Fujifilm X-Pro1 vs Nikon D7500
The Fujifilm X-Pro1 and the Nikon D7500 are two enthusiast cameras that were officially introduced, respectively, in January 2012 and April 2017. The X-Pro1 is a mirrorless interchangeable lens camera, while the D7500 is a DSLR. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro1 and the Nikon D7500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro1 and the Nikon D7500. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D7500 is notably larger (23 percent) than the Fujifilm X-Pro1. Moreover, the D7500 is substantially heavier (60 percent) than the X-Pro1. It is noteworthy in this context that the D7500 is splash and dust-proof, while the X-Pro1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro1) and the Nikon Lens Catalog (D7500). Mirrorless cameras, such as the Fujifilm X-Pro1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|2.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|3.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|4.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|5.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|6.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|7.||Fujifilm X100T||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299|
|8.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|9.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299|
|10.||Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399|
|11.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|12.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|13.||Fujifilm X-E1||129 mm||75 mm||38 mm||350 g||350||n||Sep 2012||999|
|14.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|15.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|16.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|17.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D7500 was launched at a somewhat lower price (by 24 percent) than the X-Pro1, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 20.7MP, the D7500 offers a higher resolution than the X-Pro1 (16MP), but the D7500 has smaller individual pixels (pixel pitch of 4.22μm versus 4.80μm for the X-Pro1). Yet, the D7500 is a much more recent model (by 5 years and 3 months) than the X-Pro1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon D7500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D7500 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Fujifilm X-Pro1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The Fujifilm X-Pro1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Nikon D7500 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-164000.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D7500 provides a better video resolution than the X-Pro1. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-Pro1 has an electronic viewfinder (1440k dots), while the D7500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro1, the Nikon D7500, and comparable cameras.
|1.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0||n||n|
|2.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|3.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|4.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0||Y||n|
|5.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0||n||n|
|6.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0||Y||n|
|7.||Fujifilm X100T||2360||n||3.0 / 1040||fixed||n||1/4000s||6.0||Y||n|
|8.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0||n||n|
|9.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0||Y||n|
|10.||Fujifilm X-A1||none||n||3.0 / 920||tilting||n||1/4000s||5.6||Y||n|
|11.||Fujifilm X-E2||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0||Y||n|
|12.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6||Y||n|
|13.||Fujifilm X-E1||2360||n||2.8 / 460||fixed||n||1/4000s||6.0||Y||n|
|14.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|15.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|16.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|17.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D7500 has a touchscreen, while the X-Pro1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Nikon D7500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro1 and the D7500 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro1 and Nikon D7500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|3.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Fujifilm X100T||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|10.||Fujifilm X-A1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|11.||Fujifilm X-E2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|13.||Fujifilm X-E1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|15.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|16.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|17.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
It is notable that the D7500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the X-Pro1 does not provide wifi capability.
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the D7500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The D7500 is a recent model that features in the current product line-up of Nikon. In contrast, the X-Pro1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-Pro1 was succeeded by the Fujifilm X-Pro2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-Pro1 and the Nikon D7500? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm X-Pro1:
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 922k dots).
- More compact: Is smaller (140x82mm vs 136x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 270g or 37 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in January 2012).
Reasons to prefer the Nikon D7500:
- More detail: Has more megapixels (20.7 vs 16MP), which boosts linear resolution by 14%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (950 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was released into a lower priced segment (24 percent cheaper at launch).
- More modern: Reflects 5 years and 3 months of technical progress since the X-Pro1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the D7500 is the clear winner of the contest (19 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro1 and the Nikon D7500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the X-Pro1 and the D7500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|2.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|3.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|4.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|5.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|6.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|7.||Fujifilm X100T||5/5||+||..||81/100||4.5/5||5/5||Sep 2014||1,299|
|8.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299|
|9.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299|
|10.||Fujifilm X-A1||..||..||..||..||4.5/5||4.5/5||Sep 2013||399|
|11.||Fujifilm X-E2||4/5||..||..||80/100||4.5/5||5/5||Oct 2013||999|
|12.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699|
|13.||Fujifilm X-E1||4/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||999|
|14.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|15.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|16.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|17.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G15 vs Fujifilm X-Pro1
- Canon SX50 vs Fujifilm X-Pro1
- Fujifilm GFX 100 vs Nikon D7500
- Fujifilm X-A5 vs Fujifilm X-Pro1
- Fujifilm X-Pro1 vs Fujifilm X-T10
- Fujifilm X-Pro1 vs Fujifilm XQ2
- Fujifilm X-Pro1 vs Leica V-LUX 5
- Nikon D7500 vs Olympus E-300
- Nikon D7500 vs Olympus E-400
- Nikon D7500 vs Olympus E-PL7
- Nikon D7500 vs Panasonic GF7
- Nikon D7500 vs Pentax K-70
Specifications: Fujifilm X-Pro1 vs Nikon D7500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro1||Nikon D7500|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Nikon F mount lenses|
|Launch Date||January 2012||April 2017|
|Launch Price||USD 1,699||USD 1,299|
|Sensor Specs||Fujifilm X-Pro1||Nikon D7500|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.5 x 15.7 mm|
|Sensor Area||368.16 mm2||368.95 mm2|
|Sensor Diagonal||28.3 mm||28.3 mm|
|Sensor Resolution||16 Megapixels||20.7 Megapixels|
|Image Resolution||4896 x 3264 pixels||5568 x 3712 pixels|
|Pixel Pitch||4.80 μm||4.22 μm|
|Pixel Density||4.34 MP/cm2||5.60 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/24p Video||4K/30p Video|
|ISO Setting||200 - 6,400 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 164,000 ISO|
|Image Processor||EXR Processor||EXPEED 5|
|DXO Sensor Quality (score)||..||86|
|DXO Color Depth (bits)||..||24.3|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||1483|
|Screen Specs||Fujifilm X-Pro1||Nikon D7500|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1230k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-Pro1||Nikon D7500|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||6 shutter flaps/s||8 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-Pro1||Nikon D7500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm X-Pro1||Nikon D7500|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||950 shots per charge|
140 x 82 x 43 mm
(5.5 x 3.2 x 1.7 in)
136 x 104 x 73 mm
(5.4 x 4.1 x 2.9 in)
|Camera Weight||450 g (15.9 oz)||720 g (25.4 oz)|
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