Panasonic FZ1000 II vs LX15
The Panasonic Lumix DC-FZ1000 II and the Panasonic Lumix DMC-LX15 (labelled Panasonic LX10 in some countries) are two digital cameras that were announced, respectively, in February 2019 and September 2016. Both the FZ1000 II and the LX15 are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ1000 II||Panasonic LX15|
|Fixed lens compact camera||Fixed lens compact camera|
|25-400mm f/2.8-4.0||24-72mm f/1.4-2.8|
|20 MP, 1" Sensor||20 MP, 1" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 125-12800 (80-25600)||ISO 125-12800 (80-25600)|
|Electronic viewfinder (2360k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1240k dots||3.0" LCD, 1040k dots|
|Swivel touchscreen||Tilting touchscreen|
|12 shutter flaps per second||10 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|350 shots per battery charge||260 shots per battery charge|
|136 x 97 x 131 mm, 810 g||106 x 60 x 42 mm, 310 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FZ1000 II and the Panasonic Lumix DMC-LX15? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ1000 II and the Panasonic LX15 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The LX15 can be obtained in two different colors (black, silver), while the FZ1000 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX15 is considerably smaller (52 percent) than the Panasonic FZ1000 II. Moreover, the LX15 is substantially lighter (62 percent) than the FZ1000 II. In this context, it is worth noting that neither the FZ1000 II nor the LX15 are weather-sealed.
Concerning battery life, the FZ1000 II gets 350 shots out of its DMW-BLC12 battery, while the LX15 can take 260 images on a single charge of its DMW-BLH7 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic FZ1000 II»||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic LX15«||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX15|
|Canon G5 X Mark II« »||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon G7 X Mark III« »||4.1 in||2.4 in||1.6 in||10.7 oz||235||n||Jul 2019||749||Canon G7 X Mark III|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Leica V-LUX 5« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic TZ200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic TZ200|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic TZ90|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic TZ100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||Panasonic TZ100|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||Panasonic FZ1000|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||Sony RX100 IV|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX15 was launched at a somewhat lower price (by 22 percent) than the FZ1000 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixels. This similarity in sensor specs implies that both the FZ1000 II and the LX15 have the same pixel density, as well as the same pixel size. It should, however, be noted that the FZ1000 II is much more recent (by 2 years and 4 months) than the LX15, and its sensor will have benefitted from technological advances during this time.
The Panasonic Lumix DC-FZ1000 II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The Panasonic Lumix DMC-LX15 offers exactly the same ISO settings.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ1000 II|
|Panasonic LX15||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic LX15|
|Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Canon G5 X Mark II|
|Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Canon G7 X Mark III|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G7 X Mark II|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G5 X|
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Leica V-LUX 5|
|Leica C-LUX||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Leica C-LUX|
|Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..||Panasonic LX100 II|
|Panasonic TZ200||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic TZ200|
|Panasonic ZS200||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic ZS200|
|Panasonic TZ90||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic FZ2500||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ2500|
|Panasonic TZ100||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic TZ100|
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ1000 II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic FZ1000 II, the Panasonic LX15, and comparable cameras.
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic LX15||none||n||3.0||1040||tilting||Y||1/4000s||10.0||Y||Y||Panasonic LX15|
|Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon G7 X Mark III||none||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G7 X Mark III|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Leica C-LUX||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic TZ200||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic TZ200|
|Panasonic ZS200||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Panasonic TZ90||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic FZ2500||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Panasonic TZ100||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic TZ100|
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ1000 II and the Panasonic LX15 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FZ1000 II and the LX15 have zoom lenses built in. The FZ1000 II has a 25-400mm f/2.8-4.0 optic and the LX15 offers a 24-72mm f/1.4-2.8 (focal lengths in full frame equivalent terms). Hence, the LX15 provides a wider angle of view at the short end than the FZ1000 II, but less tele-photo reach at the long end. The LX15 offers the faster maximum aperture.
Concerning the storage of imaging data, both the FZ1000 II and the LX15 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FZ1000 II and Panasonic Lumix DMC-LX15 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic LX15||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX15|
|Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon G7 X Mark III||-||stereo||mono||Y||-||micro||3.1||Y||-||Y||Canon G7 X Mark III|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Leica C-LUX||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic TZ200||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ200|
|Panasonic ZS200||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS200|
|Panasonic TZ90||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic FZ2500||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Panasonic TZ100||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ100|
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the FZ1000 II has a hotshoe, while the LX15 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the FZ1000 II and the LX15 are recent models that are part of the current product line-up. The LX15 replaced the earlier Panasonic LX7, while the FZ1000 II followed on from the Panasonic FZ1000. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic FZ1000 II and the Panasonic LX15? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DC-FZ1000 II:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (350 versus 260) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 2 years and 4 months of technical progress since the LX15 launch.
Arguments in favor of the Panasonic Lumix DMC-LX15:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (106x60mm vs 136x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 500g or 62 percent) and is thus easier to take along.
- More affordable: Was released into a lower priced segment (22 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the FZ1000 II emerges as the winner of the contest (10 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ1000 II and the Panasonic LX15 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the FZ1000 II or the LX15. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark II vs Panasonic LX15
- Canon 30D vs Panasonic FZ1000 II
- Canon G1 X Mark II vs Panasonic LX15
- Fujifilm GFX 100 vs Panasonic FZ1000 II
- Leica V-LUX 1 vs Panasonic LX15
- Nikon A1000 vs Panasonic FZ1000 II
- Nikon Coolpix A vs Panasonic FZ1000 II
- Nikon Z50 vs Panasonic FZ1000 II
- Nikon Z6 vs Panasonic FZ1000 II
- Olympus XZ-2 vs Panasonic FZ1000 II
- Panasonic GM5 vs Panasonic LX15
- Panasonic LX15 vs Sigma fp
Specifications: Panasonic FZ1000 II vs Panasonic LX15
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ1000 II||Panasonic LX15|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-400mm f/2.8-4.0||24-72mm f/1.4-2.8|
|Launch Date||February 2019||September 2016|
|Launch Price||USD 899||USD 699|
|Sensor Specs||Panasonic FZ1000 II||Panasonic LX15|
|Sensor Format||1" Sensor||1" Sensor|
|Sensor Size||13.2 x 8.8 mm||13.2 x 8.8 mm|
|Sensor Area||116.16 mm2||116.16 mm2|
|Sensor Diagonal||15.9 mm||15.9 mm|
|Sensor Resolution||20 Megapixels||20 Megapixels|
|Image Resolution||5472 x 3648 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.41 μm||2.41 μm|
|Pixel Density||17.18 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125-12800 ISO||125-12800 ISO|
|ISO Boost||80-25600 ISO||80-25600 ISO|
|Screen Specs||Panasonic FZ1000 II||Panasonic LX15|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1240k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic FZ1000 II||Panasonic LX15|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ1000 II||Panasonic LX15|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic FZ1000 II||Panasonic LX15|
|Battery Life (CIPA)||350 shots per charge||260 shots per charge|
|In-Camera Charging||USB charging||USB charging|
136 x 97 x 131 mm
(5.4 x 3.8 x 5.2 in)
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
|Camera Weight||810 g (28.6 oz)||310 g (10.9 oz)|
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