Fujifilm X-E4 vs Panasonic G9
The Fujifilm X-E4 and the Panasonic Lumix DC-G9 are two digital cameras that were announced, respectively, in January 2021 and November 2017. Both the X-E4 and the G9 are mirrorless interchangeable lens cameras that are based on an APS-C (X-E4) and a Four Thirds (G9) sensor. The Fujifilm has a resolution of 26 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E4 and the Panasonic Lumix DC-G9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-E4 and the Panasonic G9 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-E4 can be obtained in two different colors (black, silver), while the G9 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 is considerably larger (50 percent) than the Fujifilm X-E4. Moreover, the G9 is substantially heavier (81 percent) than the X-E4. It is noteworthy in this context that the G9 is splash and dust-proof, while the X-E4 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-E4) and the Micro Four Thirds Lens Catalog (G9). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-E4 gets 380 shots out of its NP-W126S battery, while the G9 can take 400 images on a single charge of its DMW-BLF19 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm X-E4||121 mm||73 mm||33 mm||364 g||380||n||Jan 2021||849||amazon.com|
|2.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||amazon.com|
|3.||Fujifilm X-T30 II||118 mm||83 mm||47 mm||383 g||380||n||Sep 2021||899||amazon.com|
|4.||Fujifilm X-T200||121 mm||84 mm||55 mm||370 g||270||n||Jan 2020||699||amazon.com|
|5.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899||ebay.com|
|6.||Fujifilm X-A7||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499||amazon.com|
|7.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399||ebay.com|
|8.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||ebay.com|
|9.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899||ebay.com|
|10.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899||ebay.com|
|11.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||ebay.com|
|12.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699||ebay.com|
|13.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799||ebay.com|
|14.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||ebay.com|
|15.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699||amazon.com|
|16.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||ebay.com|
|17.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||amazon.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-E4 was launched at a markedly lower price (by 50 percent) than the G9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-E4 features an APS-C sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-E4 has a native 3:2 aspect ratio, while the one in the G9 offers a 4:3 aspect.
With 26MP, the X-E4 offers a higher resolution than the G9 (20.2MP), but the X-E4 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 3.34μm for the G9) due to its larger sensor. Moreover, the X-E4 is a much more recent model (by 3 years and 2 months) than the G9, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-E4 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E4 for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Panasonic G9 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The X-E4 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the X-E4, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-E4 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Panasonic Lumix DC-G9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the X-E4 is build around a BSI-CMOS sensor, while the G9 uses a CMOS imager. The X-E4 uses Fujifilm's X-Trans layout of photosites, while the G9 employs the more common Bayer array.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|3.||Fujifilm X-T30 II||APS-C||26.0||6240||4160||4K/30p||24.2||13.8||2144||85|
|14.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|15.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|16.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|17.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G9 provides a faster frame rate than the X-E4. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G9 offers a substantially higher resolution than the one in the X-E4 (3680k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-E4, the Panasonic G9, and comparable cameras.
|1.||Fujifilm X-E4||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0/s||n||n|
|2.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0/s||n||Y|
|3.||Fujifilm X-T30 II||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0/s||Y||n|
|4.||Fujifilm X-T200||2360||n||3.5 / 2780||swivel||Y||1/4000s||8.0/s||Y||n|
|5.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|6.||Fujifilm X-A7||none||n||3.5 / 2760||swivel||Y||1/4000s||6.0/s||Y||n|
|7.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|8.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|9.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0/s||n||n|
|10.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|11.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|12.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|13.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|14.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|15.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0/s||n||Y|
|16.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|17.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the G9 and the X-E4 is in-body image stabilization (IBIS). The G9 reduces the risk of handshake-induced blur with all attached lenses, while the X-E4 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The G9 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-E4 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E4 and the Panasonic G9 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-E4 and the G9 write their files to SDXC cards. The G9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-E4 only has one slot. The G9 supports UHS-II cards (on both slots), while the X-E4 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E4 and Panasonic Lumix DC-G9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-E4||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|2.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|3.||Fujifilm X-T30 II||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|4.||Fujifilm X-T200||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|5.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|6.||Fujifilm X-A7||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|8.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|9.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|10.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|15.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|16.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|17.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the G9 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-E4 lacks such a headphone port.
Studio photographers will appreciate that the Panasonic G9 (unlike the X-E4) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-E4 and the G9 are recent models that are part of the current product line-up. The X-E4 replaced the earlier Fujifilm X-E3, while the G9 does not have a direct predecessor. Further information on the features and operation of the X-E4 and G9 can be found, respectively, in the Fujifilm X-E4 Manual (free pdf) or the online Panasonic G9 Manual.
So how do things add up? Which of the two cameras – the Fujifilm X-E4 or the Panasonic G9 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm X-E4:
- More detail: Offers more megapixels (26 vs 20.2MP) with a 16% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- More compact: Is smaller (121x73mm vs 137x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 294g or 45 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More modern: Reflects 3 years and 2 months of technical progress since the G9 launch.
Reasons to prefer the Panasonic Lumix DC-G9:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.62x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 8 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been around for much longer (launched in November 2017).
If the count of relative strengths (bullet points above) is taken as a measure, the G9 is the clear winner of the contest (17 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E4 and the Panasonic G9 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the X-E4 or the G9 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-E4||4/5||..||4/5||..||4.5/5||4/5||Jan 2021||849||amazon.com|
|2.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699||amazon.com|
|3.||Fujifilm X-T30 II||5/5||..||4/5||..||4.5/5||4.5/5||Sep 2021||899||amazon.com|
|4.||Fujifilm X-T200||3.5/5||..||4/5||82/100||4/5||4.5/5||Jan 2020||699||amazon.com|
|5.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899||ebay.com|
|6.||Fujifilm X-A7||3/5||..||3.5/5||81/100||4/5||3.5/5||Sep 2019||499||amazon.com|
|7.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399||ebay.com|
|8.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899||ebay.com|
|9.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899||ebay.com|
|10.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899||ebay.com|
|11.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399||ebay.com|
|12.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699||ebay.com|
|13.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799||ebay.com|
|14.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999||ebay.com|
|15.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699||amazon.com|
|16.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999||ebay.com|
|17.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999||amazon.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds Mark III vs Panasonic G9
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- Canon G5 X vs Fujifilm X-E4
- Canon M3 vs Fujifilm X-E4
- Fujifilm GFX 50S vs Fujifilm X-E4
- Fujifilm X-E4 vs Hasselblad X1D II
- Fujifilm X-E4 vs Nikon 1 V1
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- Leica M-E Typ 240 vs Panasonic G9
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Specifications: Fujifilm X-E4 vs Panasonic G9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E4||Panasonic G9|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||January 2021||November 2017|
|Launch Price||USD 849||USD 1,699|
|Sensor Specs||Fujifilm X-E4||Panasonic G9|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||26 Megapixels||20.2 Megapixels|
|Image Resolution||6240 x 4160 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.76 μm||3.34 μm|
|Pixel Density||7.08 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||160 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||80 - 51,200 ISO||100 - 25,600 ISO|
|Image Processor||X-Processor 4||Venus 10|
|Screen Specs||Fujifilm X-E4||Panasonic G9|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||3680k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Fujifilm X-E4||Panasonic G9|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||20 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Fujifilm X-E4||Panasonic G9|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 3.2||USB 3.0|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm X-E4||Panasonic G9|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||380 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||USB charging|
121 x 73 x 33 mm
(4.8 x 2.9 x 1.3 in)
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
|Camera Weight||364 g (12.8 oz)||658 g (23.2 oz)|
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