing. That said, the NEX-5R can be equipped with an optional viewfinder – the FDA-EV1S. The following table reports on some other key feature differences and similarities of the Panasonic G9, the Sony NEX-5R, and comparable cameras.
|Panasonic G9»||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Sony NEX-5R«||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic GH5s« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||n||Panasonic GH5s|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G85|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
|Ricoh GR« »||-||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-5T« »||-||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Sony NEX-5N« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-3« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
One feature that is present on the G9, but is missing on the NEX-5R is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G9 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G9 writes its imaging data to SDXC cards, while the NEX-5R uses SDXC or Memory Stick PRO Duo cards. The G9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the NEX-5R only has one slot. The G9 supports UHS-II cards (on both slots), while the NEX-5R cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G9 and Sony Alpha NEX-5R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G9»||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Sony NEX-5R«||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic GH5s« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5s|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic G85« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Ricoh GR« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Ricoh GR|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-5T« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Sony NEX-5N« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
It is notable that the G9 has a microphone port, which is missing on the NEX-5R. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Panasonic G9 (unlike the NEX-5R) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the NEX-5R has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the NEX-5R was succeeded by the Sony NEX-5T. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic G9 and the Sony NEX-5R? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DC-G9:
- More detail: Offers more megapixels (20.2 vs 16MP) with a 10% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (400 versus 330) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 5 years and 2 months of technical progress since the NEX-5R launch.
Arguments in favor of the Sony Alpha NEX-5R:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (111x59mm vs 137x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 382g or 58 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the G9 is the clear winner of the match-up (24 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G9 and the Sony NEX-5R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G9 or the NEX-5R. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic G9»||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Sony NEX-5R«||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Fujifilm X-H1« »||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Nikon Z6« »||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Olympus E-M1 II« »||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic GH5s« »||-||84/100||4.5/5||5/5||4.5/5||Jan 2018||2,499||Panasonic GH5s|
|Panasonic GX9« »||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic G85« »||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||-||Panasonic G85|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||+ +||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Ricoh GR« »||-||79/100||4.5/5||4.5/5||4.5/5||Apr 2013||799||-||Ricoh GR|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||-||-||4.5/5||-||4.5/5||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-5N« »||+ +||79/100||4.5/5||5/5||4.5/5||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-3« »||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G5 X vs Sony NEX-5R
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Specifications: Panasonic G9 vs Sony NEX-5R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G9||Sony NEX-5R|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||November 2017||August 2012|
|Launch Price||USD 1699||USD 749|
|Sensor Specs||Panasonic G9||Sony NEX-5R|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.4 x 15.6 mm|
|Sensor Area||224.9 mm2||365.04 mm2|
|Sensor Diagonal||21.6 mm||28.1 mm|
|Sensor Resolution||20.2 Megapixels||16 Megapixels|
|Image Resolution||5184 x 3888 pixels||4912 x 3264 pixels|
|Pixel Pitch||3.34 μm||4.78 μm|
|Pixel Density||8.96 MP/cm2||4.39 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||1080/60i Video|
|ISO Setting||200-25600 ISO||100-25600 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|Image Processor||Venus 10||BIONZ|
|DXO Sensor Quality (score)||..||78|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||13.1|
|DXO Low Light (ISO)||..||910|
|Screen Specs||Panasonic G9||Sony NEX-5R|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic G9||Sony NEX-5R|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||20 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Panasonic G9||Sony NEX-5R|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||full HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic G9||Sony NEX-5R|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||400 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||658 g (23.2 oz)||276 g (9.7 oz)|
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