Fujifilm GFX 50R vs X-Pro1
The Fujifilm GFX 50R and the Fujifilm X-Pro1 are two digital cameras that were revealed to the public, respectively, in September 2018 and January 2012. Both the GFX 50R and the X-Pro1 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50R) and an APS-C (X-Pro1) sensor. The GFX 50R has a resolution of 51.1 megapixels, whereas the X-Pro1 provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm GFX 50R||Fujifilm X-Pro1|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm G mount lenses||Fujifilm X mount lenses|
|51.1 MP, Medium Format Sensor||16 MP, APS-C Sensor|
|1080/30p Video||1080/24p Video|
|ISO 100-12,800 (50 - 102,400)||ISO 200-6,400 (100 - 25,600)|
|Electronic viewfinder (3690k dots)||Electronic viewfinder (1440k dots)|
|3.2 LCD, 2360k dots||3.0 LCD, 1230k dots|
|Tilting touchscreen||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||6 shutter flaps per second|
|Weathersealed body||not weather sealed|
|400 shots per battery charge||300 shots per battery charge|
|161 x 97 x 66 mm, 775 g||140 x 82 x 43 mm, 450 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Fujifilm X-Pro1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50R and the Fujifilm X-Pro1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro1 is notably smaller (26 percent) than the Fujifilm GFX 50R. Moreover, the X-Pro1 is substantially lighter (42 percent) than the GFX 50R. It is worth mentioning in this context that the GFX 50R is splash and dust resistant, while the X-Pro1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm GFX 50R||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499|
|Fujifilm X-Pro1||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699|
|Canon 6D Mark II||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Canon 5DS||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5DS R||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Fujifilm GFX 100||6.1 in||5.7 in||3.0 in||46.6 oz||800||Y||May 2019||9,999|
|Fujifilm GFX 50S||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499|
|Fujifilm X-Pro2||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699|
|Fujifilm X-T1||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,299|
|Fujifilm X100S||5.0 in||2.9 in||2.1 in||15.7 oz||330||n||Jan 2013||1,299|
|Fujifilm X-E2||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999|
|Fujifilm X-M1||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699|
|Hasselblad X1D II||5.8 in||3.8 in||2.8 in||27.0 oz||..||Y||Jun 2019||5,750|
|Hasselblad X1D||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995|
|Leica Q2||5.1 in||3.1 in||3.6 in||25.3 oz||370||Y||Mar 2019||4,995|
|Leica M-E Typ 240||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Jun 2019||3,999|
|Nikon D7500||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-Pro1 was launched at a markedly lower price (by 62 percent) than the GFX 50R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Fujifilm X-Pro1 an APS-C sensor. The sensor area in the X-Pro1 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50R has a native 4:3 aspect ratio, while the one in the X-Pro1 offers a 3:2 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the X-Pro1 (16MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.80μm for the X-Pro1) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 6 years and 8 months) than the X-Pro1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Fujifilm X-Pro1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-Pro1 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 50R provides a higher frame rate than the X-Pro1. It can shoot video footage at 1080/30p, while the X-Pro1 is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 50R offers a substantially higher resolution than the one in the X-Pro1 (3690k vs 1440k dots). The adjacent table lists some of the other core features of the Fujifilm GFX 50R and Fujifilm X-Pro1 along with similar information for a selection of comparators.
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Fujifilm GFX 100||optional||Y||3.2||2360||tilting||Y||1/4000s||5.0||n||Y|
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n|
|Leica M-E Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50R has a touchscreen, while the X-Pro1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 50R and the X-Pro1 write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-Pro1 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the X-Pro1 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Fujifilm X-Pro1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Fujifilm GFX 100||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|Hasselblad X1D II||Y||stereo||mono||Y||Y||-||3.0||Y||-||-|
|Leica M-E Typ 240||Y||mono||-||-||-||-||2.0||-||-||-|
It is notable that the GFX 50R has a microphone port, which is missing on the X-Pro1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The GFX 50R is a recent model that features in the current product line-up of Fujifilm. In contrast, the X-Pro1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-Pro1 was succeeded by the Fujifilm X-Pro2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm website.
So what is the bottom line? Is the Fujifilm GFX 50R better than the Fujifilm X-Pro1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm GFX 50R:
- More detail: Offers more megapixels (51.1 vs 16MP) with a 75% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/30p versus 1080/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 1440k dots).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (400 versus 300) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 6 years and 8 months of technical progress since the X-Pro1 launch.
Advantages of the Fujifilm X-Pro1:
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (140x82mm vs 161x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 325g or 42 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (62 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50R is the clear winner of the match-up (23 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Fujifilm X-Pro1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 50R or the X-Pro1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm GFX 50R||..||84/100||4.5/5||4.5/5||4.5/5||Sep 2018||4,499|
|Fujifilm X-Pro1||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699|
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 5DS||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Fujifilm GFX 100||+ +||90/100||5/5||4.5/5||4.5/5||May 2019||9,999|
|Fujifilm GFX 50S||..||85/100||5/5||5/5||4.5/5||Sep 2016||6,499|
|Fujifilm X-Pro2||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699|
|Fujifilm X-T1||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299|
|Fujifilm X100S||+ +||81/100||4.5/5||4/5||5/5||Jan 2013||1,299|
|Fujifilm X-E2||..||80/100||4.5/5||..||5/5||Oct 2013||999|
|Fujifilm X-M1||+||77/100||4.5/5||..||4.5/5||Jun 2013||699|
|Hasselblad X1D II||..||..||4/5||..||4/5||Jun 2019||5,750|
|Hasselblad X1D||o||81/100||..||..||4/5||Jun 2016||8,995|
|Leica Q2||..||84/100||4.5/5||..||4/5||Mar 2019||4,995|
|Leica M-E Typ 240||..||..||..||..||..||Jun 2019||3,999|
|Nikon D7500||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 6D vs Fujifilm X-Pro1
- Canon D60 vs Fujifilm GFX 50R
- Canon G7 X vs Fujifilm GFX 50R
- Canon M5 vs Fujifilm X-Pro1
- Fujifilm GFX 50R vs Fujifilm X-M1
- Fujifilm GFX 50R vs Fujifilm X-T10
- Fujifilm GFX 50R vs Nikon 1 V3
- Fujifilm GFX 50R vs Nikon D3100
- Fujifilm GFX 50R vs Nikon D3S
- Fujifilm X-Pro1 vs Leica D-LUX 5
- Fujifilm X-Pro1 vs Nikon D60
- Fujifilm X-Pro1 vs Olympus PEN-F
Specifications: Fujifilm GFX 50R vs Fujifilm X-Pro1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50R||Fujifilm X-Pro1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm G mount lenses||Fujifilm X mount lenses|
|Launch Date||September 2018||January 2012|
|Launch Price||USD 4,499||USD 1,699|
|Sensor Specs||Fujifilm GFX 50R||Fujifilm X-Pro1|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||44.0 x 33.0 mm||23.6 x 15.6 mm|
|Sensor Area||1452 mm2||368.16 mm2|
|Sensor Diagonal||55 mm||28.3 mm|
|Sensor Resolution||51.1 Megapixels||16 Megapixels|
|Image Resolution||8256 x 6192 pixels||4896 x 3264 pixels|
|Pixel Pitch||5.33 μm||4.80 μm|
|Pixel Density||3.52 MP/cm2||4.34 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||1080/24p Video|
|ISO Setting||100 - 12,800 ISO||200 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||X Processor Pro||EXR Processor|
|Screen Specs||Fujifilm GFX 50R||Fujifilm X-Pro1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||1230k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 50R||Fujifilm X-Pro1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm GFX 50R||Fujifilm X-Pro1|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm GFX 50R||Fujifilm X-Pro1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||400 shots per charge||300 shots per charge|
161 x 97 x 66 mm
(6.3 x 3.8 x 2.6 in)
140 x 82 x 43 mm
(5.5 x 3.2 x 1.7 in)
|Camera Weight||775 g (27.3 oz)||450 g (15.9 oz)|
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