Fujifilm X-M1 vs Panasonic ZS80
The Fujifilm X-M1 and the Panasonic Lumix DC-ZS80 (labelled Panasonic TZ95 in some countries) are two digital cameras that were officially introduced, respectively, in June 2013 and February 2019. The X-M1 is a mirrorless interchangeable lens camera, while the ZS80 is a fixed lens compact. The cameras are based on an APS-C (X-M1) and a 1/2.3-inch (ZS80) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-M1||Panasonic ZS80|
|Mirrorless system camera||Fixed lens compact camera|
|Fujifilm X mount lenses||24-720mm f/3.3-6.4|
|16 MP, APS-C Sensor||20.2 MP, 1/2.3" Sensor|
|1080/30p Video||4K/30p Video|
|ISO 200-6400 (100-25600)||ISO 80-3200 (80-6400)|
|No viewfinder, LCD framing||Electronic viewfinder (2330k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1040k dots|
|Tilting screen (no touchscreen)||Tilting touchscreen|
|5.6 shutter flaps per second||10 shutter flaps per second|
|350 shots per battery charge||380 shots per battery charge|
|117 x 67 x 39 mm, 330 g||112 x 69 x 42 mm, 327 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-M1 and the Panasonic Lumix DC-ZS80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-M1 and the Panasonic ZS80 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-M1 can be obtained in three different colors (black, silver, brown), while the ZS80 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS80 is somewhat smaller (1 percent) than the Fujifilm X-M1. In this context, it is worth noting that neither the X-M1 nor the ZS80 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS80 has a lens built in, whereas the X-M1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-M1 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the X-M1 gets 350 shots out of its NP-W126 battery, while the ZS80 can take 380 images on a single charge of its DMW-BLG10 power pack. The power pack in the ZS80 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm X-M1»||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||Fujifilm X-M1|
|Panasonic ZS80«||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic ZS80|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||Canon SX730|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399||Fujifilm X-A10|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||Fujifilm X-E2S|
|Fujifilm X-A2« »||4.6 in||2.6 in||1.6 in||12.3 oz||410||n||Jan 2015||399||Fujifilm X-A2|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||Fujifilm X-T10|
|Fujifilm X-A1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Sep 2013||399||Fujifilm X-A1|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||Fujifilm X-E2|
|Fujifilm X-E1« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||Fujifilm X-E1|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||Fujifilm X-Pro1|
|Panasonic TS7« »||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic TS7|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic ZS70|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||Sony NEX-5R|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||Sony NEX-F3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The ZS80 was launched at a lower price than the X-M1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-M1 features an APS-C sensor and the Panasonic ZS80 a 1/2.3-inch sensor. The sensor area in the ZS80 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the X-M1 has a native 3:2 aspect ratio, while the one in the ZS80 offers a 4:3 aspect.
Despite having a smaller sensor, the ZS80 offers a higher resolution of 20.2 megapixels, compared with 16 MP of the X-M1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 4.80μm for the X-M1). However, it should be noted that the ZS80 is much more recent (by 5 years and 7 months) than the X-M1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Panasonic ZS80 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZS80 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Fujifilm X-M1 are 24.5 x 16.3 inch or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inch or 41.5 x 27.6 cm for excellent quality prints.
The Fujifilm X-M1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-ZS80 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm X-M1||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-M1|
|Panasonic ZS80||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic ZS80|
|Canon SX740||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX740|
|Canon SX730||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX730|
|Fujifilm XF10||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm XF10|
|Fujifilm X-A10||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A10|
|Fujifilm X-E2S||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-E2S|
|Fujifilm X-A2||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A2|
|Fujifilm X-T10||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T10|
|Fujifilm X-A1||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A1|
|Fujifilm X-E2||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-E2|
|Fujifilm X-E1||APS-C||16.0||4896||3264||1080/24p||..||..||..||..||Fujifilm X-E1|
|Fujifilm X-Pro1||APS-C||16.0||4896||3264||1080/24p||..||..||..||..||Fujifilm X-Pro1|
|Panasonic TS7||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic TS7|
|Panasonic ZS70||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Sony NEX-5R||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-F3||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the ZS80 provides a better video resolution than the X-M1. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the ZS80 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-M1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm X-M1 and Panasonic ZS80 along with similar information for a selection of comparators.
|Fujifilm X-M1||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Panasonic ZS80||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS80|
|Canon SX740||none||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX730||none||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Fujifilm XF10||none||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Fujifilm X-A10||none||n||3.0||1040||tilting||n||1/4000s||6.0||Y||n||Fujifilm X-A10|
|Fujifilm X-E2S||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Fujifilm X-A2||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A2|
|Fujifilm X-T10||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-A1||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A1|
|Fujifilm X-E2||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-E1||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X-E1|
|Fujifilm X-Pro1||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Panasonic TS7||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic TS7|
|Panasonic ZS70||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Sony NEX-5R||optional||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-F3||optional||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The ZS80 has a touchscreen, while the X-M1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The ZS80 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-M1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the X-M1 and the ZS80 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-M1 and Panasonic Lumix DC-ZS80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-M1||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Panasonic ZS80||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS80|
|Canon SX740||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX730||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Fujifilm XF10||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Fujifilm X-A10||-||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A10|
|Fujifilm X-E2S||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Fujifilm X-A2||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A2|
|Fujifilm X-T10||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-A1||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A1|
|Fujifilm X-E2||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-E1||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Fujifilm X-E1|
|Fujifilm X-Pro1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Panasonic TS7||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TS7|
|Panasonic ZS70||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Sony NEX-5R||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-F3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
It is notable that the X-M1 has a hotshoe, while the ZS80 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The ZS80 is a recent model that features in the current product line-up of Panasonic. In contrast, the X-M1 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the X-M1 from Fujifilm. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Fujifilm X-M1 or the Panasonic ZS80 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm X-M1:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in June 2013).
Advantages of the Panasonic Lumix DC-ZS80:
- More detail: Has more megapixels (20.2 vs 16MP), which boosts linear resolution by 10%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 5.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has an integrated lens, whereas the X-M1 necessitates an extra lens.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the X-M1).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 7 months of technical progress since the X-M1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the ZS80 is the clear winner of the contest (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-M1 and the Panasonic ZS80 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-M1 and the ZS80 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 70D vs Fujifilm X-M1
- Canon 750D vs Panasonic ZS80
- Canon G1 X Mark II vs Fujifilm X-M1
- Canon G9 X vs Fujifilm X-M1
- Canon M5 vs Panasonic ZS80
- Canon XTi vs Panasonic ZS80
- Fujifilm X-M1 vs Leica V-LUX 1
- Fujifilm X-M1 vs Olympus E-5
- Fujifilm X-T30 vs Panasonic ZS80
- Nikon D1H vs Panasonic ZS80
- Nikon D7200 vs Panasonic ZS80
- Panasonic LF1 vs Panasonic ZS80
Specifications: Fujifilm X-M1 vs Panasonic ZS80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-M1||Panasonic ZS80|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm X mount lenses||24-720mm f/3.3-6.4|
|Launch Date||June 2013||February 2019|
|Launch Price||USD 699||USD 449|
|Sensor Specs||Fujifilm X-M1||Panasonic ZS80|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||23.6 x 15.6 mm||6.17 x 4.55 mm|
|Sensor Area||368.16 mm2||28.0735 mm2|
|Sensor Diagonal||28.3 mm||7.7 mm|
|Sensor Resolution||16 Megapixels||20.2 Megapixels|
|Image Resolution||4896 x 3264 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.80 μm||1.18 μm|
|Pixel Density||4.34 MP/cm2||71.80 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||200-6400 ISO||80-3200 ISO|
|ISO Boost||100-25600 ISO||80-6400 ISO|
|Image Processor||EXR Processor II||Venus|
|Screen Specs||Fujifilm X-M1||Panasonic ZS80|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-M1||Panasonic ZS80|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/2000/s|
|Continuous Shooting||5.6 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-M1||Panasonic ZS80|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm X-M1||Panasonic ZS80|
|Battery Life (CIPA)||350 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 67 x 39 mm
(4.6 x 2.6 x 1.5 in)
112 x 69 x 42 mm
(4.4 x 2.7 x 1.7 in)
|Camera Weight||330 g (11.6 oz)||327 g (11.5 oz)|
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