Fujifilm X-E3 vs Panasonic LX15
The Fujifilm X-E3 and the Panasonic Lumix DMC-LX15 (labelled Panasonic LX10 in some countries) are two digital cameras that were announced, respectively, in September 2017 and September 2016. The X-E3 is a mirrorless interchangeable lens camera, while the LX15 is a fixed lens compact. The cameras are based on an APS-C (X-E3) and an one-inch (LX15) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E3 and the Panasonic Lumix DMC-LX15? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-E3 and the Panasonic LX15. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX15 is notably smaller (29 percent) than the Fujifilm X-E3. In this context, it is worth noting that neither the X-E3 nor the LX15 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens built in, whereas the X-E3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-E3 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the X-E3 gets 350 shots out of its NP-W126S battery, while the LX15 can take 260 images on a single charge of its DMW-BLH7 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|2.||Panasonic LX15||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|4.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|5.||Fujifilm X-E4||121 mm||73 mm||33 mm||364 g||380||n||Jan 2021||849|
|6.||Fujifilm X-T30 II||118 mm||83 mm||47 mm||383 g||380||n||Sep 2021||899|
|7.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|8.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|9.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|10.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|11.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399|
|12.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|13.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|14.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|15.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|16.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|17.||Panasonic TZ100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX15 was launched at a lower price than the X-E3, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-E3 features an APS-C sensor and the Panasonic LX15 an one-inch sensor. The sensor area in the LX15 is 68 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the X-E3 offers a higher resolution than the LX15 (20MP), but the X-E3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 2.41μm for the LX15) due to its larger sensor. Moreover, the X-E3 is a somewhat more recent model (by 11 months) than the LX15, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-E3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E3 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX15 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The X-E3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-E3 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-LX15 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|4.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||227||61|
|6.||Fujifilm X-T30 II||APS-C||26.0||6240||4160||4K/30p||24.2||13.8||2144||85|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-E3 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X-E3, the Panasonic LX15, and comparable cameras.
|1.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0/s||n||n|
|2.||Panasonic LX15||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0/s||Y||Y|
|3.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|4.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|5.||Fujifilm X-E4||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0/s||n||n|
|6.||Fujifilm X-T30 II||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0/s||Y||n|
|7.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|8.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|9.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|10.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|11.||Fujifilm X-A10||none||n||3.0 / 1040||tilting||n||1/4000s||6.0/s||Y||n|
|12.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|13.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|14.||Fujifilm X-E2||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|15.||Panasonic TZ200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|16.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|17.||Panasonic TZ100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The LX15 has one, while the X-E3 does not. While the built-in flash of the LX15 is not very powerful, it can at times be useful as a fill-in light.The LX15 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-E3 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E3 and the Panasonic LX15 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-E3 and the LX15 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E3 and Panasonic Lumix DMC-LX15 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Panasonic LX15||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Fujifilm X-E4||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|6.||Fujifilm X-T30 II||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|7.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|8.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-A10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Fujifilm X-E2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Panasonic TZ200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|16.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Panasonic TZ100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
It is notable that the X-E3 has a hotshoe, while the LX15 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the X-E3 and the LX15 are recent models that are part of the current product line-up. The LX15 replaced the earlier Panasonic LX7, while the X-E3 followed on from the Fujifilm X-E2S. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So how do things add up? Is the Fujifilm X-E3 better than the Panasonic LX15 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-E3:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (350 versus 260) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Is somewhat more recent (announced 11 months after the LX15).
Arguments in favor of the Panasonic Lumix DMC-LX15:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the X-E3 necessitates an extra lens.
- More compact: Is smaller (106x60mm vs 121x74mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the X-E3).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the X-E3 emerges as the winner of the contest (14 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E3 and the Panasonic LX15 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-E3 or the LX15. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|2.||Panasonic LX15||..||+ +||..||81/100||4/5||4.5/5||Sep 2016||699|
|3.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|4.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|5.||Fujifilm X-E4||4/5||..||4/5||..||4.5/5||4/5||Jan 2021||849|
|6.||Fujifilm X-T30 II||..||..||..||..||..||..||Sep 2021||899|
|7.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899|
|8.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399|
|9.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|10.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|11.||Fujifilm X-A10||..||..||..||..||4/5||4/5||Dec 2016||399|
|12.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|13.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|14.||Fujifilm X-E2||4/5||..||..||80/100||4.5/5||5/5||Oct 2013||999|
|15.||Panasonic TZ200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|16.||Panasonic TZ90||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|17.||Panasonic TZ100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark II vs Fujifilm X-E3
- Canon G5 X Mark II vs Fujifilm X-E3
- Canon G9 X vs Panasonic LX15
- Canon T3i vs Fujifilm X-E3
- Fujifilm X-E3 vs Fujifilm X100S
- Fujifilm X-E3 vs Panasonic GF2
- Fujifilm X-E3 vs Sony RX0
- Leica X Vario vs Panasonic LX15
- Olympus E-M1X vs Panasonic LX15
- Olympus E-PL10 vs Panasonic LX15
- Panasonic LX15 vs Pentax K-70
- Panasonic LX15 vs Sony NEX-F3
Specifications: Fujifilm X-E3 vs Panasonic LX15
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E3||Panasonic LX15|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm X mount lenses||24-72mm f/1.4-2.8|
|Launch Date||September 2017||September 2016|
|Launch Price||USD 899||USD 699|
|Sensor Specs||Fujifilm X-E3||Panasonic LX15|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.6 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||368.16 mm2||116.16 mm2|
|Sensor Diagonal||28.3 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.92 μm||2.41 μm|
|Pixel Density||6.52 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||80 - 25,600 ISO|
|Image Processor||X-Processor Pro||Venus|
|Screen Specs||Fujifilm X-E3||Panasonic LX15|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Fujifilm X-E3||Panasonic LX15|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-E3||Panasonic LX15|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm X-E3||Panasonic LX15|
|Battery Life (CIPA)||350 shots per charge||260 shots per charge|
|In-Camera Charging||USB charging||USB charging|
121 x 74 x 43 mm
(4.8 x 2.9 x 1.7 in)
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
|Camera Weight||337 g (11.9 oz)||310 g (10.9 oz)|
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